Jo Mielziner papers

id
3191
origination
Mielziner, Jo, 1901-1976
date statement
1903-1976
key date
1903
identifier (local_mss)
21477
org unit
Billy Rose Theatre Division
call number
*T-Mss 1993-002
b-number
b14699862
total components
1014
total series
13
max depth
3
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:04:41 UTC
updated
2026-08-15 02:29:43 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

unitid
{"value"=>"*T-Mss 1993-002", "type"=>"local_call"}
{"value"=>"21477", "type"=>"local_mss"}
unitdate
{"value"=>"1903-1976", "type"=>"inclusive", "normal"=>"1903/1976"}
unittitle
{"value"=>"Jo Mielziner papers"}
physdesc
{"format"=>"simple", "value"=>"45 lin. ft. (112 boxes)"}
repository
{"value"=>"<span class=\"corpname\">The New York Public Library. Billy Rose Theatre Division.</span><div class=\"address\"> <span class=\"addressline\">New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center</span><span class=\"addressline\">40 Lincoln Center Plaza, New York, NY 10023-7498</span></div>"}
abstract
{"value"=>"Jo Mielziner, set and lighting designer, theater architect and consultant. The collection consists of personal papers, personal and professional correspondence, production materials, office and financial files, writings, professional appearance and exhibition files, photographs, scrapbooks and subject files documenting the life and career of Jo Mielziner."}
prefercite
{"value"=>"<p>Jo Mielziner Papers, *T-Mss 1993-002, Billy Rose Theatre Division, The New York Public Library for the Performing Arts.</p>"}
origination
{"value"=>"Mielziner, Jo, 1901-1976", "type"=>"persname"}
bioghist
{"value"=>"<p>Born in Paris in 1901, Jo (born Joseph) Mielziner became in adulthood the quintessential New Yorker, leaving for short periods of time only when it was necessary in his work. His father Leo, of middle-European Jewish ancestry, was an artist in Paris at the time of his birth; his mother Ella Friend, of mixed colonial and recent Irish immigrant heritage, was a correspondent for <span class=\"title\">Vogue Magazine</span> and a freelance journalist. The family returned to America in 1909. Jo and his older brother Leo, Jr. attended the Ethical Culture School in New York but were never graduated. Jo turned to art study at the Pennsylvania Academy of Art in Philadelphia and Leo, Jr. became an actor under the name Kenneth MacKenna.</p> <p>It was Kenneth who introduced Jo to the theater and urged him to follow a career as a scene designer. He worked as an apprentice and assistant to Robert Edmond Jones and Lee Simonson, both leading exponents of the New Stagecraft, a movement that emphasized the importance of scenery in the interpretation of a play or musical. Their insistence on making the designer a full collaborator in the production process brought a new day to stage art in America. Mielziner struck out on his own, gaining confidence in his ability to ferret out the right scenic metaphor for the production. He soon outstripped his mentors. His first real success was his designing for <span class=\"title\">The Guardsman</span> (1924), an early Theatre Guild production that brought attention to both the producing company and the designer. Between 1924 and his death in 1976, he designed some 270 plays, musicals, revues, and an occasional opera, movie and ballet. Among them were such memorable successes as <span class=\"title\">Strange Interlude</span>, <span class=\"title\">Death of a Salesman</span>, <span class=\"title\">A Streetcar Named Desire</span>, <span class=\"title\">Carousel</span>, <span class=\"title\">The King and I</span>, <span class=\"title\">South Pacific</span>, <span class=\"title\">Of Thee I Sing</span>, the <span class=\"title\">Little Shows</span>,<span class=\"title\"> Look Homeward, Angel</span>, <span class=\"title\">Tea and Sympathy</span>, <span class=\"title\">Picnic</span>, the motion picture <span class=\"title\">Picnic</span>, the ballet <span class=\"title\">Slaughter on Tenth Avenue</span>, and the opera <span class=\"title\">The Emperor Jones</span>.</p> <p>Midway in his career, he turned his attention to the architecture of theaters out of his own displeasure in working in small, cramped and under-equipped stages and auditoriums. Although many of the projects on which he worked never came to fruition, his most notable achievements were the Vivian Beaumont Theatre, the Wake Forest University Theatre, the Power Center at the University of Michigan, Denver Theatre Center, and the Mark Taper Forum. From time to time, he also designed for such special projects as the Vatican display of the Pieta at the New York World's Fair, the White House East Room stage, and the convocation of the United Nations organization in San Francisco in 1945.</p> <p>Mielziner lived and worked most of his life at the Dakota apartment house in New York, and died suddenly in a taxicab four days short of his 75th birthday.</p>"}
