Jacques Rouché collection

id
11235
origination
Garafola, Lynn
date statement
1884-2014 [bulk 1884-1913]
key date
1884
identifier (local_mss)
29928
org unit
Jerome Robbins Dance Division
call number
*MGZMD 519
b-number
b22260194
total components
70
total series
3
max depth
3
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2020-10-01 19:52:20 UTC
updated
2026-06-25 15:07:55 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

unitid
{"value"=>"29928", "type"=>"local_mss"}
{"value"=>"*MGZMD 519", "type"=>"local_call"}
{"value"=>"b22260194", "type"=>"local_b"}
unitdate
{"value"=>"1884-2014", "type"=>"inclusive", "normal"=>"1884/2014"}
{"value"=>"1884-1913", "type"=>"bulk", "normal"=>"1884/1913"}
unittitle
{"value"=>"Jacques Rouché collection"}
physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"1 box", "unit"=>"containers"}, {"name"=>"extent", "value"=>"1.3 linear feet", "unit"=>"linear_feet"}]}
repository
{"value"=>"<span class=\"corpname\">Jerome Robbins Dance Division</span>"}
abstract
{"value"=>"Jacques Rouché (1862-1957) was a French theater patron who managed the Théâtre des Arts (now Theatre Hébertot) and Paris Opera. He is recognized for his contributions in modernizing French theater and dance in the 20th century. The Jacques Rouché collection primarily documents Rouché's tenure at the Théâtre des Arts with articles about productions he staged, with emphasis on ballet. The collection also traces Rouché's career as manager of the Paris Opera, as well as activity at the Alhambra Theatre in London."}
langmaterial
{"value"=>"Multiple languages"}
{"value"=>"French and English, with some Italian."}
origination
{"value"=>"Garafola, Lynn", "type"=>"persname"}
bioghist
{"value"=>"<p>Jacques Rouché (1862-1957) was a French theater patron who managed the Théâtre des Arts (now Theatre Hébertot) and Paris Opera. He rented the Théâtre des Arts for three seasons starting in 1910, immediately establishing a radical program. Rouché staged adaptations of <span class=\"title\">The Brothers Karamazov</span> as well as operas not performed in France for over a century. At this time, ballet had lost popularity in Western Europe, being performed mostly at music halls such as the Alhambra Theatre in London. But after seeing the Ballets Russes in Paris, Rouché devoted the 1912 season to dance. Several ballets were performed, including <span class=\"title\">Adélaïde, ou le langage des fleurs</span> and <span class=\"title\">Ma mère l'Oye</span> by Maurice Ravel. Critics took interest in these ballets and Rouché's other productions, reflected in reviews from publications like <span class=\"title\">Comoedia Illustre</span>, <span class=\"title\">Le Figaro</span>, and <span class=\"title\">Le Théâtre</span>. During his tenure, Rouché worked directly with Maurice Ravel and Hungarian dancer Sahary-Djeli. He brought his forward-thinking attitude to the Paris Opera in 1914, which he managed until 1945. In 1929 after the dissolution of the Ballets Russes, Rouché helped restore dance to the forefront of French theatre by hiring dancer and choreographer Serge Lifar. He also wrote several essays about costume and set design during his career, and staged dances from around the world at the Paris Opera. Today, Rouché is recognized as having modernized French theater in the 20th century.</p>"}
scopecontent
{"value"=>"<p>The collection consists of research materials collected by dance historian Lynn Garafola. It primarily documents two subjects: Rouché's career as manager of the Théâtre des Arts from 1910-1913, and activity at the Alhambra Theatre in London from 1884-1911. The vast majority of items in the collection are photocopies or typescript articles. The Théâtre des Arts materials largely comprise theater reviews, with emphasis on ballets performed in 1912 and 1913. The collection also contains articles and essays that document Rouché's career after the Théâtre des Arts. The Alhambra Theatre materials do not directly pertain to Rouché. They consist of production programs and news clippings about the Theatre, again with emphasis on ballet. Finally, the collection contains several miscellaneous items about dancers Hubert Stowitts and Anna Pavlova, Spanish, Indian and Latin American dance, and Leni Riefenstahl.</p>"}
arrangement
{"value"=>"<p>Received order is maintained. New folders are provided for items that were in three-ring binders.</p>"}
acqinfo
{"value"=>"<p>Donated by Lynn Garafola, 2019.</p>"}
processinfo
{"value"=>"<p>Processed by <span class=\"name\">Nathan Evans</span> in <span class=\"date\">2020</span>.</p>"}
date_start
1884
keydate
1884
date_end
2014
date_inclusive_start
1884
date_inclusive_end
2014
date_bulk_start
1884
date_bulk_end
1913
prefercite
{"value"=>"Jacques Rouché collection, *MGZMD 519. Jerome Robbins Dance Division, The New York Public Library for the Performing Arts"}

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