Collection of sacred music from Mariana, Brazil

id
1211
origination
Smith, Carleton Sprague, 1905-. Collector
date statement
ca. 1800-1904
key date
1800
identifier (local_mss)
20147
org unit
Music Division
call number
JOB 93-1
b-number
b11743440
total components
104
total series
0
max depth
2
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:04:07 UTC
updated
2020-07-08 01:45:57 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

unitid
{"value"=>"20147", "type"=>"local_mss"}
{"value"=>"JOB 93-1", "type"=>"local_call"}
{"value"=>"b11743440", "type"=>"local_b"}
unitdate
{"value"=>"ca. 1800-1904", "type"=>"inclusive", "normal"=>"1800/1904", "certainty"=>"approximate"}
unittitle
{"value"=>"Collection of sacred music from Mariana, Brazil"}
repository
{"value"=>"<span class=\"corpname\">Music Division</span>"}
abstract
{"value"=>"Dr. Carleton Sprague Smith toured Brazil between the 1940s-1950s as a form of cultural diplomacy and it is suspected that he acquired this collection of music on one of these tours. The collection primarily consists of handwritten parts and fragments for music to be performed as part of Catholic church services, identified as being from Mariana, Brazil."}
langmaterial
{"value"=>"English"}
{"value"=>"Latin, Italian, Portuguese"}
origination
{"value"=>"Smith, Carleton Sprague, 1905-. Collector", "type"=>"persname"}
bioghist
{"value"=>"<p>In 1940, Dr. Carleton Sprague Smith, representing the music section of the newly-formed Committee on Inter-American Relations, embarked on a diplomacy tour of South America. In a detailed description of this venture, Smith noted the archival resources that were held in some of Brazil's older churches, though he did not mention any gift or acquisition of Brazilian manuscripts. In succeeding years Dr. Smith continued to visit Brazil, and it is suspected that he acquired this collection of music was given to him on one of these visits.</p>"}
scopecontent
{"value"=>"<p>The collection primarily consists of handwritten parts and fragments for music to be performed as part of Catholic church services, identified as being from Mariana, Brazil. The particular church (or churches) from which this collection originates is unknown, though many pages indicate that it was a \"cathedral.\" Though the majority of the works contained are unattributed, four of them are indicated as being composed by <span class=\"persname\">Raphael Coelho Machado</span>, <span class=\"persname\">Silvestre Joze da Costa</span>, <span class=\"persname\">David Peres</span>, and <span class=\"persname\">Felipe Nunes</span>, respectively.</p>"}
arrangement
{"value"=>"<p>The collection consists of one series and is arranged roughly alphabetically by composer or title, with the exception of a group of miscellaneous fragments in the beginning of the series and a group of four works by European composers (Haydn and Rossini) at the end of the series.</p>"}
acqinfo
{"value"=>"<p>The collection was likely acquired by Carleton Sprague Smith for the Music Division between 1940 and 1959.</p>"}
bibliography
{"id"=>"aspace_e106974fc6cae23337a683fffd14fa85", "value"=>"<p>Information on Carlton Sprague Smith's travels to South America can be found in Carlton Sprague Smith, <span class=\"title\">Musical tour through South America</span> and in Israel J. Katz, <span class=\"title\">Libraries, History, Diplomacy, and the Performing Arts: Essays in Honor of Carleton Sprague Smith</span>.</p>"}
date_start
1800
keydate
1800
date_end
1904
date_inclusive_start
1800
date_inclusive_end
1904
prefercite
{"value"=>"Collection of sacred music from Mariana, Brazil, JOB 93-1. Music Division, The New York Public Library for the Performing Arts"}

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Child components TOP

  1. Miscellaneous fragmentary works
  2. Angelus domini descendit
  3. Astiterunt regis terrae [2/1]
  4. Benedictus e miserere
  5. Christum dei: matinas in nativitate domini
  6. Christus natus est nobis
  7. Credo [2/1]
  8. Domini, tu mihi lavas pedes: feria 5 in coena domini
  9. In pace in idipsum: sabbato sancto ad matutinum
  10. Jerusalem: quadrilha
  11. Jesum nazarenum: feria 6a in parasceve
  12. Kyrie
  13. Ladainha [3/1]
  14. Marcha juizo final
  15. Missa a duos vozes e coro dedicada a veneraval innandade do Apostoto S. Pedro, Raphael Coelho Machado
  16. [Masses] [13/1]
  17. O pecador
  18. Offertorio a 4 p. odia 3 de Mayo: com violinos baxo e trompas, Silvestre Joze da Costa
  19. Officium defunctorum: responsorios, David Peres
  20. Ouvertura
  21. Patrem omnipotem
  22. Quem terra pontus: himno de n. snr., Felipe Nunes
  23. Salve regina
  24. Te deum
  25. Zelus dominus [2/1]
  26. Haydn, Joseph [3/1]
  27. Rossini, Gioacchino: Una voce poco fa: cavatina; per piano forte Rossini, Gioacchino: Una voce poco fa: cavatina; per piano forte
  28. Miscellaneous materials
  29. Angelus domini descendit
  30. Astiterunt regis terrae [2/1]
  31. Benedictus e miserere
  32. Christum dei: matinas in nativitate domini
  33. Christus natus est nobis
  34. Credo [2/1]
  35. Domini, tu mihi lavas pedes: feria 5 in coena domini
  36. In pace in idipsum: sabbato sancto ad matutinum
  37. Jerusalem: quadrilha
  38. Jesum nazarenum: feria 6a in parasceve
  39. Kyrie
  40. Ladainha [3/1]
  41. Machado, Raphael Coelho: Missa a duos vozes e coro dedicada a veneraval innandade do Apostoto S. Pedro
  42. Marcha juizo final
  43. Masses [13/1]
  44. O pecador
  45. Costa, Silvestre Joze da: Offertorio a 4 p. odia 3 de Mayo: com violinos baxo e trompas
  46. Peres, David: Officium defunctorum: responsorios
  47. Ouvertura
  48. Patrem omnipotem
  49. Nunes, Felipe: Quem terra pontus: himno de n. snr
  50. Salve regina
  51. Te deum
  52. Zelus dominus [2/1]
  53. Haydn, Joseph [3/1]
  54. Rossini, Gioacchino: Una voce poco fa: cavatina; per piano forte