custodhist
{"value"=>"<p>The Jo Mielziner materials came to the New York Public Library for the Performing Arts after his death in 1976, according to his deed of gift.</p>"}
scopecontent
{"value"=>"<p>The Jo Mielziner papers span the years 1903-1976, reflecting his long and varied career as set and lighting designer, theater architect and consultant, writer, and speaker. The largest parts of the collection are the production files and architectural and design projects which consist of fifty-six boxes. The oversized designs have been cataloged as *T-VIM 1993-002, Jo Mielziner Designs and Technical Drawings, and have a separate finding aid. Both production and architectural project files include extensive amounts of technical drawings, painter's elevations, rough sketches, renderings, materials samples, notes, and correspondence. Almost every play, musical, ballet, opera or project Mielziner worked on is represented and, for the most part, can be followed from inception to finished technical drawings.</p> <p>Mielziner corresponded with notable theater people of his time, many of them not only colleagues but friends, as well. Twenty-one boxes of correspondence include letters from <span class=\"persname\">Brooks Atkinson</span>, <span class=\"persname\">Lucinda Ballard</span>, <span class=\"persname\">Harold Clurman</span>, <span class=\"persname\">Henry Fonda</span>, <span class=\"persname\">Leland Hayward</span>, <span class=\"persname\">Elia Kazan</span>, <span class=\"persname\">Joshua Logan</span>, <span class=\"persname\">Mary Martin</span>, <span class=\"persname\">Laurence Olivier</span>, <span class=\"persname\">Richard Rodgers</span> and <span class=\"persname\">Oscar Hammerstein</span>, <span class=\"persname\">Rosalind Russell</span>, <span class=\"persname\">Irene Selznick</span>, and <span class=\"persname\">Tennessee Williams</span> among many others. Letters and memos noting his active participation in <span class=\"corpname\">American National Theatre and Academy</span> (ANTA), <span class=\"corpname\">United States Institute for Theatre Technology</span> (USITT), <span class=\"corpname\">United Scenic Artists Local 807</span>, and other organizations are also part of the collection.</p> <p>Family correspondence is included with personal papers, which also house a book of sketches by Mielziner when he was twelve, notes about his childhood by his mother, and papers related to his residences and studios.</p> <p>The remainder of the collection consists of office and financial files, drafts and notes for his books <span class=\"title\">Designing for the Theatre</span>and <span class=\"title\">The Shapes of Our Theatre</span>, notes for many of his personal appearances and lists of exhibitions of his designs. The photograph series is largely production related but does include some portraits and snapshots of Mielziner and photos from his time in the military. Clippings in an oversized scrapbook give insight into the early days of the young designer.</p>"}
{"value"=>"<p class='list-head'>The Jo Mielziner papers are arranged in thirteen series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/the/21477#c304719'>Series I: Personal Papers</a></div>\n<div class='series-date'>1903-1973</div>\n<div class='series-description'><p>Included in this series are biographical materials; Mielziner family correspondence; medical papers; Christmas card lists; papers concerning Mielziner's residences and offices; correspondence documenting his bequest to the <span class=\"corpname\">New York Public Library</span>; correspondence re awards and honorary degrees; book, script and art inventories; a book of early sketches by Mielziner; notes about his childhood by his mother; and his Army papers.