{"value"=>"Constance Lindsay Skinner (1882-1939) was a Canadian-born author, critic, historian, and playwright. Her writings included poetry, novels, plays, literary and music criticism, historical works, and adventure stories for children. She wrote histories of the American southwest, Canadian northwest and Indian tribes of British Columbia. Collection contains correspondence, writings, photographs, movie stills, drawings, printed matter, and additional personal papers of Skinner and her parents. Correspondence, 1899-1939, is with authors, artists, editors, publishers, theatrical people, explorers, scholars, and journalists. Writings include typescripts of Skinner's short stories, articles, novels, poetry, children's stories, and criticism. Photographs are of family and friends, Indians of North America, and views of British Columbia and remote areas of the Canadian northwest. Also, drawings and illustrations, movie stills, clippings of criticism of her books and stories, and newsclippings relating to World War I. Other papers consist of her personal accounts, literary notebooks, cookbooks, address books, as well as letters and papers, 1876-1891, of her parents, Robert James Skinner and Annie Lindsay Skinner."}
{"value"=>"<p>Constance Lindsay Skinner, a Canadian-born author, was born in 1877 to Robert and Annie Lindsay Skinner. Skinner's childhood began on an isolated trading post in Quesnel, British Columbia; her father is believed to have worked with or for the Hudson's Bay Company. Located in the extreme northwest, Quesnel was founded during the Cariboo gold rush in the late nineteenth century. When Skinner was fourteen, she moved with her family to Vancouver, British Columbia. During her teenage years, she developed an interest in writing; one of her earliest works is <em>In Gelderland</em>, a musical sketch for children.</p> <p>In 1893 Skinner left Vancouver to live with an aunt in California, reportedly for health reasons. While in California, she continued to develop her interest in writing. When she moved to New York City in her late twenties, she quickly became a prolific writer, publishing numerous novels and short stories. Much of her work is set in the rugged Canadian northwest of her youth; her characters include native Canadians, fur traders and settlers. Among her novels, articles and short stories are <em>Embers of Race, The Golden Klondike and How to Reach It, The Literature of the Polar Expedition, No Tomorrow With Friends, Red Willow, Rob Roy</em>, and <em>To Live</em>. Skinner also edited <em>The Rivers of America</em>, a series of historical books that was incomplete at the time of her death in 1939.</p> <p>Although Skinner remained in New York City for the remainder of her adult life, she drew strength for her works from early childhood experiences and her knowledge of Canadian culture. When she was not writing articles, plays and novels, she spent much of her time reviewing the work of other authors. Many of her reviews, often on subjects similar to her interests, were published in <em>The New York Herald Tribune</em>. Skinner also reviewed performances of plays, operas and symphonies.</p> <p>Theatrical adaptations of Skinner's works include <em>Good-Morning Rosamond!</em>, a novel which became a three-act comedy produced by the Shubert Theatrical Corporation in 1917 at the Forty-eighth Street Theatre in New York City. Skinner also wrote original plays such as <em>The Lady of the Gray Gables</em>, co-written with Herbert Heron. <em>The Song of the Coast Dwellers</em> is a collection of Indian poems for which she won several literary awards. Skinner's success as an historical writer of Canadian culture may have precluded her from exploring many other subjects. Although she was never considered a major writer in the United States or Canada, she had a large group of colleagues and friends that included the American author Jack London. Never married, Skinner died in New York City in 1939.</p>"}
{"value"=>"<p>The collection contains correspondence, writings, photographs, movie stills, drawings, printed matter, and additional personal papers of Canadian-born Constance Lindsay Skinner and her parents. Correspondence is with authors, artists, editors, publishers, explorers, scholars, journalists, and people in the theatre. Writings include holograph manuscripts and typescripts of Skinner's short stories, articles, novels, plays, radio broadcasts, children's stories and criticism. Photographs are of family and friends, Indians of North America, and views of British Columbia and remote areas of the Canadian northwest. The collection also includes drawings and illustrations, movie stills, clippings of reviews of her books and stories, and newspaper clippings relating to World War I. Other papers consist of her personal accounts, literary notebooks, a cookbook, address books, as well as letters and papers, 1876-1891, of her parents, Robert James Skinner and Annie Lindsay Skinner.