Found 57 collections related to Dance teachers

Ibrahim Farrah (1939-1998) was a well-known performer, teacher, and scholar of Middle Eastern dance, who also became the founder and publisher of Arabesqué, a notable journal of international and ethnic dance. The collection documents Farrah's efforts to promote a greater public awareness and appreciation of belly dance and other traditional dance forms through his own dance company, teaching, and publications. less

Eleanor King was a pioneer in the field of modern dance. She was an an original dancer of the Humphrey-Weidman group, a choreographer, and a teacher. Miss King became one of the first dance instructors in the United States, she was a professor in the Theatre Department at the University of Arkansas. The collection contains correspondence, teaching notes, dance and choreography notes, drafts of three books, programs, clippings, and sketches. less

The Jean Erdman Papers document the professional life of Jean Erdman Campbell, a dancer, choreographer, and dance instructor. Materials date from the late 1930s to the mid-1990s, and cover the early stages of her career as well as productions created during her later endeavors at the Theater of the Open Eye. This collection contains correspondence, production materials, academic papers, office files, financial and legal papers, scrapbooks, publicity materials, and photographs. This collection contains almost no materials related to Jean Erdman's personal life. less

Barbara Dilley is an American dancer, choreographer, and educator. The Barbara Dilley collection (1958-2002) contains correspondence, photographs, reviews, programs, flyers and posters, postcards, art/dance publications, rehearsal notes, and clippings pertaining to Barbara Dilley’s career as a dancer and choreographer. less

Papers documenting the professional life of dancer, teacher, and choreographer Hanya Holm. Bulk dates, 1931-1980, cover her teaching at the New York Wigman School of the Dance, the Hanya Holm Studio, and Colorado College and her choreography for her own company and in musical theater, including Kiss Me Kate, My Fair Lady, and Camelot. Also includes a small selection of personal papers. less

Laura Foreman was the director of dance at the New School. Her Laura Foreman Dance Theater performed extensively in the 1970s and her Composers and Choreographers Theater gave exposure to new and avant-garde choreographers. Collection includes choreography notes, scripts, correspondence and teaching material. less

Harold Lang (1920-1985) was an American dancer in ballet and on Broadway. The Harold Lang papers date from 1917 to 1986 and document his personal life as well as his career in ballet companies, in Broadway musicals, and as a professor of dance at California State University, Chico. less

Elizabeth Anderson-Ivantzova (1890-1973) was a Russian-American ballet dancer and teacher. The Elizabeth Anderson-Ivantzova research materials were compiled by Lawrence Sullivan in the preparation of his book, Elisabeth Anderson-Ivantzova: A Bolshoi Ballerina Abroad (2006). The collection contains photographs, correspondence, official documents, and programs documenting Anderson-Ivantzova's life and career. Materials date from the 1910s to 2006; the collection also holds copies of documents and photographs dated as early as 1890. less

The Albert Butler Dance Studio, established in 1928, taught ballroom and social dancing to amateur students and provided training to dance instructors. The Albert Butler Dance Studio records contain instructional articles, promotional material, correspondence, and photographs, as well as files relating to Albert and Josephine Butler's other social dance-related projects. less

The Carole Y. Johnson Aboriginal Dance portfolios hold documents relating to her work as an activist, art director, choreographer and dancer. Johnson, of African-American descent, developed Aboriginal Islanders dance programs through the Black Theatre Arts and Cultural Centre, Aboriginal modern dance workshop, the Aboriginal Arts Board, the the National Aboriginal Islander Skills Development Association Dance College (NAISDA), and the Aboriginal Islander Dance Theatre (AIDT). The collection contains annual reports, articles, brochures, correspondence, dance reviews, memorandums, and posters. less

The New Dance Group (NDG), founded in 1932, provided classes, scholarships, studio rentals, public performances, and support of new choreographic work to the New York City dance community. The Hadassah collection of New Dance Group Studio, Inc. records (1944-1977), assembled and annotated by longtime board and faculty member Hadassah, documents the activities and functions of the Board of Directors and Executive Committee following NDG's nonprofit incorporation in 1944. A selection of personal correspondence regarding Hadassah's dance career and outside affiliations is interspersed throughout. less