</p></div></li><li><div class='series-title'><a href='/the/21477#c304753'>Series II: Correspondence</a></div>\n<div class='series-date'>1924-1976</div>\n<div class='series-description'><p>This series consists of both personal and professional correspondence. Well-known correspondents include actors, directors, writers and designers. Some correspondents include: <span class=\"persname\">George Abbott</span>, <span class=\"persname\">Walter Abel</span>, <span class=\"persname\">Brian Aherne</span>, <span class=\"persname\">Edward Albee</span>, <span class=\"persname\">Theoni V. Aldredge</span>, <span class=\"persname\">Maxwell Anderson</span>, <span class=\"persname\">Robert Anderson</span>, <span class=\"persname\">Sherwood Anderson</span>, <span class=\"persname\">Joseph Anthony</span>, <span class=\"persname\">Robert Ardrey</span>, <span class=\"persname\">Brooks Atkinson</span>, <span class=\"persname\">Lemuel Ayers</span>, <span class=\"persname\">Word Baker</span>, <span class=\"persname\">Lucinda Ballard</span>, <span class=\"persname\">Anne Baxter</span>, <span class=\"persname\">Cecil Beaton</span>, <span class=\"persname\">Hugh Beaumont</span>, <span class=\"persname\">S.N. Behrman</span>, <span class=\"persname\">Uta Hagen</span> and <span class=\"persname\">Herbert Berghof</span>, <span class=\"persname\">Irving Berlin</span>, <span class=\"persname\">Claire Bloom</span>, <span class=\"persname\">Kermit Bloomgarden</span>, <span class=\"persname\">Shirley Booth</span>, <span class=\"persname\">Charles Boyer</span>, <span class=\"persname\">Romney Brent</span>, <span class=\"persname\">Leslie Bricusse</span>, <span class=\"persname\">Freddie Brisson</span>, <span class=\"persname\">Peter Brook</span>, <span class=\"persname\">John Mason Brown</span>, <span class=\"persname\">Abe Burrows</span>, <span class=\"persname\">Zoe Caldwell</span>, Morris and Phoebe Carnovsky, <span class=\"persname\">Gower Champion</span>, <span class=\"persname\">Schuyler Chapin</span>, <span class=\"persname\">Paddy Chayevsky</span>, <span class=\"persname\">Harold Clurman</span>, <span class=\"persname\">Alvin Colt</span>, <span class=\"persname\">Patricia Collinge</span>, <span class=\"corpname\">Comden and Green</span>, <span class=\"persname\">Katharine Cornell</span>, <span class=\"persname\">Edward Gordon Craig</span>, <span class=\"persname\">Cheryl Crawford</span>, <span class=\"persname\">Hume Cronyn</span>, <span class=\"persname\">Russel Crouse</span>, <span class=\"persname\">Morton DaCosta</span>, <span class=\"persname\">Millia Davenport</span>, <span class=\"persname\">Joe Davis</span>, <span class=\"persname\">Alfred DeLiagre</span>, <span class=\"persname\">Agnes DeMille</span>, <span class=\"persname\">Colleen Dewhurst</span>, <span class=\"persname\">Howard Dietz</span>, <span class=\"persname\">Ian Dow</span>, <span class=\"persname\">Eddie Dowling</span>, <span class=\"persname\">Mildred Dunnock</span>, <span class=\"persname\">Florence Eldridge</span>, <span class=\"persname\">Lehman Engel</span>, <span class=\"persname\">Edith Evans</span>, <span class=\"persname\">Nanette Fabray</span>, <span class=\"persname\">Edna Ferber</span>, <span class=\"persname\">Jose Ferrer</span>, <span class=\"corpname\">Feuer and Martin</span>, <span class=\"persname\">Zelda Fichandler</span>, <span class=\"persname\">Betty Field</span>, <span class=\"corpname\">Dorothy and Herbert Fields</span>, <span class=\"persname\">Henry Fonda</span>, <span class=\"persname\">Ketti Frings</span>, <span class=\"persname\">John Gassner</span>, <span class=\"persname\">John Gielgud</span>, <span class=\"persname\">Lillian Gish</span>, <span class=\"persname\">Ruth Gordon</span>, <span class=\"persname\">Mordecai Gorelik</span>, <span class=\"persname\">Peter Glenville</span>, <span class=\"persname\">Tyrone Guthrie</span>, <span class=\"persname\">Frances Goodrich</span>, <span class=\"persname\">Albert Hackett</span>, <span class=\"persname\">Oscar Hammerstein</span>, <span class=\"persname\">E.Y. Harburg</span>, <span class=\"persname\">Hugh Hardy</span>, <span class=\"persname\">Julie Harris</span>, <span class=\"persname\">Rex Harrison</span>, <span class=\"persname\">Moss Hart</span>, <span class=\"persname\">Helen Hayes</span>, <span class=\"persname\">David Hays</span>, <span class=\"persname\">Leland Hayward</span>, <span class=\"persname\">Teresa