Helene Champlain papers

id
2624
origination
Champlain, Helene
date statement
1932-1969
key date
1932
identifier (local_mss)
21249
org unit
Billy Rose Theatre Division
call number
*T-Mss 1986-013
b-number
b11484896
total components
15
total series
0
max depth
1
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:04:32 UTC
updated
2018-06-04 20:29:52 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

physdesc
{"format"=>"simple", "value"=>".4 linear feet; 1 box"}
unitid
{"value"=>"*T-Mss 1986-013", "type"=>"local_call"}
{"value"=>"21249", "type"=>"local_mss"}
unittitle
{"value"=>"Helene Champlain papers"}
repository
{"value"=>"The <span class=\"corpname\">New York Public Library for the Performing Arts. Billy Rose Theatre Division.</span>"}
prefercite
{"value"=>"<p>Helene Champlain Papers, *T-Mss 1986-013, Billy Rose Theatre Division, The New York Public Library for the Performing Arts</p>"}
origination
{"value"=>"Champlain, Helene", "type"=>"persname"}
bioghist
{"value"=>"<p>There is very little information about the public or private life of Helene Champlain. As a book dealer and collector in the New York City area between the 1930s and 1960s her devotion to her customers' requests for books, articles and clippings, furnished the foundation for numerous epistolary friendships with these literary and theatrical celebrities. The letters from these celebrities (her own letters to them are not included in this collection) indirectly document that she was an avid theater-goer, a thoughtful letter-writer, and a loyal, sympathetic and \"encouraging\" friend and confidante. Although she was very reticent about discussing her private life, the letters establish that she roomed with and helped support an aspiring actress (Wendy Drew) around 1949-1950, that during the summers she liked to stay with friends involved in summer stock productions, and that she at times suffered from work anxieties, health crises, and painful bereavements.</p> <p> Miss Champlain worked at a variety of jobs in the early 1930s (evidently including the writing of a column for <span class=\"title\">Harpers</span>), wrote a novel around 1935, worked at the Waldorf-Astoria Bookshop by the late 1940s (perhaps much earlier), and left her position as the bookshop's manager at the end of 1962. The collection's one photograph which includes Miss Champlain (in the Charles Edison folder) dates from 1959.</p>"}
custodhist
{"value"=>"<p>The Helene Champlain Papers were donated to the Billy Rose Theatre Division by Helene Champlain in 1986.</p>"}
scopecontent
{"value"=>"<p> The Helene Champlain papers consist of personal and professional correspondence from celebrities during the years between 1932 and 1969. Much of this correspondence is cordial but impersonal, revealing primarily Miss Champlain's usefulness to her clients in obtaining books, articles and clippings, in arranging book-signings, in writing supportive letters to publishers, etc. However, some of the correspondence - e.g. from <span class=\"persname\">Maurice Chevalier</span>, <span class=\"persname\">Arthur MacArthur</span>, <span class=\"persname\">Margaret Sandburg</span> [Carl Sandburg's daughter], and <span class=\"persname\">Emlyn Williams</span> - displays a warmer, more personal relationship with Miss Champlain and provides glimpses into the public and private lives, as well as literary opinions, of the correspondents.</p> <p>By far the largest, and perhaps most valuable, collection of letters comes from the actor and director <span class=\"persname\">Rollo Peters</span>. Over the course of 32 years from 1932 to 1964, his correspondence reveals a deepening affection and respect for Helene Champlain (along with many references to her private life and career). More importantly, this correspondence reveals the lineaments of an important acting career from youthful renown to later obscurity: the plays he appeared in, the acting troupe he performed with overseas during World War II, the community theaters he administered, and finally the ordeal he suffered trying to get his memoirs published. The letters also contain many capsule critiques of contemporary dramas, novels, authors, playwrights and actors.</p>"}
arrangement
{"value"=>"<p>The Helene Champlain papers are arranged alphabetically by correspondent, then chronologically within each correspondent's folder.</p>"}
processinfo
{"value"=>"<p>Processed and machine-readable finding aid created by Mary Ellen Rogan.</p>"}
{"value"=>"<p> The collection was originally processed in 1991. It was reprocessed with new archival classmarks and a finding aid written in 1998</p>"}
accessrestrict
{"value"=>"<p>Photocopying prohibited.</p>"}
userestrict
{"value"=>"<p>For permission to publish, contact the Curator, Billy Rose Theatre Division.</p>"}
unitdate
{"value"=>"1932-1969", "type"=>"inclusive", "normal"=>"1932/1969"}
date_inclusive_start
1932
date_inclusive_end
1969
acqinfo
{"accession_number"=>"THE"}
{"date"=>"1986", "source"=>"Helene Champlain", "method"=>"Gift", "extent"=>".4 o", "value"=>"Gift, Helene Champlain, 1986"}
abstract
{"value"=>"The Helene Champlain papers consist of her personal and professional correspondence and span the years 1932-1969. The largest portion of letters is from Peter Rollo, whom she corresponded with for over 30 years. These reveal important aspects of Rollo Peters' life and career. Correspondence from famous personalities consist largely of brief impersonal notes and include letters from Maurice Chevalier and Emlyn Williams."}
keydate
1932
date_start
1932
date_end
1969

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PDF finding aid



https://nyplorg-data-archives.s3.amazonaws.com/uploads/collection/pdf_finding_aid/thechamp.pdf

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