Found matches for greenwich village in 93 collections.

Edwin White Gaillard (1872-1928) was a librarian who worked at the New York Public Library from 1897 to 1928. Collection consists of miscellaneous papers, chiefly notes, clippings, and correspondence, relating to the history and residents of Greenwich Village in New York City. Includes genealogical notes about Yellis Jensen Mandeville and his descendants. less

The Abingdon Square Collection contains information about the development of Abingdon Square, reminiscences of area residents regarding the square, and correspondence and flyers regarding proposed alterations to traffic flow in the area. An early article about the square dates from 1929, the remainder of the materials are dated between 1958 and 1981 Abingdon Square Park, created in 1836, is located in Greenwich Village in New York City, and is one of the City's oldest parks less

Gwendolen Haste (1889-1979) was an American poet. She wrote poems and short stories, worked in public relations at the General Foods Corporation from 1926 to 1954, and was active in the Poetry Society of America. She won the Nation Poetry Prize in 1922. Collection consists of correspondence, writings, materials pertaining to Haste's work at General Foods, photographs, and printed matter. Correspondence concerns her work and personal and family matters. Writings include published and unpublished poems, short stories, reminiscences, 1908 and 1912 diaries she kept at the University of Chicago, travel journals, and literary notebooks. General Foods materials contain memoranda, drafts of newsletter Haste edited, and lectures. Also, photographs of Haste and her relatives, and biographical information. less

This collection contains the records of HB Studio, an acting school founded by actor Herbert Berghof in New York City in 1945, and the personal and professional papers of Berghof and his wife, actress Uta Hagen. Material includes correspondence, administrative files, appointment books, diaries, photographs and photo albums, production files, scrapbooks, a small amount of personal material, and sound and video recordings. less

This collection contains the records of HB Playwrights Foundation and the personal and professional papers of its founders, actors Herbert Berghof and Uta Hagen. The Foundation was formed in New York City in 1964 to allow a space for playwrights, actors, directors, and designers to develop their plays in an experimental environment free from commercial limitations. Material relating to the HB Playwrights Foundation includes extensive production material and a small amount of administrative files. Files relating to Berghof and Hagen consist of correspondence, appointment books, diaries, photographs and photo albums, production files, scrapbooks, and a small amount of personal material. less

The Chamberlain and Lyman Brown Papers are 351 linear feet and contain business and personal correspondence, scrapbooks, autographs, legal and financial papers, scripts, photographs, clipping files, and production materials documenting their work as theatrical agents, managers, and producers. The papers provide a history of the entertainment industry from the end of the 19th century through the middle of the 20th century. A number of family and personal papers are also included. less

The Frank Wigglesworth Papers document Wigglesworth's life and career. The collection was assembled by Wigglesworth over the course of his lifetime, and includes musical scores, correspondence, clippings, programs, miscellaneous papers, iconography, and books. Correspondents include Henry and Sidney Cowell, Lou Harrison, Otto Luening, Virgil Thomson, and Edgard Varèse among many others. Maurice Sendak and Adlai Stevenson are represented by one letter each. Lou Harrison's letter of February 12, 1952, contains the autograph score of his Serenade for Guitar, spontaneously composed for Wigglesworth. Series A/4 contains other autograph scores by Harrison and by Otto Luening, a manuscript score by Vittorio Rieti, and reproductions of manuscript scores by Paul Arma, Chester Biscardi, Edward V. Bonnemere, Richard Brooks, John Cage, Gerald C. Chenoweth, Edward T. Cone, Stefania M. De Kenessey, Aaron Einbond, Daniel S. Godfrey, Daron Aric Hagen, Jose Halac, Reiko Ito, Barbara Kolb, Robert Maggio, Denman Maroney, Henry Martin, Lucas Mason, Richard Owen, Peter Phillips, David L. Post, David Rakowski, Loren Rush, Marvin Salzberg, John Sembret, Davy Temperley, Virgil Thomson, Brian Wilson, Marilyn Ziffrin, and Ellen Taafe Zwilich. Sound recordings originally with the collection are now housed in the Rodgers and Hammerstein Archives of Recorded Sound. less

The Hudson Park Branch of The New York Public Library opened in 1906 in the Greenwich Village neighborhood of Manhattan. The library building was designed by the architectural firm of Carrere and Hastings, and was constructed with funds donated by Andrew Carnegie. Reports, publicity material and administrative records documenting the operations of the Hudson Park Branch of The New York Public Library. less

A theatrical organization founded by a group of writers and artists whose common aim was the production of new and experimental plays, the Provincetown Players began performing in 1915 in members' homes in Provincetown, Mass. In 1916 the Players took up residence in Greenwich Village, NY and launched the career of Eugene O'Neill with a production of his Bound East for Cardiff. Called the first minute book; contains constitution, resolutions, meeting minutes, membership lists, correspondence and financial reports, both typed and handwritten. less

Mary Britton Miller (1883-1975) was a novelist and poet who wrote under the name of Isabel Bolton. She lived in New York City for most of her adult life and at one time was a volunteer social worker in Greenwich Village. Collection contains correspondence, legal papers, writings of Miller and others, and photograph. Correspondence consists of incoming letters from writers and artists; legal papers concern contracts and royalty statements; writings include poetry, short story and novel typescripts, galley proofs and reviews, and poems of other poets; and photograph of sculpture. less