Helburn</span>, <span class=\"persname\">Lillian Hellman</span>, <span class=\"persname\">Audrey Hepburn</span>, <span class=\"persname\">Katharine Hepburn</span>, <span class=\"persname\">George Roy Hill</span>, <span class=\"persname\">Al Hirschfeld</span>, <span class=\"persname\">Hal Holbrook</span>, <span class=\"persname\">John Houseman</span>, <span class=\"persname\">Sidney Howard</span>, <span class=\"persname\">Peter Hunt</span>, <span class=\"persname\">William Inge</span>, <span class=\"persname\">Dorothy Jeakins</span>, <span class=\"persname\">Margo Jones</span>, <span class=\"persname\">Robert Edmond Jones</span>, <span class=\"persname\">Edward Kook</span>, <span class=\"persname\">Garson Kanin</span>, <span class=\"persname\">George S. Kaufman</span>, <span class=\"persname\">Elia Kazan</span>, <span class=\"famname\">Kennedy Family</span>, <span class=\"persname\">Deborah Kerr</span>, <span class=\"persname\">John Kerr</span>, <span class=\"persname\">Walter Kerr</span>, <span class=\"persname\">Michael Kidd</span>, <span class=\"persname\">Richard Kiley</span>, <span class=\"persname\">Burton Lane</span>, <span class=\"persname\">Michael Langham</span>, <span class=\"persname\">Arthur Laurents</span>, <span class=\"corpname\">Lawrence and Lee</span>, <span class=\"persname\">Gertrude Lawrence</span>, <span class=\"persname\">Ming Cho Lee</span>, <span class=\"persname\">Carolyn Leigh</span>, <span class=\"persname\">Alan Jay Lerner</span>, <span class=\"persname\">Robert Lewis</span>, <span class=\"persname\">Howard Lindsay</span>, <span class=\"persname\">Frank Loesser</span>, <span class=\"persname\">Joshua Logan</span>, <span class=\"persname\">Anita Loos</span>, <span class=\"persname\">Clare Booth Luce</span>, <span class=\"persname\">Alfred Lunt</span>, <span class=\"persname\">Roddy MacDowell</span>, <span class=\"persname\">Guthrie McClintic</span>, <span class=\"corpname\">Mainbocher</span>, <span class=\"persname\">Karl Malden</span>, <span class=\"persname\">Marya Mannes</span>, <span class=\"persname\">Fredric March</span>, <span class=\"persname\">Ernest Martin</span>, <span class=\"persname\">Mary Martin</span>, <span class=\"persname\">Raymond Massey</span>, <span class=\"persname\">Johnny Mercer</span>, <span class=\"persname\">Ethel Merman</span>, <span class=\"persname\">David Merrick</span>, <span class=\"persname\">Oliver Messel</span>, <span class=\"persname\">James Michener</span>, <span class=\"persname\">Arthur Miller</span>, <span class=\"persname\">Worthington Miner</span>, <span class=\"persname\">Tanya Moiseiwitsch</span>, <span class=\"persname\">Grandma Moses</span>, <span class=\"persname\">Elliott Nugent</span>, <span class=\"persname\">Donald Oenslager</span>, <span class=\"persname\">Laurence Olivier</span>, <span class=\"persname\">Eugene O'Neill</span> and his wife, Carlotta, <span class=\"persname\">George Oppenheimer</span>, <span class=\"persname\">Paul Osborn</span>, <span class=\"persname\">Stuart Ostrow</span>, <span class=\"persname\">Geraldine Page</span>, <span class=\"persname\">Estelle Parsons</span>, <span class=\"persname\">John Patrick</span>, <span class=\"persname\">Antoinette Perry</span>, <span class=\"persname\">Cole Porter</span>, <span class=\"persname\">Tyrone Power</span>, <span class=\"persname\">Hal Prince</span>, <span class=\"persname\">Jose Quintero</span>, <span class=\"persname\">Ellis Rabb</span>, <span class=\"persname\">Claude Rains</span>, <span class=\"persname\">Tony Randall</span>, <span class=\"persname\">Elmer Rice</span>, <span class=\"persname\">Ralph Richardson</span>, <span class=\"persname\">Cyril Ritchard</span>, <span class=\"persname\">Carrie F. Robbins</span>, <span class=\"persname\">Jerome Robbins</span>, <span class=\"persname\">Richard Rodgers</span>, <span class=\"persname\">Harold Rome</span>, <span class=\"persname\">Billy Rose</span>, <span class=\"persname\">Rosalind Russell</span>, <span class=\"persname\">Arthur Schwartz</span>, <span class=\"persname\">Marian Seldes</span>, <span class=\"persname\">David O. Selznick</span>, <span class=\"persname\">Irene Sharaff</span>, <span class=\"persname\">Robert Sherwood</span>, <span class=\"persname\">Herman Shumlin</span>, <span class=\"persname\">Phil Silvers</span>, <span class=\"persname\">Cornelia Otis Skinner</span>, <span