Jean Dalrymple papers

id
3143
origination
Dalrymple, Jean
date statement
1932-1979, undated
key date
1932
identifier (local_mss)
21842
org unit
Billy Rose Theatre Division
call number
*T-Mss 1971-003
b-number
b17054170
total components
1204
total series
3
max depth
7
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:04:40 UTC
updated
2019-05-24 17:38:00 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

unitid
{"value"=>"*T-Mss 1971-003", "type"=>"local_call"}
{"value"=>"21842", "type"=>"local_mss"}
unitdate
{"value"=>"1932-1979", "type"=>"inclusive", "normal"=>"1932/1979"}
{"value"=>"undated", "type"=>"inclusive"}
unittitle
{"value"=>"Jean Dalrymple papers"}
physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"86 linear feet", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"89 boxes", "unit"=>"containers"}], "supress_display"=>true}
repository
{"value"=>"<span class=\"corpname\">The New York Public Library. Billy Rose Theatre Division.</span><div class=\"address\"> <span class=\"addressline\">New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center</span> <span class=\"addressline\">40 Lincoln Center Plaza, New York, NY 10023-7498</span></div>"}
abstract
{"value"=>"The Dalrymple Papers primarily consist of correspondence with individuals and organizations (financial and theatre related agencies) connected with both proposed and produced productions at City Center venues, the Brussels World’s Fair, the New York’s World Fair and with New York City Center staff. Documents that illustrate the practical business of running a theater company such as box office reports, requisitions, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, general publicity and clippings (most in scrapbook format) can be found within this collection."}
prefercite
{"value"=>"<p> Jean Dalrymple Papers, *T-Mss 1971-003. Billy Rose Theatre Division, The New York Public Library for the Performing Arts.</p>"}
origination
{"value"=>"Dalrymple, Jean", "type"=>"persname"}
bioghist
{"value"=>"<p> Jean Van Kirk Dalrymple (b. Sept 2, 1902 Morristown, NJ; d. Nov 15, 1998 New York, NY) was an actress, writer, lecturer and producer. As the daughter of George H. Dalrymple, a concert manager who arranged tours for artists in this country and in Latin America, her interest in the arts was ensured. Her professional career began at the age of 9 with a short story entitled <span class=\"title\">The Spinning Top</span>, continued on with writing sketches for vaudeville, progressed to screen writing (e.g. <span class=\"title\">It Happened in New York</span>, written with Ward Morehouse) and, ultimately, wrote several books on theater and her life within this world (e.g. <span class=\"title\">September Child</span> in 1963 and <span class=\"title\">From the Last Row</span> in 1975). For a time she worked with John Golden, then established her own office as publicist and manager in 1937. She was a publicist or personal manager for such artists as Jose Iturbi, Tallulah Bankhead and Leopold Stokowski. In the late 1940s she produced several shows on Broadway, most notably a revival of <span class=\"title\">Burlesque</span> (1946) and <span class=\"title\">Red Gloves</span> (1948). She was associated with the City Center since its inception (1943), but not until she was named to its board of directors did she start to mount productions there, including <span class=\"title\">King Lear</span>, <span class=\"title\">Mister Roberts</span> and a series of plays with José Ferrer (<span class=\"title\">Cyrano de Bergerac</span>, <span class=\"title\">The Shrike</span>, <span class=\"title\">Richard III</span>, and <span class=\"title\">Charley's Aunt</span>). From 1957 to 1968, Dalrymple was general director of the City Center Light Opera Company, mounting forty-seven revivals of thirty different musicals, the most frequently staged of which were <span class=\"title\">Brigadoon</span> and <span class=\"title\">South Pacific</span>.</p> <p> Dalrymple’s strong influence within the theater world prepared her for her role as coordinator of the U.S. Performing Arts Program for the Brussels World’s Fair in 1958. Her success in this position ensured a managerial role with the New York’s World Fair in 1964/1965.</p> <p> On a personal note, Miss Dalrymple was married in 1932 to Ward Morehouse, New York Sun drama critic. The marriage ended in divorce in 1937. In 1951, she was married to Major General Philip de Witt Ginder. On November 7 1968, Ginder died. Jean Dalrymple passed away on November 15, 1998.</p> <p> <ul class=\"list\"> <li>- Retrieved from http://www.americantheatrewing.org/biography/detail/jean_dalrymple on September 26, 2008</li> <li>- “Woman to Watch: Jean Dalrymple—Publicist for Culture”. March 6, 1958, New York Herald Tribune.</li></ul></p>"}
