- unitid
-
{"value"=>"*T-Mss 2014-172", "type"=>"local_call"}
{"value"=>"23013", "type"=>"local_mss"}
{"value"=>"b20890707", "type"=>"local_b"}
- unitdate
-
{"value"=>"1925-2012", "type"=>"inclusive", "normal"=>"1925/2012"}
{"value"=>"1943-2011", "type"=>"bulk", "normal"=>"1943/2011"}
- date_inclusive_start
-
1925
- date_inclusive_end
-
2012
- keydate
-
1925
- date_start
-
1925
- date_end
-
2012
- date_bulk_start
-
1943
- date_bulk_end
-
2011
- unittitle
-
{"value"=>"Elaine Stritch papers"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"4.61 linear feet", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"10 boxes", "unit"=>"containers"}], "supress_display"=>true}
- repository
-
{"id"=>"THE", "value"=>"Billy Rose Theatre Division"}
- abstract
-
{"value"=>"Elaine Stritch was an actress and singer in film, television, and the theatre whose show business career spanned nearly seventy years. The Elaine Stritch papers date from 1925 to 2012 (bulk dates 1943-2011), and contain correspondence, photographs, and promotional materials that chronicle her personal life and performance career."}
- prefercite
-
{"value"=>"<p>Elaine Stritch papers, *T-Mss 2014-172. Billy Rose Theatre Division, The New York Public Library.</p>"}
- origination
-
{"value"=>"Stritch, Elaine", "type"=>"persname", "role"=>"creator"}
- bioghist
-
{"value"=>"<p>Marion Elaine Stritch (1925-2014) was born in Detroit, Michigan and raised in Birmingham, Michigan, where she attended Convent of the Sacred Heart School, and developed an interest in acting at a young age. Stritch moved to New York City in 1944 to pursue a career in show business. She enrolled in a drama program at The New School, where she studied with Erwin Piscator.</p> <p>Stritch made her Broadway debut in the Jed Harris comedy, <span class=\"title\">Loco</span>, in 1946, followed by the musical revue, <span class=\"title\">Angels in the Wings</span>, in 1947. After appearing in the comedy, <span class=\"title\">Yes M'Lord</span> (1949), she was cast as Ethel Merman's understudy in 1950's <span class=\"title\">Call Me Madam</span>, playing the lead in the subsequent touring production. This was followed by a revival of <span class=\"title\">Pal Joey</span> (1952), <span class=\"title\">On Your Toes</span> (1954), and the 1955 drama, <span class=\"title\">Bus Stop</span> (1955), which earned Stritch a Tony nomination.</p> <p>In 1958, Stritch landed her first starring role on Broadway with the musical comedy, <span class=\"title\">Goldilocks</span>. She was cast as the lead again in <span class=\"title\">Sail Away</span> (1961), a performance that garnered Stritch her second Tony nomination, and which was followed by her debut on the stage in London with the show's British production. In 1963, Stritch was cast in Edward Albee's, <span class=\"title\">Who's Afraid of Virginia Woolf?</span>, replacing actress Uta Hagen in the role of Martha.</p> <p>Between 1964 and 1969, Stritch spent much of her time on the road touring with productions of <span class=\"title\">I Married an Angel</span> (1964), <span class=\"title\">Who's Afraid of Virginia Woolf?</span> (1965), <span class=\"title\">The King and I</span> (1965), <span class=\"title\">Any Wednesday</span> (1967), and <span class=\"title\">Mame</span> (1968-1969). This was followed by her third Tony-nominated performance in Stephen Sondheim's <span class=\"title\">Company</span> (1970). In 1972, Stritch moved to London, England to perform in the West End production of <span class=\"title\">Company</span>. She would remain in London for the next decade, where she appeared on the stage in <span class=\"title\">Small Craft Warnings</span> (1973), and subsequently met the American actor John Bay during rehearsals for the play. The couple married that same year, and Stritch continued her theatre career, while also launching a successful British television career. Her most well-known British television performance was with <span class=\"title\">Two's Company</span>, which ran for four seasons from 1975 to 1979. In the program, Stritch played the lead opposite Donald Sinden, and in 1979 they were both nominated for a British Academy Television Award.</p> <p>In addition to her early successes on the stage and in television, Stritch made a number of film appearances, beginning in 1956 with <span class=\"title\">The Scarlet Hour</span> and <span class=\"title\">Three Violent People</span>. The following year, she was cast opposite Rock Hudson and Jennifer Jones in <span class=\"title\">A Farewell to Arms</span>, and then 1958's <span class=\"title\">The Perfect Furlough</span>, in which she played a starring role alongside Tony Curtis and Janet Leigh. Her other early films include <span class=\"title\">Who Killed Teddy Bear?