Alfred Bendiner caricatures and related papers

id
231
origination
Bendiner, Alfred
date statement
1929-1992
key date
1929
identifier (local_mss)
21327
org unit
Billy Rose Theatre Division
call number
*T-Vim 1994-018
b-number
b12032670
total components
14
total series
3
max depth
2
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 14:58:51 UTC
updated
2018-06-04 20:37:51 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

physdesc
{"format"=>"simple", "value"=>"1.6 lin. ft. (1 oversized box)."}
unitid
{"value"=>"*T-Vim 1994-018", "type"=>"local_call"}
{"value"=>"21327", "type"=>"local_mss"}
unittitle
{"value"=>"Alfred Bendiner caricatures and related papers"}
repository
{"value"=>"Billy Rose Theatre Division. The New York Public Library for the Performing Arts. <div class=\"address\"> <span class=\"addressline\">40 Lincoln Center Plaza, New York, NY 10023-7498</span></div>"}
abstract
{"value"=>"Architect, artist and author of Philadelphia, Pennsylvania, Alfred Bendiner (1899-1964) drew caricatures of concerts, the theater and other subjects for the <span class=\"title\">Philadelphia Evening Bulletin</span> and other periodicals."}
prefercite
{"value"=>"<p>Alfred Bendiner Caricatures and Related Papers, *T-Vim 1994-018, Billy Rose Theatre Division, The New York Public Library for the Performing Arts.</p>"}
origination
{"value"=>"Bendiner, Alfred", "type"=>"persname"}
bioghist
{"value"=>"<p>Architect, artist and author, Alfred Bendiner lived all his life in Pennsylvania, but travelled extensively gathering material for his widely published drawings. He was born in 1899 in Pittsburgh to a Hungarian family that soon moved to Philadelphia. After service in World War I, he earned a bachelors degree in 1922 and a masters of architecture in 1927 from the University of Pennsylvania while working as a draftsman for the architect, Paul P. Cret. He then joined the architectural firm of Habeson, Hough, Livingston, and Larsen in Philadelphia, and, in 1929, opened his own office. In the 1930s he began contributing gently satirical caricatures and scenes to many periodicals including <span class=\"title\">The Philadelphia Evening Bulletin</span>, <span class=\"title\">The Philadelphia Record</span>, and <span class=\"title\">The Washington Times-Herald</span>. He also wrote articles for <span class=\"title\">The Atlantic Monthly</span>, the <span class=\"title\">University of Pennsylvania Gazette</span>, and other periodicals and authored a slightly irreverent column for <span class=\"title\">The Journal of the American Institute of Architects</span>entitled \"Life in a Martini Glass.\" He was also a staff artist on two University of Pennsylvania archaeological expeditions: Iraq in 1936 and Guatemala in 1960.</p> <p>Alfred Bendiner drew constantly and always had his miniature paint box, brush and tiny bottle of water tucked in his vest pocket. At times he painted on menus and napkins, and if he ran out of water, it is said, he used wine, coffee, or even his own saliva.</p> <p>Bendiner was a Fellow of the American Institute of Architects and president of the Philadelphia chapter in 1952. He died in 1964 and was posthumously elected an associate member of the National Academy of Design. His work has been exhibited in many one-man and group shows and is in the collections of the Philadelphia Museum of Art, the Pennsylvania Academy of the Fine Arts, the Library of Congress, the Bibliotheque Nationale, Paris and the Uffizi Gallery in Florence, Italy. Some of his caricatures of concerts and the theater for <span class=\"title\">The Philadelphia Evening Bulletin</span> were published, along with his comments, in his book, <span class=\"title\">Music to My Eyes</span>.</p>"}
custodhist
{"value"=>"<p>The Alfred Bendiner Caricatures were donated to The Billy Rose Theatre Division of the New York Public Library for the Performing Arts by the Alfred Bendiner Foundation in August 1994.</p>"}
scopecontent
{"value"=>"<p>The collection consists of 14 original drawings, 12 prints, 1 lithograph, and a few photocopies of Bendiner's caricatures of performing artists. The drawings are almost all undated, but research indicates they are primarily scenes from theatrical productions staged in Philadelphia in the early 1940s. Some of the drawings have pencil notations that are instructions for newspaper layouts. Almost all are signed with Bendiner's name and characteristic eyebrows and nose symbol. Actors depicted include Ethel Barrymore, Hume Cronyn, Helen Hayes, and Paul Muni.</p> <p>The collection also contains photocopies of letters of thanks to his wife Elizabeth from libraries and museums for gifts of his drawings after his death, articles on the same subject, a single personal letter to the Bendiners, and programs and press releases for exhibits (1954-1990) of Bendiner's work.</p>"}
{"value"=>"<p class='list-head'>The Alfred Bendiner caricatures and related papers are arranged in three series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/the/21327#c296933'>Drawings</a></div>\n<div class='series-date'>1944 and n.d.</div>\n<div class='series-extent'>3 folders</div>\n<div class='series-description'><p>Drawings are ink or pencil on linen covered board, up to 11 in. by 14 in. One drawing illustrates use of the Benday process and ink. They are mostly scenes from plays and depict at least two characters.</p></div></li><li><div class='series-title'><a href='/the/21327#c296937'>Prints</a></div>\n<div class='series-date'>1945 and n.d.</div>\n<div class='series-extent'>4 folders</div>\n<div class='series-description'><p>Prints are on light board, most ca. 7 in. x 7 in. They are mostly of a single person not depicted in a particular play. Also contains a few photocopies of Bendiner's drawings.</p></div></li><li><div class='series-title'><a href='/the/21327#c296942'>Other Papers</a></div>\n<div class='series-date'>1954-1992 and n.d.</div>\n<div class='series-extent'>4 folders</div>\n<div class='series-description'><p>This series contains publicity for exhibits of Bendiner's work, <date type=\"INCLUSIVE\">1954-1990</date>, letters and articles concerning posthumous gifts of his work, and one letter, <date>1963</date>, to the Bendiners. It consists almost entirely of photocopies.</p></div></li></ul>\n", "type"=>"arrangement"}
arrangement
{"value"=>"<p> <ul> <li>Series I: Drawings</li> <li>Series II: Prints</li> <li>Series III: Other papers</li></ul></p>", "supress_display"=>true}
accessrestrict
{"value"=>"<p>Photocopying prohibited.</p>"}
userestrict
{"value"=>"<p>For permission to publish, contact the Curator, Billy Rose Theatre Division.</p>"}
unitdate
{"value"=>"1929-1992", "type"=>"inclusive", "normal"=>"1929/1992"}
date_inclusive_start
1929
date_inclusive_end
1992
acqinfo
{"materials"=>"drawings", "source"=>"Gift of the Alfred Bendiner Foundation", "extent"=>"28 o", "value"=>"drawings: "}
keydate
1929
processinfo
{"value"=>"<p>Processed by Elisabeth Elkind.</p>"}
date_start
1929
date_end
1992

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