- unitid
-
{"value"=>"20807", "type"=>"local_mss"}
{"value"=>"Sc MG 484", "type"=>"local_call"}
{"value"=>"b12325641", "type"=>"local_b"}
- unitdate
-
{"value"=>"1961-1986", "type"=>"inclusive", "normal"=>"1961/1986"}
{"value"=>"1961-1977", "type"=>"bulk", "normal"=>"1961/1977"}
- unittitle
-
{"value"=>"Fine Arts Workshop collection"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"1 box", "unit"=>"containers"}, {"name"=>"extent", "value"=>"0.21 linear feet", "unit"=>"linear_feet"}]}
- repository
-
{"value"=>"<span class=\"corpname\">Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division</span>"}
- langmaterial
-
{"value"=>"English"}
- origination
-
{"value"=>"Fine Arts Workshop (New York, N.Y.)", "type"=>"corpname"}
- bioghist
-
{"value"=>"<p>The Fine Arts Workshop was founded in 1959 by Lucille Beards and provided full scholarship art classes to children, ages eight to twenty-one, from New York City. The Workshop aided underprivileged children who showed talent, and provided classes without cost to the students in modern dance and ballet, drama, voice and diction, music, and the fine arts.</p> <p>Hundreds of children of many ethnic backgrounds, including African American, were accepted into the program. The classes were held after school hours and on Saturdays. The faculty was composed of distinguished artists, chosen for their professional and teaching experience, and their belief in the purpose of the school. A number of students later became professional artists, and some won scholarships for advanced training at professional schools. Students did not give performances, since the Workshop felt that it they should concentrate on technique and appreciation. Classes were originally held at Carnegie Hall, but the Fine Arts Workshop ceased its full operation in 1972 due to loss of revenue. Through grants and other means, scholarships were provided for children to study at independent schools. By the mid-1980s, the Fine Arts Workshop ceased functioning.</p>"}
- scopecontent
-
{"value"=>"<p>The Fine Arts Workshop collection is sparse and does not contain comprehensive documentation of the activities of this organization from its inception to its final years. The collection consists of a few Board of Directors' notices of meetings and minutes, letters of introduction for students recommended to the Fine Arts Workshop, letters of appreciation from former students, and schedules of classes. There is also correspondence, a scrapbook, printed matter, including news clippings, press releases, programs, grant proposals, and financial records.</p>", "supress_display"=>true}
- acqinfo
-
{"value"=>"<p>Gift of Lucille G. Beards, 1993.</p>"}
- separatedmaterial
-
{"value"=>"<p>Transferred to the Photographs and Prints Division: photographs.</p>"}
- processinfo
-
{"value"=>"<p>Accessioned by Janice Quinter, January 1993.</p>"}
- revisiondesc
-
{"value"=>"Finding aid updated by Lauren Stark.", "date"=>"2022 January 24"}
- date_start
-
1961
- keydate
-
1961
- date_end
-
1986
- date_inclusive_start
-
1961
- date_inclusive_end
-
1986
- date_bulk_start
-
1961
- date_bulk_end
-
1977
- extent_statement
-
0.21 linear feet (1 box)
- prefercite
-
{"value"=>"[Item], Fine Arts Workshop collection, Sc MG 484, Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library"}
- abstract
-
{"value"=>" The Fine Arts Workshop collection is sparse and does not contain comprehensive documentation of the activities of this organization from its inception to its final years. The collection consists of a few Board of Directors' notices of meetings and minutes, letters of introduction for students recommended to the Fine Arts Workshop, letters of appreciation from former students, and schedules of classes. There is also correspondence, a scrapbook, printed matter, including news clippings, press releases, programs, grant proposals, and financial records.", "generated"=>true}