Found 151 collections.

Dance Chronicle is a peer-reviewed academic journal formerly edited by George Dorris and Jack Anderson. The collection consists of materials related to Dorris and Anderson's time as editors-in-chief of Dance Chronicle and some personal materials. less

The Marilyn Wood papers, dating from the 1950s to 2016, consist of photographic materials, programs, notes, notebooks, journals, posters, fliers, interviews, press clippings, and video recordings created and collected by Wood over the course of her career as a dancer, choreographer, artistic director, and producer. The bulk of the papers detail Wood's work as the artistic director and choreographer of worldwide site-specific, festival-like performances that she called celebrations. less

The American Tap Dance Foundation (ATDF) is a non-profit organization committed to establishing and legitimizing tap as a vital component of American dance through creation, presentation, education, and preservation. The ATDF records, dating from 1935 to 2019, document its history and activities, as well as the careers of two of its co-founders, tap dancers Brenda Bufalino and Tony Waag. It also illustrates the history and development of tap dance. The collection contains video and audio recordings, photographs, scrapbooks, administrative files, programs, clippings, promotional literature, and dancer photographs and biographies. less

The Dance Perspectives Foundation, founded in 1966, was a New York-based, non-profit organization devoted to supporting dance scholarship, whose flagship project, the International Encyclopedia of Dance, was published in 1998. The Dance Perspectives Foundation records, dating from 1966 to 2003 with the bulk from 1976 to 1998, include board meeting minutes and reports; financial records; fundraising letters and grant applications; and correspondence among the authors, editors, and publishers of the encyclopedia. less

Marilyn J. La Vine (1931-2009) was a dance enthusiast who dedicated her life to researching and promoting the legacy of Russian dancer Rudolf Nureyev (1938-1993). The Marilyn La Vine collection of Rudolf Nureyev materials (1939-2008) holds research files and photographs relating to the life and career of Rudolf Nureyev. The research files contain a master copy of La Vine’s compilation of volumes of clippings relating to Nureyev, as well as correspondence, ephemera, and scrapbooks. The photographs date from 1939 until after Nureyev’s death in 1993, and give a comprehensive representation of his dancing career. less

The Carole Y. Johnson Aboriginal Dance portfolios hold documents relating to her work as an activist, art director, choreographer and dancer. Johnson, of African-American descent, developed Aboriginal Islanders dance programs through the Black Theatre Arts and Cultural Centre, Aboriginal modern dance workshop, the Aboriginal Arts Board, the the National Aboriginal Islander Skills Development Association Dance College (NAISDA), and the Aboriginal Islander Dance Theatre (AIDT). The collection contains annual reports, articles, brochures, correspondence, dance reviews, memorandums, and posters. less

Katy Page Matheson (1948-2005) was an American editor, writer, performer, teacher, and dance historian. The Katy Matheson papers (1960-2003) reflect Matheson's professional work, as well as her graduate work in dance history. To a limited extent, her own career in dance is documented. less

The Bhaskar Roy Chowdhury collection contains a partial autobiography, family photographs, publicity, career related photographs, printed matter, and some correspondence relating to the life and career of Bhaskar Roy Chowdhury (1930-2003) an Indian folk dancer, choreographer, actor, writer and painter. less

Ellen Jacobs Associates (EJA), established in 1981 in New York City, is a public relations firm that represents the performing, visual, and literary arts in the United States and internationally. Since its inception, EJA has represented several renowned dance companies and festivals, including Merce Cunningham Dance Company, Paul Taylor Dance Company, Martha Graham Dance Company, Erick Hawkins Dance Company, the Jacob’s Pillow Dance Festival, and multiple productions and festivals put on by the Joyce Theater in New York City. The Ellen Jacobs Associates records (1982-2003) hold public relations files for dance companies represented by the firm. The files consist of clippings, reviews of performances, press releases, and a limited amount of correspondence. Also present in this collection are slides of performances and bound publicity reports. The majority of the documents in this collection are photocopies. less

Domy Reiter-Soffer (b. 1950, Tel Aviv) is a choreographer, actor, director, dancer, painter, and stage designer working for ballet, opera, musical, and play productions as well as television and film. The Domy Reiter-Soffer papers (1964-2008) contain biographical articles, correspondence, photographs, reviews, and programs mostly pertaining to ballet performances Reiter-Soffer choreographed for American, European, and Asian dance companies. less

Bernadine Jennings was the founder and executive director of Dance Giant Steps, Inc. Founded in 1979, this not-for-profit organization promoted professional dance artists and companies. This was mostly through the organization's publication "Attitude: The Dancers' Magazine," published quarterly. The collection, dated 1969 to 2005, mostly holds publicity material about the dance companies that resided or held dance performances in New York City. Represented in the collection are classical ballet, folkloric and ethnic dances, and modern dance. African-American dance companies are strongly represented in the collection. The files feature correspondence, photographs, press kits, publications, slides, and several drawings. less

Garry Reigenborn was a dancer, choreographer, and teacher involved with avant-garde dance of the 1970s. He performed with companies such as the Andrew DeGroat Dancers and the Lucinda Childs Dance Company. The Garry Reigenborn papers (1977-2004) contain clippings; correspondence with dance companies, foundations, and schools; programs; posters; production notes; and teaching materials and other professional engagement papers that document much of Garry Reigenborn’s career. less

The New York International Ballet Competition, which ran from 1984 to 2009, was a three-week artistic education, professional training, and performance program for about 50 young, scholarship-sponsored dancers from around the world. The New York International Ballet Competition records, dating from 1943 to 2011 (the bulk dates from 1983 onward), document the history of the competition through photographs, video recordings, programs, publicity literature, costume designs, competition applications, administrative files, posters, and audio recordings. less

