Found 58 collections related to notes

Carl Wolz (1932-2002) was an influential choreographer, scholar, educator, and dance advocate. The Carl Wolz papers document his career as an educator and choreographer. The collection contains awards, choreographic notes, correspondence, contracts, documents from various institutions with which Wolz worked, programs, and teaching materials. less

The Otto Kinkeldey Papers include Kinkeldey's academic writings, research and teaching notes, and correspondence between the years 1908-1962. Many of the teaching notes come from his time as Professor and Librarian at Cornell University and as Visiting Professor at Harvard University, Boston University, and the University of North Texas. less

Martha Hill, a pioneer in the field of dance instruction, served as the first director of dance at The Juilliard School from 1951 until 1985. She mentored several generations of important dancers and choreographers through her teaching and work with dance festivals, government committees and nonprofit organizations devoted to promoting dance. The bulk of this collection relates to Hill’s involvement with these organizations. less

A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time. less

May O'Donnell was an American modern dancer and choreographer. Her husband, Ray Green was an American composer who created works for dance companies as well as orchestral, choral, and children's pieces. The May O'Donnell and Ray Green papers contain correspondence, choreographic notes, scores, photographs, and other materials relating to the professional and personal lives of the couple. less

Nala Najan (1932-2002) was an American-born dancer, choreographer and writer who specialized in the traditional dances of India. The Nala Najan papers hold correspondence, contracts, diaries, programs, photographs, writings, and other files relating to the career and personal life of the artist. less

Lincoln Center for the Performing Arts is an arts complex comprising more than a dozen institutions between 62nd St. and 66th St. on Broadway in New York City. Philharmonic Hall (later named Avery Fisher Hall) opened Sept. 24, 1962. Clippings, programs, correspondence, and other papers relating to functions such as Tea with Tina, a fashion show by designer Tina Leser at the Hotel Pierre, Jan. 23, 1962, and other events concluding with The Fashion Gala '63 held at Philharmonic Hall, Jan. 6, 1963. Much of the correspondence is from and to Mrs. William Stewart ("Sue," later Susan N. Thomas) and includes copies of letters between her and Jacqueline Kennedy, in whose honor a seat was endowed by her classmates of Miss Porter's School, and who in turn endowed a seat in honor of her father. less

Rietta Hines Herbert (1940-1969) (also Rietta May Herbert) was an African American social worker in New York City from 1935-1965. She spent most of her career as a social investigator and supervisor of child welfare in the Harlem offices of the Department of Welfare. less

Robert Kovich was a dancer and choreographer, originally with the Merce Cunningham Dance Company. In the 1980s, Kovich performed, choreographed, and taught dance, mainly in New York and France. The collection includes choreography notes, scripts, correspondence, some photographs and teaching material. less

The collection consists primarily of correspondence (bulk late 1950s) concerning Row's writings, especially his book on Sarah Bernhardt; and the writings themselves, mostly theatrical reminiscences, in typescript and note form. As well as Bernhardt, Row wrote laudatory personal accounts of the Barrymores, John Gielgud, Richard Mansfield, Paul Muni, Cornelia Otis Skinner, Ellen Terry and Blanche Yurka, among others. The collection also contains some personal biographical material, publicity for Row's book, clippings of play reviews, and some material, mostly publicity, for The Afternoon Theatre under Row's direction. less

The Beverly Brown Papers document the career of Beverly Brown, dancer, choreographer, teacher and writer. The material dates from 1955-2000 and includes professional correspondence, programs, scores, photographs, clippings, video logs, journals/notebooks featuring choreography notes and diary entries as well as original manuscripts. less

Chiefly music scores, including holographs, copyists' manuscripts, and published music. Besides scores, there are brief biographical sketches in Russian and English (JPB 92-61 no. 88) ; an essay by Lourié (Our march) on Russian futurism with some notes on his composition, Nash marsh (JPB 92-61 no. 87) ; a small box of notes chiefly in Russian on filing cards (JPB 92-61 no. 88) ; and 1 folder of librettos and synopses of operas and other textual material relating to Lourié's vocal works (JPB 92-61 no. 68). Scores are cataloged separately in the Scores file. 1 reel-to-reel tape has been separated from the collection and transferred to the Rodgers and Hammerstein Archives of Recorded Sound. less

"Jabbo" Smith, born Cladys Smith in 1908 in Pembroke, Georgia, was an African-American jazz trumpeter, trombonist and singer. He died in St. Louis in 1991. The collection consists of autobiographical material; correspondence with Lorraine Gordon and others (1957-1991); financial receipts; medical records; contracts and agreements; passports and other official documents; performance files, news articles, press releases and programs (1930-1991), including information on One Mo' Time, Chicago Kool Jazz Festival, and Jazz Fest Berlin; scrapbooks and photographs of Smith, Wynton Marsalis, Louis Armstrong, and others (1982-1991); and an account book (1969-1973) with aphorisms. less

Hilda Simms (1920-1994) was an actress best known for playing the title role in the American Negro Theater production of Anna Lucasta that moved successfully to Broadway in 1944. Her acting career also included film, television, and radio broadcasts. The Hilda Simms papers date from the 1930s to 1994 (bulk dates 1940s-1950s) and document her career as an actress; her work on creative arts and drug treatment programs in New York; and her personal life. less