class=\"persname\">Walter Slezak</span>, <span class=\"persname\">Oliver Smith</span>, <span class=\"persname\">Steven Sondheim</span>, <span class=\"persname\">Roger L. Stevens</span>, <span class=\"persname\">Peter Stone</span>, <span class=\"persname\">Jule Styne</span>, <span class=\"persname\">Margaret Sullavan</span>, <span class=\"persname\">Dore Schary</span>, <span class=\"persname\">Alan Schneider</span>, <span class=\"persname\">Irene Selznick</span>, <span class=\"persname\">Bishop Fulton J. Sheen</span>, <span class=\"persname\">Lee Simonson</span>, <span class=\"persname\">John Steinbeck</span>, <span class=\"persname\">GeorgeTabori</span> and <span class=\"persname\">Viveca Lindfors</span>, <span class=\"persname\">Jessica Tandy</span>, <span class=\"persname\">Howard Teichman</span>,<span class=\"persname\"> John Van Druten</span>, <span class=\"persname\">Gwen Verdon</span>, <span class=\"persname\">Gore Vidal</span>, <span class=\"persname\">Eli Wallach</span>, <span class=\"persname\">Robert Whitehead</span>, the <span class=\"corpname\">White House</span>, <span class=\"persname\">Emlyn Williams</span>, <span class=\"persname\">Tennessee Williams</span>, <span class=\"persname\">Dwight Deere Wiman</span>, <span class=\"persname\">Audrey Wood</span>, <span class=\"persname\">Alexander Woollcott</span>, <span class=\"persname\">Teresa Wright</span>, <span class=\"persname\">Franco Zeffirelli</span> and <span class=\"persname\">Patricia Zipprodt</span>.</p></div></li><li><div class='series-title'><a href='/the/21477#c304920'>Series III: Organizations and Associations,.</a></div>\n<div class='series-date'>1936-1976</div>\n<div class='series-description'><p>Correspondence, memos and newsletters concerning Jo Mielziner's involvement in <span class=\"corpname\">ANTA</span>, <span class=\"corpname\">The Century Association</span>, <span class=\"corpname\">The Coffee House Club</span>, <span class=\"corpname\">United Scenic Artists Local 829</span>, <span class=\"corpname\">United States Institute for Theatre Technology</span>, and the <span class=\"corpname\">U.S. State Department Office of Cultural Presentation.</span></p></div></li><li><div class='series-title'><a href='/the/21477#c304962'>Series IV: Productions</a></div>\n<div class='series-date'>1924-1976</div>\n<div class='series-description'><p>This series includes produced and unproduced works and proposed projects. Most of the files contain production related correspondence, contracts, technical notes, rough sketches and renderings, research materials, cast and crew information, color samples and small technical drawings for plays, musicals, ballets, and operas. [Oversized materials are filed in *T-VIM 1993-002: Designs and Technical Drawings]</p></div></li><li><div class='series-title'><a href='/the/21477#c305504'>Series V: Architectural and Industrial Projects</a></div>\n<div class='series-date'>1930-1975</div>\n<div class='series-description'><p>This series documents Mielziner as designer, co-designer, or consultant for various architectural and industrial projects such as the <span class=\"corpname\">Repertory Theater of Lincoln Center</span> Beaumont and Forum theaters, the <span class=\"corpname\">Denver Center for the Performing Arts</span>, the Ford Foundation Ideal Theater, and the <span class=\"corpname\">NY World's Fair</span> AT & T and Vatican Pavilions, among many others. The files, consisting of memos, correspondence, notes, and some rough sketches, represent completed projects as well as those that were either canceled or refused.</p></div></li><li><div class='series-title'><a href='/the/21477#c305521'>Series VI: Office Files</a></div>\n<div class='series-date'>1923-1975</div>\n<div class='series-description'><p>Office correspondence covers design and domestic personnel, student interns, set design copyrights, and reproductions of Mielziner's designs for publication use. Included are lists of productions and architectural and industrial design projects, technical files (i.e., automatic stage systems to lists of paints and color charts), blueprint records, lists of owners of Mielziner renderings and drawings, and notebooks containing studio storage locations of designs and drawings.