Harold Goldberg papers

id
2555
origination
Goldberg, Harold, 1898-1960
date statement
1918-1961
key date
1918
identifier (local_mss)
21361
org unit
Billy Rose Theatre Division
call number
*T-MSS 1996-005
b-number
b12491742
total components
22
total series
5
max depth
2
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:04:30 UTC
updated
2018-06-04 20:38:54 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

physdesc
{"format"=>"simple", "value"=>".25 lin. ft. (1 box)"}
unitid
{"value"=>"*T-MSS 1996-005", "type"=>"local_call"}
{"value"=>"21361", "type"=>"local_mss"}
unittitle
{"value"=>"Harold Goldberg papers"}
repository
{"value"=>"Billy Rose Theatre Division. The New York Public Library for the Performing Arts. <div class=\"address\"> <span class=\"addressline\">40 Lincoln Center Plaza, New York, NY 10023-7498</span></div>"}
prefercite
{"value"=>"<p>Harold Goldberg Papers, *T-Mss 1996-005, Billy Rose Theatre Division, The New York Public Library for the Performing Arts</p>"}
bioghist
{"value"=>"<p>Theater production manager, often for the national companies of musicals on the road, Harold Goldberg's career in the theater spanned forty years. He was born in New York City in 1898 and entered the theater business as an usher at the Old Audubon Theater in Washington Heights. He later became a talent scout for Fox Motion Pictures and then worked for Paramount-Publix Films and the Manhattan Opera House. In the mid 1920s he went to Europe as an aide to impresario Morris Gest who brought many notable productions to the United States.</p> <p>In 1947 Goldberg was named general manager for Billy Rose, becoming \"the first man on record who has had full authority in the Rose empire\" according to a press release. He was also a production manager for Rodgers and Hammerstein. Goldberg was the road manager for the national companies of <span class=\"title\">Carmen Jones</span>, 1945-1947, <span class=\"title\">South Pacific</span>, 1950-1954, <span class=\"title\">The King and I</span>, 1954, and <span class=\"title\">Inherit the Wind</span>, 1956.</p> <p>At the time of his death he was the executive secretary of the Independent Booking Office in New York, arranging theatrical touring productions in the United States and Canada, and the president of the Association of Theatrical Press Agents and Managers.</p> <p>Goldberg died on December 24, 1960 at the age of 62.</p>"}
custodhist
{"value"=>"<p>Gift of his widow, Mrs. Ellen Perrie, 1996.</p>"}
scopecontent
{"value"=>"<p>Collection consists of correspondence, clippings, awards, programs and photographs that span Goldberg's career. The correspondence is mostly incoming, on both personal and professional matters, primarily letters of thanks, bulk dates, 1950-1956. Correspondents include Oscar and Dorothy Hammerstein, Leland Hayward and Louis R. Lurie. Programs are for the <span class=\"title\">Plantation Revue</span>, a vaudeville act, which he managed in 1923 and photographs include a shot of Goldberg with Moscow stagehands in 1926. The collection, though small, gives some sense of the range and variety of Goldberg's career.</p>"}
{"value"=>"<p class='list-head'>The Harold Goldberg papers are arranged in five series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/the/21361#c297785'>Correspondence,.</a></div>\n<div class='series-date'>1918-1961</div>\n<div class='series-extent'>10 folders</div>\n<div class='series-description'><p>Correspondence, mostly incoming, is on both personal and professional matters. The bulk of it is dated 1950-1956. Correspondents include Oscar and Dorothy Hammerstein, Leland Hayward and Louis R. Lurie. There are also letters of reference written for the young Goldberg in 1918, a carbon of a letter by Goldberg and a small amount of third party correspondence including two letters to his wife after his death.</p></div></li><li><div class='series-title'><a href='/the/21361#c297796'>Clippings,.