Collection consists entirely of scripts of original plays and adaptations from the early career of playwright Edward Albee. It includes typescripts and proofs, many with handwritten revisions, and in various versions. Plays included in the collection are THE ZOO STORY, THE DEATH OF BESSIE SMITH, THE AMERICAN DREAM, WHO'S AFRAID OF VIRGINIA WOOLF?, FAM AND YAM, TINY ALICE, A DELICATE BALANCE, BOX and QUOTATIONS FROM CHAIRMAN MAO, and the adaptations: THE BALLAD OF THE SAD CAFE, MALCOLM, EVERYTHING IN THE GARDEN, and a musical adaptation of BREAKFAST AT TIFFANY'S. Also includes some unfinished and untitled manuscripts. less

The Wynn family, consisting of the Reverend Robert Daniel Wynn, his wife Rosie D. Wynn, and their daughter, Cora, lived in New York City and Newark, New Jersey. Reverend Wynn was the pastor of the Abyssinian Baptist Church from 1885 until 1902, during the period the church was located in Greenwich Village, New York City. He later pastored at Bethany Baptist Church in Newark, New Jersey, where he remained until his death in 1921. His daughter, Cora, was a pianist and performed in a number of recitals both before and after her marriage, when she was also known as Cora Wynn Alexander. The Wynn Family collection contains a small amount of material representing two members of this family. Rev. Robert D. Wynn's documents consist of a program celebrating the 90th anniversary of the founding of Abyssinian Baptist Church (1898); lyrics for a song he wrote, "I Would Live Longer"; and a program from Newark's Bethany Baptist Church (1907). Cora Wynn Alexander is represented by a letter written to her by a missionary friend in Cape Town, South Africa (1898), and several programs for music recitals, a few for which she performed. There are fifteen legal documents for property that the family owned in various locations in New Jersey (1919-1927). less

Vivian Blaine was a singer in concerts and nightclubs and an actress in film, television and theater from the late 1930s through the mid 1980s. She is best remembered for having originated the role of Miss Adelaide in Guys and Dolls (1950). This collection consists mainly of professional items pertaining to Blaine’s film and theater career, but also includes personal items. less

Original costume and set designs, mostly color, and mostly for unidentified shows produced by A.L. Jones and Morris Green. The costume designs are by Henriette Dallett, Earle Payne Franke and Mark Mooring, some possibly for the musical revue, Greenwich Village follies, 1924 or 1925. Several of Franke's costume designs are possibly for Green's production of the musical No other girl, Morosco Theatre, 1924. There are also several set designs signed by Arthur T. Thygeson for Mother and son, undated, as well as 2 pencil sketches for either a poster or ad for the musical Rain or shine (book by James Gleason and Maurice Marks; music by Owen Murphy and Milton Ager; lyrics by Jack Yellen), George M. Cohan's Theatre, 1928. less

The Claudia McNeil Scrapbooks, donated by The Actors' Fund of America after McNeil's death, were created by the late performer during the course of her career and consist of twelve volumes spanning the years 1938 to 1981. The contents include newspaper and magazine feature articles, reviews, advertisements, programs, poems, telegrams, letters, photographs, greeting cards, and handwritten notes arranged chronologically by her engagements or performances, with the predominate amount of material documenting her arrival at the pinnacle of her career in A Raisin in the Sun. less

Includes letters to Crichton from George Albee, Elfego Baca, Jacob Baker, Alvah Bessie, George Boehm, John Malcolm Brinnin, George A. Byus, Alistair Cooke, Frances E. Crawford, Guy Endore, Ray Etis, Edward Fitzgerald, Daniel Fuchs, Mildred Gilman, Mike Gold, Joe Gould, Paul Horgan, Wynant David Hubbard, Belinda Jelliffe, Fred Keating, Arthur Kober, Isabel F. Lewis, Horace McCoy, Edward L. McKenna, Archibald MacLeish, Agnes Bright Malling, Andre Malraux, Elizabeth Nowell, Arthur Pense, Elmer Rice, M. Lincoln Schuster, Ronald Searle, George and Helen Seldes, Vincent Sheean, Robert Sherwood, Lee Simonson, Robert Smeltzer, Dudley Smith, Donald Ogden Stewart, Frank Sullivan, Herbert Bayard Swope, Robert Lewis Taylor, Ella Winter, and Art Young. less

The Vincent Astor Foundation was established in New York City in 1948 by Vincent Astor for the purpose of "alleviating human misery." Mrs. Brooke Russell Astor, widow of Vincent Astor, served as president of the foundation from 1960 until its dissolution in 1997. The collection consists chiefly of records of financial grants awarded to charitable and non-profit organizations, mainly in New York City. Grants were awarded to libraries, museums, schools, universities, settlement houses, and various civic and community improvement groups. The records reflect Mrs. Astor's personal participation in the awarding of the foundation's grants. Included also are personal papers of Mrs. Astor relating to her civic and philanthropic activities. Among these papers are correspondence, scrapbooks, photographs, and videotapes recording her appearances on network television shows. less

Betty Comden was an American lyricist, playwright, screenwriter and actress working on stage and screen productions from the late 1930s through the 1990s. This collection is the personal and professional papers of Betty Comden. It consists mainly of scripts and scores. less

The Charles Boultenhouse and Parker Tyler Papers (1927-1994) consist of correspondence; published and unpublished manuscripts and typescripts of each man's writings; photographs; personal files and mementos; subject files; films; sound recordings; art work; and printed material including books, periodicals, catalogs, and brochures. The papers document the men's relationship of almost 30 years; their involvement in and contribution to the arts; their social life with friends and colleagues; and, to some extent, the activities of the artistic communities with which they were involved. The bulk of the papers cover the period from 1945 on, after the men met and began living together, and so are in a sense the papers of their household as well as those of each man individually. less