</p> <p>The papers consist primarily of letters received by Skinner as a writer, and her holograph manuscripts and typescripts. Her works attracted the attention of many writers, publishing companies, newspapers, magazines, educational institutions, libraries, and professional organizations, and elicited strong reactions from the public. This response is reflected in the many letters of admiration she received, especially for her writings on nature. Children wrote to Skinner about her juvenile stories, and schools occasionally used these stories to provide its students with valuable learning experiences.</p> <p>Skinner's writings are broadly represented in the collection. They include <em>Embers of Race, The Golden Klondike and How to Reach It, The Tiger Who Walks Alone</em>, and <em>Red Willows</em>. Among the seventeen plays contained in the collection are <em>Good Morning Rosamond!; In Gelderland</em>, and <em>The Lady of the Gray Gables</em>. The collection also contains other examples of Skinner's writings: poems, book reviews, and reviews of dramatic works. Among the financial and legal records represented here are Skinner's royalty statements, canceled checks and receipts.</p> <p>Files pertaining to Skinner's parents, Annie Lindsay Skinner and Robert James Skinner, account for the bulk of the family papers. There are a few papers of other relatives. Her parents' papers consist largely of correspondence, writings, and financial and legal papers. Skinner's father's papers also include a few documents from the Hudson's Bay Company. The remainder of the collection consists of photographs of Skinner, her family and relatives, the Canadian northwest, Alaska, Native Americans, friends and colleagues, and a few miscellaneous scrapbooks and letterbooks belonging to Skinner and her family.</p>"}
{"value"=>"<p class='list-head'>The Constance Lindsay Skinner papers are arranged in eleven series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/mss/2769#c1074291'>Series I. General Correspondence</a></div>\n<div class='series-description'><p>This series is arranged alphabetically by correspondent. The bulk of the letters, c1900-1939, are to Constance Lindsay Skinner from authors, acquaintances, colleagues, the general public, literary agents and publishing companies. Represented in this series are letters from Bailey K. Ashford, Margaret Ashmun (National League of American Pen Women), David Belasco, Jessie Benton Fremont, Alice Hobart, Fannie Hurst, Robert Pollack Glasgow, Muna Lee, Jack London, Margaret Mitchell, Anne Carroll Moore, Clare Turlay Newberry (Mrs. David Newberry), Knud Rasmussen (author and explorer) and N. C. Wyett. Publishing companies and publications represented include <em>Ainslee's Magazine</em>, Bobbs Merrill Co., Boni & Liveright, D. Appleton & Co., Dodd, Mead & Co., Farrar and Rhinehart, Harper & Co., Henry Holt & Co., and Macmillan & Co. (George Platt Brett, Jr.) and <em>The New York Herald Tribune</em>. Other organizations represented include The American Library Association, The Author's League of America, The National League of American Pen Women, The New York Public Library, Wisconsin State Historical Society, and Women's National Book Association. This series ends with several children's letters addressed to Skinner.</p></div></li><li><div class='series-title'><a href='/mss/2769#c1074981'>Series II. Writings: Articles, Short Stories and Novels</a></div>\n<div class='series-description'><p>This series is arranged by title of work. The writings in holograph manuscript, typescript and annotated typescript, c1890-1939, represent a sizable portion of Skinner's body of work as an author. Among these works are <em>Description of a Journey in British Columbia, The Chinook, Embers of Race, The Hudson's Bay Company, The King's Women or Torch in the Mist, No Tomorrow With Friends, The Peregrinations of Four O' Clock, The Tiger Who Walks Alone</em>, and <em>Red Willows</em>. Some of the manuscripts are incomplete; some contain duplicate carbon typescripts. See also: Box 18 for page proofs and an unbound copy of <em>Beaver, Kings and Cabins;</em> see also: Series X Printed Matter.</p></div></li><li><div class='series-title'><a href='/mss/2769#c1075086'>Series III. Writings: Historical Series</a></div>\n<div class='series-description'><p>This series is arranged by title of work. The writings contain several works, (1909-1939), that Skinner edited or co-wrote, or to which she made contributions. The works are not complete manuscripts; they include <em>The Pageant of America, The Chronicles of America</em>, and <em>The Rivers of America</em>.</p></div></li><li><div class='series-title'><a href='/mss/2769#c1075116'>Series IV. Writings: Plays</a></div>\n<div class='series-description'><p>This series is arranged by title of play. Plays are usually in holograph manuscript or typescript. Noted plays include <em>In Gelderland</em>, a musical sketch written for children when Skinner was a teenager; <em>Good-Morning Rosamond!</em> from her novel of the same name; and <em>The Lady of the Gray Gables</em>.