</a></div>\n<div class='series-date'>1944-1960</div>\n<div class='series-extent'>1 folder</div>\n<div class='series-description'><p>One folder of clippings reflects Goldberg's career.</p></div></li><li><div class='series-title'><a href='/the/21361#c297798'>Awards,.</a></div>\n<div class='series-date'>1944-1957</div>\n<div class='series-extent'>1 folder</div>\n</li><li><div class='series-title'><a href='/the/21361#c297800'>Programs and Other Printed Material</a></div>\n<div class='series-date'>1923-1949 and n.d.</div>\n<div class='series-extent'>4 folders</div>\n<div class='series-description'><p>Programs are for two productions of the Plantation Revue's <span class=\"title\">Away Down South</span>, <date>1923</date>. Other printed material consists of a schedule for the road company of <span class=\"title\">Carmen Jones</span> and pictorial publicity for <span class=\"title\">Showboat</span>.</p></div></li><li><div class='series-title'><a href='/the/21361#c297805'>Photographs</a></div>\n<div class='series-date'>1925-1961 and n.d.</div>\n<div class='series-extent'>1 folder</div>\n<div class='series-description'><p>Photographs are of Harold Goldberg at various moments in his career.</p></div></li></ul>\n", "type"=>"arrangement"}
arrangement
{"value"=>"<ul> <li>Series I. Correspondence</li> <li>Series II. Clippings</li> <li>Series III. Awards</li> <li>Series IV. Programs and other printed material</li> <li>Series V. Photographs</li></ul>", "supress_display"=>true}
separatedmaterial
{"value"=>"<p>Audiovisual materials separated from archival collections are cataloged individually and can be found in the Library catalog. Search CATNYP, The New York Public Library catalog.</p> <ul> <li>One sound recording with handwritten label, \"Dick Rodgers <span class=\"title\"> South Pacific</span>, 3rd Ann.\" was transferred to Rodgers and Hammerstein Archives of Recorded Sound.</li> <li>One bulova watch with silver chain band inscribed \"To Harold Goldberg from a few of the <span class=\"title\">Carmen Jones</span>Co 1946\" has been placed in the Library's T-cabinet.</li> <li>Five photographs: four of the road company of <span class=\"title\">South Pacific</span>and one of the Lamb's Club, <date>1961</date>have been placed in the Library's Photograph Files.</li></ul>"}
accessrestrict
{"value"=>"<p>Photocopying prohibited.</p>"}
userestrict
{"value"=>"<p>For permission to publish, contact the Curator, Billy Rose Theatre Division.</p>"}
unitdate
{"value"=>"1918-1961", "type"=>"inclusive", "normal"=>"1918/1961"}
date_inclusive_start
1918
date_inclusive_end
1961
origination
{"value"=>"Goldberg, Harold, 1898-1960", "type"=>"persname"}
acqinfo
{"accession_number"=>"THE Mss 1996-005"}
{"date"=>"02/08/96", "materials"=>"Papers", "source"=>"Ellen Perrie", "method"=>"gift", "extent"=>".2 o", "value"=>"Papers: gift, Ellen Perrie, 02/08/96"}
note
{"value"=>"<p>One sound recording of Richard Rodgers' South Pacific, 3rd anniversary, was given to the Rodgers and Hammerstein Archive of Recorded Sound. One bulova watch with silver band inscribed, \"To Harold Goldberg from a few of the Carmen Jones Co 1946\" was placed in the Library's T-cabinet. The photographs that were not of Harold Goldberg were placed in the Library's Photograph files</p>", "encodinganalog"=>"500"}
abstract
{"value"=>"Collection consists of correspondence, clippings, awards, programs and photographs that span Goldberg's career. The correspondence is mostly incoming, on both personal and professional matters, primarily letters of thanks, bulk dated 1950-1956. Correspondents include Oscar and Dorothy Hammerstein, Leland Hayward and Louis R. Lurie. Programs are for the Plantation Revue, a vaudeville act, which he managed in 1923 and photographs include a shot of Goldberg with Moscow stagehands in 1926. The collection, though small, gives some sense of the range and variety of Goldberg's career."}
keydate
1918
processinfo
{"value"=>"<p>Processed by Elisabeth Elkind.</p>"}
date_start
1918
date_end
1961

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