The Helen Hayes papers span the years 1817–1963 and consist of correspondence, the majority from friends and colleagues; speeches and writings, including drafts and handwritten index cards of speeches; clippings from her earliest days in theater and covering her work in film, television, and radio; programs for theatrical productions and awards ceremonies; awards and ephemera including her honorary degrees, appointments to committees, and citations for her charitable work; designs including costume designs for theatrical productions and artwork created by friends and colleagues; photographs, including family photographs, candid shots and professional portraits from childhood, production stills and publicity from theater, film, and radio, and portraits by famous photographers; and scrapbooks, some dedicated to particular theatrical productions and others that cover all aspects of her career and life. less

Henry Hadley was an American composer and conductor, founder of the National Association for American Composers and Conductors. Correspondence, contracts and royalty statements, libretti and programs, clippings (reviews), scrapbooks, financial records (receipts, checks, loan papers), diaries, motion picture films, and photographs relating to Hadley's life and career; musical scores by various composers (chiefly reproductions of manuscripts); and records of the National Association for American Composers and Conductors. less

An American composer and theorist, George Perle received his Ph.D. degree in 1956 from N.Y. Univ. with the dissertation Serial Composition and Atonality (publ. 1962; 4th ed. 1977). He also wrote Twelve-tone Tonality (1977); The Operas of Alban Berg (v. 1, Wozzeck, v. 2, Lulu; 1980-1985); The Listening Composer (1990); and numerous articles on Berg, Schoenberg, and Webern. He is co-founder and director of the International Alban Berg Society. Manuscripts of books, articles, reviews, and student term papers (the last under the name Perlman); correspondence (about publications; about theory, chiefly with Paul Lansky; and about the Society); bibliography of books and articles by and about Perle; income tax records; programs; flyers; clippings; and musical scores of compositions (page proofs and photocopies of holographs, with emendations in the hand of the composer). Musical scores have classmark JPB 89-3 and will be cataloged separately in the Scores file. less

George Rochberg is an American composer. Materials for and drafts of articles on Iconography of the mind, Music and the human situation, The harmonic tendency of the hexachord, and Schoenberg's American period, and for a UCLA lecture (1968); student notes and exercises in harmony and counterpoint (1936); analytical notes on various composers; musical examples for Hexachord and its relation to composition with 12 tones; correspondence and other material concerning the International Confederation of Societies of Authors and Composers World Congress of Authors and Composers (1974-1976); letter from Marcella Decray about Rochberg's composition Ukiyo-E. less

The Dalrymple Papers primarily consist of correspondence with individuals and organizations (financial and theatre related agencies) connected with both proposed and produced productions at City Center venues, the Brussels World’s Fair, the New York’s World Fair and with New York City Center staff. Documents that illustrate the practical business of running a theater company such as box office reports, requisitions, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, general publicity and clippings (most in scrapbook format) can be found within this collection. less

Alfred Newell Johnson (1915-1989) was an entrepreneur whose work varied from electrical engineering, journalism, photography, public relations and publicity, to political campaign management. The A. Newell Johnson papers date from the 1920s to the 1980s (bulk dates 1950s-1970s) and contain correspondence, notes, articles, reports, clippings, photographs, audiovisual materials, and ephemera that document his many endeavors and engagements. less

Louis Horst (1884-1964) was a composer, choreographer and pianist who pioneered the use of contemporary music for dance scores. The Louis Horst Course Materials and Research collection consists of copied sheet music and notes used by Horst in conducting his classes at Juilliard and other institutions, as well as research materials on Louis Horst compiled by Janet Mansfield Soares. less

: Katharine Cornell was an American actress and producer. Guthrie McClintic was an American director and producer. They both worked the New York theater from 1915-1960. This collection includes correspondence, personal files, scripts, production materials, programs, photographs, scrapbooks and oversized items. less

The National Association for American Composers and Conductors, Inc. (NAACC) was founded by Henry K. Hadley in 1933. It was an organization dedicated to the task of fostering American Music. The collection contains correspondence, legal and financial statements, minutes of meetings, programs, bulletins, clippings, photographs, reports, membership records, plots and wood block prints. less

The Carmen Capalbo papers (1936-1991) consist mainly of professional files of American director and producer, Carmen Capalbo (1925-2010), but also include a small amount of personal material. The bulk of this collection is composed of production files made up of scripts, scores, programs, production fact sheets, budgets, casting notes, correspondence with collaborators regarding productions, fan mail, agreements, contracts, posters, flyers, and press releases. Personal miscellany and casting files from the Spur production company are also present. less

The Carol Lynn Papers document the career of the dancer, educator and administrative director of Jacob's Pillow, Carol Lynn. The papers consist of a selection of photographs, programs, promotional material, a limited amount of correspondence and clippings, as well as an extensive collection of choreographic notes from Lynn’s time spent at Denishawn and teaching dance at her studio, the Carol Lynn School of Dance. Following her departure from Jacob’s Pillow, Lynn headed the dance program at Baltimore’s Peabody Institute of Music in addition to maintaining her own studio until 1952. less