scopecontent
{"value"=>"<p> The papers, spanning the years 1932-1979, primarily document the professional life of Jean Dalrymple. The collection is arranged in three series: the Office Files series which includes personal papers, correspondence, and clippings for both organizations and personalities; the Production Files series with correspondence, invoices, reports and casting information; and the Scrapbook series which contains clipping filled volumes organized by years.</p> <p> Of particular interest is correspondence found in Office Files, particularly from her second husband Philip de Witt Ginder (box 13, folder 18) and Jessie Royce Landis, and the production files for <span class=\"title\">Brigadoon</span>, <span class=\"title\">Carousel</span>, <span class=\"title\">Le Casa de Te de la Luna de Agosto</span>, <span class=\"title\">Guys and Dolls</span>, <span class=\"title\">The King and I</span>, <span class=\"title\">King Lear</span>, <span class=\"title\">The Most Happy Fella</span>, <span class=\"title\">Oklahoma!</span>, <span class=\"title\">Othello</span>, the various Showcase productions for City Center (Box 37) and <span class=\"title\">South Pacific</span>.</p> <p> Missing from the collection is significant documentation of Jean’s employment with John Golden, Tallulah Bankhead and José Iturbi. In addition, few official records documenting Jean’s marriages, financial status, and other relationships are available within collection.</p>"}
{"value"=>"<p class='list-head'>The Jean Dalrymple papers are arranged in three series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/the/21842#c516909'>Series I: Office Files</a></div>\n<div class='series-date'>1932 - 1979, undated</div>\n<div class='series-description'><p>The Office Files series documents Dalrymples activities with other businesses, primarily theater related associations, through its correspondence, reports, and financial papers within the Organizations sub-series, and with individuals within the Personalities sub-series.</p></div></li><li><div class='series-title'><a href='/the/21842#c517231'>Series II: Production Files</a></div>\n<div class='series-date'>1943 - 1974, undated</div>\n<div class='series-description'><p>The box office reports, requisitions, contracts, correspondence, notes, programs, and clippings connected to a single production can be found within this series. Most are files for City Center production, but some were independents or part of the Brussels’ World Fair and New York’s World Fair.</p></div></li><li><div class='series-title'><a href='/the/21842#c518071'>Series III: Scrapbooks</a></div>\n<div class='series-date'>1926 - 1968</div>\n<div class='series-description'><p>This series contains the scrapbooks (mostly filled with newspaper clippings, few letters and other items) found within the collection. Most of the clippings focus on public appearances and theater business.</p></div></li></ul>\n", "type"=>"arrangement"}
arrangement
{"value"=>"<p> <ul class=\"list\"> <li>Series I: Office Files, 1932-1979 and undated<ul class=\"list\"> <li>Sub-series 1: Organizations, 1934-1979 and undated</li> <li>Sub-series 2: Personalities, 1932-1979 and undated</li></ul></li> <li> Series II: Production Files, 1943-1974 and undated</li> <li> Series III: Scrapbooks, 1926-1968</li></ul></p>", "supress_display"=>true}
acqinfo
{"value"=>"<p> The Jean Dalrymple Papers were donated to the Billy Rose Theatre Division in 1971.</p>"}
separatedmaterial
{"value"=>"<p>Program: <span class=\"title\">The City Center of Music and Drama Inc. 20th Anniversary 1943-1963</span></p>"}
processinfo
{"value"=>"<p>Processed by Thea Constantine; Machine-readable finding aid created by Thea Constantine.</p>"}
userestrict
{"value"=>"<p>For permission to publish, contact the Curator, Billy Rose Theatre Division.</p>"}
date_start
1932
keydate
1932
date_end
1979
date_inclusive_start
1932
date_inclusive_end
1979
extent_statement
86 linear feet (89 boxes)

Update Collection TOP

Update from EAD XML File

Resources TOP

PDF finding aid



https://nyplorg-data-archives.s3.amazonaws.com/uploads/collection/pdf_finding_aid/thedalry.pdf

File attachments

No files attached.

Repository Assets

No UUIDs attached.

Living at NYPL Archives

Sign in to add or edit a living at feature for this collection.

Export Collection to ArchivesSpace