</p></div></li><li><div class='series-title'><a href='/mss/2769#c1075154'>Series V. Writings: Poems</a></div>\n<div class='series-description'><p>This series consists of assorted poems whose subjects are similar to those found in her other writings. The poems are usually one or two pages long, and exist in holograph or typescript.</p></div></li><li><div class='series-title'><a href='/mss/2769#c1075157'>Series VI. Writings: Broadcasts, Book Reviews and Notes</a></div>\n<div class='series-description'><p>This series is arranged first by radio scripts, then by book reviews, and lastly, notes. The radio programs included here were broadcast to New York City listeners throughout the 1930s. All of the broadcasts relate to Skinner's writings or to her recommendations on juvenile literature. The Book Reviews, arranged by author of the book reviewed, represent only a small portion of the many book reviews Skinner wrote (see note below). The notes are a miscellaneous mixture relating to her writings.</p></div></li><li><div class='series-title'><a href='/mss/2769#c1075190'>Series VII. Writings: Miscellany</a></div>\n</li><li><div class='series-title'><a href='/mss/2769#c1075219'>Series VIII. Family Papers</a></div>\n<div class='series-description'><p>This series contains the papers of Skinner's parents, Annie Lindsay Skinner and Robert James Skinner, including some minor correspondence with other relatives. There is only one letter to Constance Lindsay Skinner from her mother, c1901. The bulk of the letters in Annie Lindsay Skinner's papers are from Robert, 1876-1922. The remainder of Skinner's mother's papers are general correspondence, 1886-1922; miscellaneous writings; a certificate for teaching in British Columbia dated 1873; postcards; newspaper clippings; and estate papers. Robert James Skinner's papers consist of letters to his daughter Constance, 1899-1909; general correspondence, 1882-1909; estate papers, 1911; certificates of stock in Quesnel Quartz Mining Company owned by Robert and his brother Ernest, 1878; tax records, 1884-1909; papers pertaining to Skinner's duties as administrator for the estate of William Thomas Rogers, 1902-1904; a photograph of Robert J. Skinner's grave site; Hudson's Bay Company records, 1852-1887; and miscellaneous papers. The remainder of this series consists of a few relatives' letters.</p></div></li><li><div class='series-title'><a href='/mss/2769#c1075246'>Series IX. Financial and Legal Records</a></div>\n<div class='series-description'><p>This series contains Constance Lindsay Skinner's personal accounts, 1913-1939; royalty statements for her writings; miscellaneous accounts; contracts; copyright records. 1907-1915; insurance policies; tax records; checks and check books.</p></div></li><li><div class='series-title'><a href='/mss/2769#c1075256'>Series X. Printed Matter and Ephemera</a></div>\n<div class='series-description'><p>This series contains published articles by Skinner, arranged by title of article. Most of the articles appeared in U. S. publications, notably <em>Ainslee's Magazine</em>. The series also contains reviews by Skinner of concerts, operas and plays; a scrapbook of newspaper reviews of dramatic works by Skinner; reviews of authors' published works; reviews and publicity related to Skinner's books and plays; Skinner's poems; miscellaneous articles on the American West and Canada; articles about the Skinner family; certificates; and assorted ephemera.</p></div></li><li><div class='series-title'><a href='/mss/2769#c1075270'>Series XI. Photographs and Graphic Materials</a></div>\n<div class='series-description'><p>The photographs include images of Constance Lindsay Skinner, her parents Annie Lindsay Skinner and Robert James Skinner, relatives identified and unidentified, a metal-framed photograph of an unidentified man, a photograph of an unidentified woman on the verso of a pocket mirror, and photographs of actors, acquaintances and friends. There is also a group of photographs, c1890, taken in a whaling village in either British Columbia or Alaska. Included are images of native Americans, among them, women and children. Other photographs in this group include whaling ships with sails, whalers gutting whales, whale bones drying in the sun, dog sleds and some of Skinner's relatives visiting the whaling village. The remainder of the photographs are pictures of children performing Skinner's play <em>In Gelderland</em>, and movie stills of Ojibway Indians from the silent film <em>Silent Enemy</em> (produced by Paramount Pictures). The photograph albums are \"Shasta North\" half tone images of northwest Canada; \"Vancouver, British Columbia, July 1897\"; <em>Koda Gems</em>, an album of images of an unidentified Asian location, c1890; and a family album containing pictures of Constance Lindsay Skinner, her family and friends, including several pictures of the American author Jack London. The remainder of this series consists of a framed portrait of Richard Mansfield, illustrations for Skinner's novels, a scroll honoring Annie Lindsay Skinner as honorary President of the YWCA in 1911, and an illustrated view, mounted on cardboard, of Quebec City.</p></div></li></ul>\n", "type"=>"arrangement"}