Benjamin Kranz professional files

id
10001
origination
Kranz, Benjamin
date statement
1922-1981
key date
1922
identifier (local_mss)
22623
org unit
Billy Rose Theatre Division
call number
*T-Mss 2013-135
b-number
b20751165
total components
73
total series
0
max depth
2
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2015-08-05 15:38:43 UTC
updated
2023-03-30 17:51:44 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

unitid
{"value"=>"*T-Mss 2013-135", "type"=>"local_call"}
{"value"=>"22623", "type"=>"local_mss"}
{"value"=>"b20751165", "type"=>"local_b"}
unitdate
{"value"=>"1922-1981", "type"=>"inclusive", "normal"=>"1922/1981"}
date_inclusive_start
1922
date_inclusive_end
1981
keydate
1922
date_start
1922
date_end
1981
unittitle
{"value"=>"Benjamin Kranz professional files"}
physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"5.6 linear feet", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"12 boxes, 1 volume, 3 oversized folders", "unit"=>"containers"}], "supress_display"=>true}
repository
{"id"=>"THE", "value"=>"Billy Rose Theatre Division"}
abstract
{"value"=>"Benjamin Kranz (circa 1911-1983) was an American theatrical stage manager. The Benjamin Kranz professional files date from 1922 to 1981 and contains production files, correspondence, contracts, and other materials relating to his career as an actor and stage manager."}
prefercite
{"value"=>"Benjamin Kranz professional files, *T-Mss 2013-135. Billy Rose Theatre Division, The New York Public Library for the Performing Arts"}
origination
{"value"=>"Kranz, Benjamin", "type"=>"persname", "role"=>"creator"}
bioghist
{"value"=>"<p>Benjamin Kranz (circa 1911-1983) was an American theatrical stage manager. He began his career as an actor and, from 1929 to 1930, appeared in Stanley Bell's touring production of <span class=\"title\">Journey's End</span>. For the next fifty years, Kranz stage managed several Broadway and touring theatrical productions, including <span class=\"title\">Having Wonderful Time</span>, <span class=\"title\">The Two Bouquets</span>, <span class=\"title\">O Evening Star</span>, <span class=\"title\">The Little Foxes</span>, <span class=\"title\">The Moon is Down</span>, <span class=\"title\">My Three Angels</span>, <span class=\"title\">The Green Pastures</span>, <span class=\"title\">Inadmissible Evidence</span>, <span class=\"title\">The Searching Wind</span>, <span class=\"title\">Porgy and Bess</span>, and <span class=\"title\">Annie</span>. Kranz also staged industrial shows for Ford and Nabisco, as well as the American National Theater and Academy's (ANTA) Album shows in the late 1940s and 1950s.</p>"}
scopecontent
{"value"=>"<p>The Benjamin Kranz professional files date from 1922 to 1981 and contain production files, correspondence, and other materials relating to Kranz's career as an actor and stage manager.</p> <p>Production files comprise the bulk of the collection. They are arranged alphabetical by title and document theatrical productions that Kranz acted in or stage managed. The degree to which each production is documented varies, though the majority of the files contain only scripts or prompt books. Production files may also include notes, stage plans, cast lists, programs, prop plots, and clippings. Among the more thoroughly represented titles are <span class=\"title\">The Little Foxes</span>, <span class=\"title\">The Green Pastures</span>, <span class=\"title\">The Grass Harp</span>, <span class=\"title\">The Skin of Our Teeth</span>, <span class=\"title\">The Rugged Path</span>, <span class=\"title\">Call Me Mister</span>, and <span class=\"title\">My Darlin' Aida</span>. Prompt books for <span class=\"title\">The More the Merrier</span>; <span class=\"title\">Flowers of Virtue</span>; <span class=\"title\">Kiss Me, Kate</span>; <span class=\"title\">The Two Bouquets</span>; and <span class=\"title\">Inadmissible Evidence</span> are heavily annotated. Files for <span class=\"title\">1776</span> only contain production photographs and two certificates of recognition for Kranz.</p> <p>Correspondence consists primarily of incoming letters regarding the planning, production, and reception of plays and musicals, such as <span class=\"title\">Annie</span>; <span class=\"title\">Porgy and Bess</span>; <span class=\"title\">Kiss Me, Kate</span>; and <span class=\"title\">The Moon is Down</span>. Also present are several congratulatory notes and letters of appreciation from colleagues, such as Ezra Stone, Oscar Serlin, Moss Hart, Dorothy Rodgers, Edwin Lester, Greer Garson, and Richard Rodgers and Oscar Hammerstein.</p> <p>The collection also contains articles, clippings, photographs, contracts, contact and cast lists, and one scrapbook. Contracts thoroughly document Kranz's professional activities between 1929 and 1980. Cast lists are sometimes accompanied by rehearsal attendance sheets. The scrapbook contains clippings and programs for <span class=\"title\">Journey's End</span>.</p>"}
arrangement
{"value"=>"<p>The collection is arranged by format with Production Files further arranged alphabetically by title.</p>"}
acqinfo
{"value"=>"<p>Unknown.</p>"}
processinfo
{"type"=>"processing", "value"=>"<p>Compiled by <span class=\"name\">Robyn Hjermstad</span>, <span class=\"date\">2015</span></p>"}
userestrict
{"value"=>"<p>The author/creator retains copyright of materials. For information on obtaining permission to publish, contact the Theatre Division at theatre@nypl.org.</p>"}
dsc_type
combined
extent_statement
5.6 linear feet (12 boxes, 1 volume, 3 oversized folders)

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