- unitid
-
{"value"=>"29946", "type"=>"local_mss"}
{"value"=>"Sc MG 971", "type"=>"local_call"}
- unitdate
-
{"value"=>"1986 - 2003", "type"=>"inclusive", "normal"=>"1986/2003"}
- unittitle
-
{"value"=>"Bill Gunn playscripts"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"1 box", "unit"=>"containers"}, {"name"=>"extent", "value"=>"0.21 linear feet", "unit"=>"linear_feet"}], "supress_display"=>true}
- repository
-
{"value"=>"<span class=\"corpname\">Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division</span>"}
- abstract
-
{"value"=>"The Bill Gunn playscripts are comprised of 5 varying copies of Bill Gunn's playscript titled, <span class=\"title\">The Forbidden City</span>."}
- langmaterial
-
{"value"=>"English"}
- prefercite
-
{"value"=>"[Item], Bill Gunn playscripts, Sc MG 971, Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library"}
- origination
-
{"value"=>"Gunn, Bill, 1934-1989", "type"=>"persname"}
- bioghist
-
{"value"=>"<p>William (Bill) Harrison Gunn was an African American playwright, novelist, screenwriter, filmmaker, and actor who was active from the mid-1950s until his death in 1989. He was born on July 15, 1934 and raised in Philadelphia, Pennsylvania, by his parents, William Harrison, Sr., a songwriter and poet, and Louise Alexander Gunn, an actress who directed a local theater company. After dropping out of high school to join the Navy, Gunn returned to Philadelphia in 1952 and found work as a scene painter at Neighborhood Playhouse, where he was cast as an extra in <span class=\"title\">Street Scene</span>.</p> <p>Gunn moved to New York City's East Village to further pursue his acting career. In 1954, He made his Broadway debut in <span class=\"title\">The Immoralist</span>, and also appeared in the off-Broadway production of <span class=\"title\">Take a Giant Step</span>, and the television drama <span class=\"title\">Carmen in Harlem</span>, opposite Billie Allen. His later theater credits include <span class=\"title\">The Member of the Wedding</span> (1955) with Ethel Waters, <span class=\"title\">Sign of Winter</span> (1958), <span class=\"title\">Moon on the Rainbow Shawl</span> (1962), and the New York Shakespeare Festival productions of <span class=\"title\">Antony and Cleopatra</span> and <span class=\"title\">A Winter's Tale</span> (1963).</p> <p>In 1959, the Theater Guild in New York produced Gunn's first play, <span class=\"title\">Marcus in the High Grass</span>, which was followed by the <span class=\"title\">Celebration</span> in 1965 at the Mark Taper Forum in Los Angeles. Gunn's third play, the one-act <span class=\"title\">Johnnas</span>, premiered at the Chelsea Theatre in 1968 and was produced as a television special in 1972, earning Gunn an Emmy for Best Television Play. While Gunn expanded his career into television and film screenwriting throughout the late 1960s and 1970s, he returned to theater in 1975 with <span class=\"title\">Black Picture Show</span>, an AUDELCO Award-winning musical co-written with musician, Sam Wayman. Gunn continued to work as a playwright throughout the 1980s, producing <span class=\"title\">Rhinestone</span>, a musical based on his 1981 semi-autobiographical novel, <span class=\"title\">Rhinestone Sharecropping</span>, as well as <span class=\"title\">Family Employment</span> in 1985 and <span class=\"title\">The Forbidden City</span>, his final work in 1989.</p> <p>Gunn was a pioneer of black independent filmmaking. In 1970, he became the second black filmmaker to direct a film for a major studio with his directorial debut, <span class=\"title\">Stop</span>, which was shelved by Warner Bros due to its controversial premise and X rating. In 1973, Gunn wrote, directed and acted in <span class=\"title\">Ganja and Hess</span>, a horror film about vampires starring Duane Jones and Marlene Clark. While the film was marketed as a blaxploitation film and received a limited release in the United States, it was critically acclaimed, and selected for Critic's Week at the Cannes Film Festival in 1973, and later recognized as one of the ten best American films of the decade by Cannes. Gunn later directed <span class=\"title\">Personal Problems</span> in 1980, an avant-garde soap opera extensively featuring black directors, writers and actors such as Vertamae Grosvenor, Walter Cotton, Michele Wallace, and Jim Wright.</p> <p>Throughout the 1970s and 1980s, Gunn also directed and produced a number of television programs, including <span class=\"title\">The Alberta Hunter Story</span>, a five-part series about legendary jazz singer Alberta Hunter for the BBC, <span class=\"title\">The Life of Sojourner Truth</span>for CBS, <span class=\"title\">The American Parade</span>, and a television special for Lena Horne produced by Bill Cosby. In addition to his extensive credits as a playwright, screenwriter and filmmaker, Gunn published two novels, <span class=\"title\">All the Rest Have Died</span> (1964) and <span class=\"title\">Rhinestone Sharecropping</span> (1981).</p>"}
- scopecontent
-
{"value"=>"<p>The Bill Gunn playscripts are comprised of 5 varying copies of Bill Gunn's playscript titled, <span class=\"title\">The Forbidden City</span>. Each playscript is 81 pages in total and all are missing page 21 but it appears to be a misnumbering error, as the script continues cohesively and uninterrupted from page 20 to 22. Some versions of the playscript include handwritten notes related to edits, cuts, production notes, and timing.</p>"}
- arrangement
-
{"value"=>"<p>The Bill Gunn playscripts are arranged chronologically.</p>"}
- acqinfo
-
{"value"=>"<p>Gift of Anne Cattaneo, 2019.</p>"}
- processinfo
-
{"value"=>"<p>Processed by Barrye Brown, 2019.</p>"}
- date_start
-
1986
- keydate
-
1986
- date_end
-
2003
- date_inclusive_start
-
1986
- date_inclusive_end
-
2003
- extent_statement
-
0.21 linear feet (1 box)