Jacques Rouché (1862-1957) was a French theater patron who managed the Théâtre des Arts (now Theatre Hébertot) and Paris Opera. He is recognized for his contributions in modernizing French theater and dance in the 20th century. The Jacques Rouché collection primarily documents Rouché's tenure at the Théâtre des Arts with articles about productions he staged, with emphasis on ballet. The collection also traces Rouché's career as manager of the Paris Opera, as well as activity at the Alhambra Theatre in London. less

Maria Karnilova (1920-2001) was an American dancer and actress whose career spanned seven decades in ballet, opera, and Broadway. The Maria Karnilova papers contain materials from 1840 to 2003 (bulk 1938-1993) that document her career, including articles, correspondence, programs, photographs, scripts, sheet music, ballet slippers, audio and video recordings, and film. less

Deborah Zall (1933-2018) was an American dancer, choreographer, and teacher known for her dramatic solo works depicting historical and fictional women. The Deborah Zall papers contain materials from 1947 to 2017 that trace her career, including articles, programs, photographs, correspondence, professional documents, and audio and video recordings. less

Saeko Ichinohe (born 1936) was the founder, choreographer, and a dancer of the Saeko Ichinohe Dance Company, which she created in 1970. The Company merged traditional Japanese movement, music, and costumes with modern Western movement. The collection chronicles Saeko Ichinohe's professional career and that of her dance company from the late 1960s to 2014. It contains choreography and dance notation, photographs, costume notes, teaching material, administrative and financial documents, correspondence, biographical material, repertoire lists, programs, writings by Ichinohe, publicity, and audio and video recordings. less

Nancy Zeckendorf is an arts patron and former Metropolitan Opera ballet dancer. Zeckendorf was a close friend of British choreographer Antony Tudor and one of the trustees of his will. The Nancy Zeckendorf collection on Antony Tudor and Oliver Smith (dating from 1951 to 2015) is comprised of material preserved by Zeckendorf about Tudor; his partner, dancer Hugh Laing; and American scenic designer Oliver Smith. In addition to Tudor's handwritten letters to Zeckendorf, photographs, clippings, and programs, other files contain an official 1986 Kennedy Center Honors book (and event information), papers related to his memorial service, a copy of Laing's will, and a 1988 letter written by Laing to Zeckendorf. The Oliver Smith items consist of a memorial booklet, a copy of "Oliver Smith- An Appreciation" by Lloyd Burlingame, a description of the "Collected Artwork and Papers of Oliver Smith," and a chronology of his work. less

Murray Spalding (1944-2010) was an American choreographer, dancer, and teacher most known for her spiritually evocative Mandala dance series. The Murray Spalding papers date from about 1953 to 2011 and outline her career through performance production files; performance and publicity photographs; choreographic notebooks; scrapbooks; clippings; dance company records, and teaching files. less

Joan Duddy (1937-2015) was an American dance administrator and curator who was influential in the New York City downtown dance scene from the 1980s through the 2000s. The Joan Duddy collection documents the later portion of her career, primarily dating from about 1980 to 2014, through project plans; published reviews; meeting notes; publicity items; contracts; correspondence; research materials; and video recordings of performances. less

Jerome Robbins (1918-1998) was an American dancer, choreographer, producer, and director who worked in ballet, theater, film, and television. The Remembering Jerome Robbins oral histories date from 2009 to 2012 and consist of interviews conducted with actors, dancers, musicians, and other individuals who worked with Robbins throughout his career. less

The Thelma Hill Performing Arts Center (THPAC) is a non-profit organization based in Brooklyn, New York, whose mission is supporting Black performers and providing community access to dance. The Thelma Hill Performing Arts Center records, which date from the 1920s to 2019, trace the institution's cultural significance through administrative records, performance video footage, photographs, promotional material, and awards files. less

Gus Solomons Jr. is an African-American dancer, choreographer, teacher, and writer. Solomons was a soloist in the dance companies of Donald McKayle, Pearl Lang, Martha Graham and, most notably, Merce Cunningham. Solomons formed his own troupe, The Solomons Company/Dance in 1972. Twenty-four years later in 1996, Solomons founded Paradigm to celebrate mature artists on stage. The collection includes correspondence, Solomons articles, notes and notebooks, photographs, posters, drawings, audio and moving image materials. less

The Danspace Project was founded in 1974 at the St. Mark's Church In-The-Bowery in New York City to present, support, and encourage new work in dance and performance within a supportive environment. The Danspace Project records document over four decades of dance performances produced by, or affiliated with, the Danspace Project, as well as document the day-to-day management of a non-profit arts organization. less

Mikhail Baryshnikov (1948- ) is a Russian-American dancer, choreographer and actor. The Mikhail Baryshnikov Archive holds awards, choreographer files, contracts, correspondence, photographs, press clippings, programs, scripts, and other materials documenting Baryshnikov's 40-plus year career. less

Nathaniel Tileston (1942-2019) was an American photographer of dance and performance art. The Nathaniel Tileston photographs date from 1964 to 2019, and represent his unusually concentrated career photographing experimental dance and theater performances in New York City and Chicago from the late 1960s through 1982. The collection includes his freelance assignment files, which hold photographic prints, contact sheets, slides, transparencies, and negatives; some early student work; and some exhibition prints. less

Anna Halprin, an American dancer known for her innovative and experimental technique, is a leading figure of the postmodern dance movement. This collection documents the artist's career with print materials, press clippings, biographies, San Francisco Dancers' Workshop newsletters, award programs, and photographs. less