Letters from John Van Druten

Description data TOP

unitid

{"value"=>"*T-Mss 2001-035", "type"=>"local_call"}

{"value"=>"21562", "type"=>"local_mss"}

unittitle

{"value"=>"Letters from John Van Druten"}

unitdate

{"value"=>"1929-1931", "type"=>"inclusive", "normal"=>"1929/1931"}

physdesc

{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>".21 lf. (1 box of material)"}], "supress_display"=>true}

date_inclusive_start

1929

date_inclusive_end

1931

origination

{"value"=>"Houston, D. Franklin", "type"=>"persname"}

bioghist

{"value"=>"<p>John Van Druten (1901-1957) was an Anglo-American playwright, theatrical director, screenwriter, and novelist. Born in London of a Dutch father and an English mother, Van Druten was educated at London's University College School. His controversial play YOUNG WOODLEY (1928), initially prohibited, was eventually staged successfully in London and New York. Van Druten's later plays include THERE'S ALWAYS JULIET (1931), OLD ACQUAINTANCE (1940), the hugely successful VOICE OF THE TURTLE (1943), and BELL, BOOK, AND CANDLE (1950). Van Druten adapted several of these plays into film versions, and also wrote original screenplays, including UNFAITHFUL (1931) for Ruth Chatterton. Van Druten adapted Christopher Isherwood's BERLIN STORIES into the play I AM A CAMERA, which was made into a movie and later musicalized on stage and screen as CABARET. Van Druten's novels include A WOMAN ON HER WAY (1931) and THE VICARIOUS YEARS (1956). John Van Druten died on Dec. 19, 1957, at the age of 56.</p>", "supress_display"=>true}

scopecontent

{"value"=>"<p>John Van Druten's letters to his friend D. Franklin Houston were written between Feb. 1929 to March 1931, from London, various places in France, and later from Hollywood, where Van Druten was writing a screenplay. Van Druten writes about his novel in progress, ELINOR, later to be retitled A WOMAN ON HER WAY, expresses his opinions about current plays in London, writes heartfelt but obscure notes about love affairs gone awry, and expresses disdain for the Hollywood movie industry. Also included is a very brief note to Houston from Noel Coward.</p>", "supress_display"=>true}

acqinfo

{"accession_number"=>"THE 2001-035"}

{"extent"=>".21 o"}

keydate

1929

prefercite

{"value"=>"Letters from John Van Druten, Billy Rose Theatre Division, The New York Public Library"}

abstract

{"value"=>"John Van Druten (1901-1957) was an Anglo-American playwright, theatrical director, screenwriter, and novelist. Born in London of a Dutch father and an English mother, Van Druten was educated at London's University College School. His controversial play YOUNG WOODLEY (1928), initially prohibited, was eventually staged successfully in London and New York. Van Druten's later plays include THERE'S ALWAYS JULIET (1931), OLD ACQUAINTANCE (1940), the hugely successful VOICE OF THE TURTLE (1943), and BELL, BOOK, AND CANDLE (1950). Van Druten adapted several of these plays into film versions, and also wrote original screenplays, including UNFAITHFUL (1931) for Ruth Chatterton. Van Druten adapted Christopher Isherwood's BERLIN STORIES into the play I AM A CAMERA, which was made into a movie and later musicalized on stage and screen as CABARET. Van Druten's novels include A WOMAN ON HER WAY (1931) and THE VICARIOUS YEARS (1956). John Van Druten died on Dec. 19, 1957, at the age of 56. John Van Druten's letters to his friend D. Franklin Houston were written between Feb. 1929 to March 1931, from London, various places in France, and later from Hollywood, where Van Druten was writing a screenplay. Van Druten writes about his novel in progress, ELINOR, later to be retitled A WOMAN ON HER WAY, expresses his opinions about current plays in London, writes heartfelt but obscure notes about love affairs gone awry, and expresses disdain for the Hollywood movie industry. Also included is a very brief note to Houston from Noel Coward.", "generated"=>true}

extent_statement

.21 linear feet. (1 box of material)

date_start

1929

date_end

1931

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