Garry Reigenborn was a dancer, choreographer, and teacher involved with avant-garde dance of the 1970s. He performed with companies such as the Andrew DeGroat Dancers and the Lucinda Childs Dance Company. The Garry Reigenborn papers (1977-2004) contain clippings; correspondence with dance companies, foundations, and schools; programs; posters; production notes; and teaching materials and other professional engagement papers that document much of Garry Reigenborn’s career. less

Audree Ismailoff was a ballet dancer and teacher; she danced under the stage name Anna Istomina. The Audree Ismailoff papers (1912-1987) document Ismailoff's dancing and teaching career through clippings, programs, photographs, and contracts. The collection also contains a file of material regarding the dance career of her son, Gregory Ismailov. less

The Carol Lynn Papers document the career of the dancer, educator and administrative director of Jacob's Pillow, Carol Lynn. The papers consist of a selection of photographs, programs, promotional material, a limited amount of correspondence and clippings, as well as an extensive collection of choreographic notes from Lynn’s time spent at Denishawn and teaching dance at her studio, the Carol Lynn School of Dance. Following her departure from Jacob’s Pillow, Lynn headed the dance program at Baltimore’s Peabody Institute of Music in addition to maintaining her own studio until 1952. less

The Richard Englund Papers cover the professional career of Richard Englund (1931-1991), a noted American dancer, choreographer, director, and teacher. Englund served as the director of several small dance companies, including the pioneering regional ballet company, Birmingham Civic Ballet, and training companies for both American Ballet Theatre and the Joffrey Ballet. The largest part of the collection documents the choreographic works that made up the repertory of the companies with which Englund was connected. less

Robert Kovich was a dancer and choreographer, originally with the Merce Cunningham Dance Company. In the 1980s, Kovich performed, choreographed, and taught dance, mainly in New York and France. The collection includes choreography notes, scripts, correspondence, some photographs and teaching material. less

American dancer, writer, and teacher of tai chi, Sophia Delza had an exceptionally long and varied career. She achieved prominence as an independent modern dance performer and choreographer, but embarked on a second career as an authority on Chinese dance and martial arts traditions. During a stay in China, Delza became the first American dancer to teach modern dance technique in Chinese theater and dance schools. Following her return to the United States, she became an important tai chi instructor and advocate. The collection includes her writings, correspondence, photographs, programs, and original artwork. less

The Sara Mildred Strauss Papers document the professional life of this twentieth-century dance instructor, choreographer, and writer. This collection contains correspondence, professional papers, drafts of her writings, drawings, clippings, scrapbooks, and photographs. The majority of the materials date from the late 1920s to the 1960s. Only a small part of the collection refers to Sara Mildred Strauss's personal life. less

Shirlee Dodge (1916-2008) was a dancer, choreographer, and instructor who earned degrees in performance and instruction from the Mary Wigman School in Dresden, Germany in 1939. Mary Wigman (1886-1973) was a pioneer dancer, choreographer, and instructor in expressionist dance, often cited as a founder of modern dance in Europe. This collection documents Dodge's relationship with her former instructor, Mary Wigman, and contains materials collected to illustrate Wigman's dance and teaching career, including brochures, conference materials, correspondence, photographs, press clippings, programs, scrapbooks, printed materials, and miscellaneous materials in German. less

The Dr. Ingrid Brainard Papers contain documents from the 1890s to 2000, and cover the academic and professional career of the distinguished dance historian and author. It contains letters, writings, research and conference materials, and teaching materials, as well as personal papers relating to Brainard, her career, and education. less

Hadassah was a pioneer of Israeli and Indian (Hindu) dancing in America, and a choreographer of rare taste and artistic integrity. Hadassah was also a well-admired instructor, who taught Israeli and Indian dance workshops across the United States and abroad. She was a faculty member, board member and chairwoman of the ethnic division at the New Dance Group Studio in Manhattan. less

The Leon Danielian Papers document the career of the American ballet dancer and teacher through an extensive set of photographs, as well as a more limited selection of correspondence, clippings, financial records, and teaching materials. Danielian, a native New Yorker of Armenian ancestry, enjoyed an especially varied career as a performer, but is best known for his long association with the Ballet Russe de Monte Carlo. Following his retirement from the stage, Danielian taught ballet for nearly thirty years at the American Ballet Theatre School and the University of Texas at Austin. less

The John Wilson papers document his career as a composer, choreographer, and teacher. The collection contains scores dating from Wilson’s college years in the early 1950s, materials relating to his career as a dancer and a teacher and other supporting materials. less