</span> (1965), <span class=\"title\">The Spiral Staircase</span> (1975), and <span class=\"title\">Providence</span> (1977).</p> <p>Stitch and her husband moved back to the United States shortly before his death in 1982. She landed her next major film role in Woody Allen's <span class=\"title\">September</span> (1987). Her critically acclaimed performance in this film led to a series of subsequent film roles including <span class=\"title\">Cocoon: The Return</span> (1988), <span class=\"title\">Cadillac Man</span> (1990), <span class=\"title\">Out to Sea</span> (1997), <span class=\"title\">Autumn in New York</span> (2000), <span class=\"title\">Small Time Crooks</span> (2000), <span class=\"title\">Screwed</span> (2000), and <span class=\"title\">Monster-in-Law</span> (2005).</p> <p>Upon her return to the United States, Stritch was also cast in a number of television roles including <span class=\"title\">The Ellen Burstyn Show</span> (1986), <span class=\"title\">The Cosby Show</span> (1989–1990), <span class=\"title\">Head of the Class</span> (1990), and a recurring role on <span class=\"title\">Law & Order</span> (1992-1996), which earned her an Emmy Award for Outstanding Guest Actress in a Drama Series. She was honored with another Emmy for Outstanding Guest Actress in a Comedy Series in 2007, for her recurring role on <span class=\"title\">30 Rock</span>, where she portrayed Colleen, the mother of Alec Baldwin's character, Jack Donaghy.</p> <p>In the midst of her film and television roles, Stritch returned to the stage in a series of revival performances beginning in 1993 with a one-night performance of <span class=\"title\">Company</span>. This was followed by <span class=\"title\">Show Boat</span> in 1994, and <span class=\"title\">A Delicate Balance</span>, which earned Stritch her fourth Tony nomination in 1996. Then, in 2001, she premiered her one woman show, <span class=\"title\">Elaine Stritch at Liberty</span> at the Public Theatre, which moved to the Neil Simon Theatre on Broadway in 2002. The show was broadcast on HBO in 2004, a performance for which Stritch received an Emmy Award for Outstanding Individual Performance in a Variety Program.</p> <p>In 2005, Stritch took up residence at The Carlyle Hotel, and from 2010 to 2011 performed in a cabaret act at the Café Carlyle called <span class=\"title\">At Home at the Carlyle: Elaine Stritch Singin' Sondheim...One Song at a Time</span>. In what would be her final Broadway role, Stritch performed in the revival of Sondheim's <span class=\"title\">A Little Night Music</span>, succeeding Angela Lansbury in the role of Madame Armfeldt from 2010 to 2011. Stritch gave her final performance at the Carlyle in 2013 with, <span class=\"title\">Elaine Stritch at the Carlyle: Movin' Over and Out</span>, and then returned to her hometown of Birmingham, Michigan, where she died in 2014.</p>"}
- scopecontent
-
{"value"=>"<p>The Elaine Stritch papers date from 1925 to 2012 (bulk dates 1943-2011) and detail her personal life and performance career in film, television, and theatre. The collection is comprised of correspondence; documents and photographs from Stritch's personal life; and files of photographs, promotional items, and scripts from her show business career.</p> <p>The correspondence includes both incoming and outgoing letters, and consists of a variety of personal notes and professional communications, nearly all of which address Stritch's performance career. However, there is a small group of letters between Stritch and various friends while she was still living in Michigan and they were attending schools in other cities. Of special interest are letters written by Stritch to her parents while she was living in Italy for the filming of <span class=\"title\">A Farewell to Arms</span> in 1957. Also included are fan letters; business agreements regarding contracts and performances; and correspondence from actors, producers, and directors. Those who wrote to Stritch include Woody Allen, Kirk Douglas, Tina Fey, Ben Gazzara, Nathan Lane, Angela Lansbury, John McMartin, Mary Tyler Moore, Elaine Paige, Harold Prince, Scott Sanders, and Stephen Sondheim.