Alma Lillie Hubbard papers

id
2805
origination
Hubbard, Alma Lillie
date statement
1929-1942 [bulk 1930-1934]
key date
1929
identifier (local_mss)
21041
org unit
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division
call number
Sc MG 549
b-number
b19473568
total components
3
total series
0
max depth
1
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:04:35 UTC
updated
2022-05-17 18:56:25 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

unitid
{"value"=>"21041", "type"=>"local_mss"}
{"value"=>"Sc MG 549", "type"=>"local_call"}
unitdate
{"value"=>"1930-1934", "type"=>"bulk", "normal"=>"1930/1934"}
{"value"=>"1929-1942", "type"=>"inclusive", "normal"=>"1929/1942"}
unittitle
{"value"=>"Alma Lillie Hubbard papers"}
physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"1 box", "unit"=>"containers"}, {"name"=>"extent", "value"=>"0.21 linear feet", "unit"=>"linear_feet"}]}
repository
{"value"=>"<span class=\"corpname\">Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division</span>"}
abstract
{"value"=>"Alma Lillie Hubbard was an African-American soprano who introduced Marc Connelly, author of the Pulitzer Prize–winning play, <span class=\"title\">The Green Pastures</span> (1930), to the black churches of New Orleans. She also selected many of the spirituals that were sung in the production and performed in the chorus of the touring company in the 1930s. Hubbard studied music and voice at a number of institutions including Straight College where she also trained to be a Jubilee singer with two graduates of Fisk University who organized the first Jubilee clubs at that college, as well as Chicago's American Conservatory of Music, Columbia University in 1931 (Rosenwald scholarship), and the Juilliard School of Music where she received a master's degree. The Alma Lillie Hubbard papers consist of letters written to Hubbard from her first husband, Berry Hubbard, her mother and godmother, and from Gladys Mike of the Apollo Theater listing names of performers there for one week in February 1934. Other letters concern Hubbard's performances, education, and personal financial affairs. Hubbard authored one letter in the collection. Other material includes memo pads listing songs she performed, preparatory material for recitals and lessons she gave, and personal expenses. News clippings are primarily reviews of the touring performances of <span class=\"title\">The Green Pastures</span> in the South and Midwest in 1933-1934."}
langmaterial
{"value"=>"English"}
origination
{"value"=>"Hubbard, Alma Lillie", "type"=>"persname"}
bioghist
{"value"=>"<p>Alma Lillie Hubbard was an African-American soprano who introduced Marc Connelly, author of the Pulitzer Prize–winning play, <span class=\"title\">The Green Pastures</span> (1930), to the black churches of New Orleans. She also selected many of the spirituals that were sung in the production and performed in the chorus of the touring company in the 1930s. Hubbard studied music and voice at a number of institutions including Straight College where she also trained to be a Jubilee singer with two graduates of Fisk University who organized the first Jubilee clubs at that college, as well as Chicago's American Conservatory of Music, Columbia University in 1931 (Rosenwald scholarship), and the Juilliard School of Music where she received a master's degree.</p>"}
scopecontent
{"value"=>"<p>The Alma Lillie Hubbard Papers consist of letters written to Hubbard from her first husband, Berry Hubbard, her mother and godmother, and from Gladys Mike of the Apollo Theatre listing names of performers there for one week in February 1934. Other letters concern Hubbard's performances, education, and personal financial affairs. Hubbard authored one letter in the collection. Other material includes memo pads listing songs she performed, preparatory material for recitals and lessons she gave, and personal expenses. News clippings are primarily reviews of the touring performances of <span class=\"title\">The Green Pastures</span> in the South and Midwest in 1933-1934.</p>"}
acqinfo
{"value"=>"<p>Gift, 409 Edgecombe Avenue Tenant Association, 1988</p>"}
separatedmaterial
{"value"=>"<p>This collection was separated from the 409 Edgecombe collection (Sc MG 804).</p>"}
sponsor
{"value"=>"Home to Harlem Project funded by the Andrew W. Mellon Foundation"}
revisiondesc
{"value"=>"This finding aid was updated by Allison Hughes.", "date"=>"2022 February 17"}
date_start
1929
keydate
1929
date_end
1942
date_bulk_start
1930
date_bulk_end
1934
date_inclusive_start
1929
date_inclusive_end
1942
prefercite
{"value"=>"[Item], Alma Lillie Hubbard papers, Sc MG 549, Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library"}

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