Lew White papers

id
3834
origination
White, Lew
date statement
1931-1936
key date
1931
identifier (local_mss)
21670
org unit
Billy Rose Theatre Division
call number
*T-Mss 2003-032
b-number
b15823901
total components
0
total series
0
max depth
N/A
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:04:52 UTC
updated
2015-10-30 21:24:25 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

unitid
{"value"=>"*T-Mss 2003-032", "type"=>"local_call"}
{"value"=>"21670", "type"=>"local_mss"}
unittitle
{"value"=>"Lew White papers"}
unitdate
{"value"=>"1931-1936", "type"=>"inclusive", "normal"=>"1931/1936"}
physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"(1 portfolio)"}], "supress_display"=>true}
date_inclusive_start
1931
date_inclusive_end
1936
origination
{"value"=>"White, Lew", "type"=>"persname"}
bioghist
{"value"=>"<p>Lew White (1902?-1955) was a keyboard musician who specialized as an organist, touring theaters and college campuses across the United States, performing on radio, in short films, and recording for various companies. Born in Philadelphia, Lew White studied violin as a boy with his father, a prominent music teacher, and later graduated from the Philadelphia Conservatory of Music. In the silent movie era White provided accompaniment for films, and for a time was in charge of the 'Mighty Wurlitzer' organ at New York's Roxy Theatre, accompanying live stage shows. During the period when talkies were replacing live entertainment White continued to tour the United States as a successful attraction. In addition to his performing, White also maintained a studio in New York, the White Institute of Organ, Inc., where he gave music lessons and sold organs. Lew White was also active in the development of new electrical keyboard instruments such as the Electrovox. Lew White died in New York in March of 1955 at the age of 52.</p>", "supress_display"=>true}
scopecontent
{"value"=>"<p>The Lew White papers consist mostly of correspondence concerning White's career as a touring performer in the mid-1930s. Although White had an agent who managed his bookings, it appears that he nonetheless handled much of his own business and promotional correspondence himself. Most of his letters concern the business side of touring, such as scheduling, fees, ticketing, advertising, etc. There is also material pertaining to a 1934 variety show radio broadcast in which Lew White participated as performer and director.</p>", "supress_display"=>true}
acqinfo
{"accession_number"=>"THE Mss 2003-032"}
{"source"=>"found in cage file", "extent"=>"1 o"}
keydate
1931
prefercite
{"value"=>"Lew White papers, Billy Rose Theatre Division, The New York Public Library"}
abstract
{"value"=>"Lew White (1902?-1955) was a keyboard musician who specialized as an organist, touring theaters and college campuses across the United States, performing on radio, in short films, and recording for various companies. Born in Philadelphia, Lew White studied violin as a boy with his father, a prominent music teacher, and later graduated from the Philadelphia Conservatory of Music. In the silent movie era White provided accompaniment for films, and for a time was in charge of the 'Mighty Wurlitzer' organ at New York's Roxy Theatre, accompanying live stage shows. During the period when talkies were replacing live entertainment White continued to tour the United States as a successful attraction. In addition to his performing, White also maintained a studio in New York, the White Institute of Organ, Inc., where he gave music lessons and sold organs. Lew White was also active in the development of new electrical keyboard instruments such as the Electrovox. Lew White died in New York in March of 1955 at the age of 52. The Lew White papers consist mostly of correspondence concerning White's career as a touring performer in the mid-1930s. Although White had an agent who managed his bookings, it appears that he nonetheless handled much of his own business and promotional correspondence himself. Most of his letters concern the business side of touring, such as scheduling, fees, ticketing, advertising, etc. There is also material pertaining to a 1934 variety show radio broadcast in which Lew White participated as performer and director.", "generated"=>true}
extent_statement
(1 portfolio)
date_start
1931
date_end
1936

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