</p> <p>While most of the collection addresses Stritch's performance career, there is a selection of items from Stritch's personal life, which includes biographical information, official documents, and photographs. The biographical information consists of various accounts of Stritch's biography, which features short drafts composed by Stritch, as well as her hand-written notes. The official documents held in the collection are Stritch's birth certificate, first communion card, Convent of the Sacred Heart school records, her passport, and her marriage certificate. The personal photographs encompass most of Stritch's life, and depict her family, friends, and her husband, John Bay.</p> <p>Items from Stritch's show business career comprise the largest portion of the collection and include files of awards; benefits, galas, and special events; film, television, and theatre performances; and professional photographs. The awards held in these files include the envelope from the 2004 Emmy Awards where Stritch won for the HBO broadcast of <span class=\"title\">Elaine Stritch: At Liberty</span>; the Elliot Norton Awards Guest of Honor (2005); and a 1954 award from the Kentucky Chamber of Commerce.</p> <p>Stritch attended and performed at many benefits, galas, and special events, and retained programs and press clippings from an assortment of these occasions. Among the events are the Oscar Hammerstian II Festival (1962); the 1996 and 2003 Kennedy Center Honors Gala; a 1997 tribute to Stephan Sondheim at the Brooklyn Academy of Music; a 1998 tribute to Ethel Merman to benefit the Gay Men's Health Crisis; a memorial celebration of Kim Stanley (2001); a 2008 benefit for the Lesbian Gay Bisexual & Transgender Community Center titled, \"Front & Center with Elaine Stritch;\" and correspondence and drafts of Stritch's remarks from her appearance as a presenter at the 2005 Annual News & Documentary Emmy Awards. Also present are clippings and correspondence from cabaret performances between 2003 and 2005.</p> <p>The film, television, and theatre files contain press clippings and reviews; photographs; programs; scripts; and audio and video recordings from many of her performances. Among her film career, only the files for <span class=\"title\">A Farewell to Arms</span> hold a script. The rest of the files contain press clippings, production and promotional photographs, and reviews. There is also a production schedule and call sheet held in the file for <span class=\"title\">Screwed</span>.</p> <p>While there are no full scripts present in the television materials, the <span class=\"title\">30 Rock</span> file does include an excerpt from the shooting draft of a 2012 script, as well as Stritch's 2010 contract with NBC studios. The rest of the television files contain press clippings and photographs, many of which are not labeled with program titles.</p> <p>Stritch's stage career comprises the bulk of the show business files, which features early acting jobs from when she was a college student; performances on Broadway; touring productions; and her later solo performances at Café Carlyle. These files hold photographs, press clippings, programs, scripts, and audio and video recordings of interviews, performances, and media appearances.</p> <p>Productions such as <span class=\"title\">Company</span> and <span class=\"title\">Pal Joey</span> contain items from the original and revival performances. While nearly all the files include press clippings and programs, scripts are present only for <span class=\"title\">The Gingerbread Lady</span>, <span class=\"title\">Love Letters</span>, and <span class=\"title\">Elaine Stritch: At Liberty</span>. The majority of files hold photographs as well, but there is also an additional group of images spanning Stritch's entire career which are unlabeled and were filed separately. These include undated headshots and professionally staged photographs. Of special interest is a necklace worn by Stritch in the role of Madame Armfeldt in <span class=\"title\">A Little Night Music</span> between 2010 and 2011.</p>"}
- arrangement
-
{"value"=>"<p>Materials are arranged alphabetically by title.</p>"}
- acqinfo
-
{"value"=>"<p>Donated by Elaine Stritch Bay Trust, 2015.</p>"}
- processinfo
-
{"type"=>"processing", "value"=>"<p>Compiled by <span class=\"name\">Heather Lember</span>, <span class=\"date\">2015</span>.</p>"}
- accessrestrict
-
{"value"=>"<p>Sound and video recordings are unavailable pending digitization. For more information, please contact the Theatre Division at theatre@nypl.org.</p>"}
- userestrict
-
{"value"=>"<p>The author/creator retains copyright of materials. For information on obtaining permission to publish, contact the Theatre Division at theatre@nypl.org.</p>"}
- dsc_type
-
combined
- extent_statement
-
4.61 linear feet (10 boxes)