</p></div></li><li><div class='series-title'><a href='/the/21477#c305530'>Series VII: Financial Files</a></div>\n<div class='series-date'>1925-1975</div>\n<div class='series-description'><p>Financial files include production costs, expenses, design fees, Broadway show investments, income tax records, and monthly records of disbursements and income. One folder of personal finance information includes lists of the contents of Mielziner's safe deposit box and stocks and bonds.</p></div></li><li><div class='series-title'><a href='/the/21477#c305535'>Series VIII: Writings</a></div>\n<div class='series-date'>1939-1975</div>\n<div class='series-description'><p>The series consists of drafts, correspondence, and notes regarding Mielziner's books <span class=\"title\">Designing for the Theatre</span> and <span class=\"title\">The Shapes of Our Theatre</span>. Box 95 contains articles written by and about Mielziner.</p></div></li><li><div class='series-title'><a href='/the/21477#c305541'>Series IX: Professional Appearances</a></div>\n<div class='series-date'>1940-1976</div>\n<div class='series-description'><p>The files consist of correspondence, lectures, notes, and brochures and document Mielziner's participation in seminars, conferences, and symposia both in the United States and abroad.</p></div></li><li><div class='series-title'><a href='/the/21477#c305547'>Series X: Exhibitions,.</a></div>\n<div class='series-date'>1932-1975</div>\n<div class='series-description'><p>This series, arranged by gallery or institution, consists of brochures, correspondence, and loan agreements for the use of Mielziner's works.</p></div></li><li><div class='series-title'><a href='/the/21477#c305585'>Series XI: Photographs.</a></div>\n<div class='series-description'><p>This series includes photographs from producions, exhibits and the personal life of Jo Mielziner and is arranged in five sub-series.</p></div></li><li><div class='series-title'><a href='/the/21477#c305714'>Series XII: Subject Files</a></div>\n<div class='series-description'><p>The subject files consist of general research files covering such areas as theater architecture, lighting, and nightclubs. Theater articles by <span class=\"persname\">George Oppenheimer</span> are included in this series.</p></div></li><li><div class='series-title'><a href='/the/21477#c305730'>Series XIII: Scrapbooks</a></div>\n<div class='series-date'>1920-1947</div>\n<div class='series-description'><p>An oversized scrapbook is filled with clippings about Mielziner and his career from 1920-1939. The second scrapbook is made up of photographs taken on the occasion of Robert Edmond Jones' 60th birthday at the Coffee House Club.</p></div></li></ul>\n", "type"=>"arrangement"}
arrangement
{"value"=>"<p> <ul class=\"list\"> <li>Series I: Personal Papers</li> <li>Series II: Correspondence</li> <li>Series III: Organizations and Associations</li> <li>Series IV: Productions</li> <li>Series V: Architectural and Industrial Projects</li> <li>Series VI: Office Files</li> <li>Series VII: Financial Files</li> <li>Series VIII: Writings</li> <li>Series IX: Professional Appearances</li> <li>Series X: Exhibitions</li> <li>Series XI: Photographs <ul class=\"list\"> <li>Sub-series 1 - Productions</li> <li>Sub-series 2 - Architecture and Design Projects</li> <li>Sub-series 3 - Exhibitions</li> <li>Sub-series 4 - Personal</li> <li>Sub-series 5 - Oversized</li></ul></li> <li>Series XII: Subject Files</li> <li>Series XIII: Scrapbooks</li></ul></p>", "supress_display"=>true}
acqinfo
{"value"=>"<p>Papers: bequest, Jo Mielziner, 1976</p>"}
separatedmaterial
{"value"=>"<ul class=\"list\"> <li>MWEZ 25163-164; MWEZ 25166-167 - articles and brochures on theater related information</li> <li>Mielziner copyright stamp - *T-Cabinet</li> <li>Autographed photograph of Ernest Martin</li> <li>48 programs to Program files (see list in print finding aid)</li></ul>"}
processinfo
{"value"=>"<p>Processed by Susan McArthur.</p>"}
{"value"=>"<p> From 1994 to1998 the collection was completely re-housed and re-cataloged.</p>"}
relatedmaterial
{"value"=>"<ul class=\"list\"> <li>Jo Mielziner Designs - *T-VIM 1993-002 (in Billy Rose Theatre Division)</li> <li>Jo Mielziner Collection (Boston University)</li></ul>"}
note
{"value"=>"Forms part of: Jo Mielziner papers, designs and technical drawings"}
date_start
1903
keydate
1903
date_end
1976
date_inclusive_start
1903
date_inclusive_end
1976

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