Found 4 collections related to Ryerson, Florence

Ann Ronell was a songwriter and lyricist who had an extensive career working on film scores and in musical theater in numerous capacities. The Papers include material pertaining to her professional activities along with some personal correspondence. The bulk of the materials date from the early 1920s through the 1970s, and includes scores, correspondence, subject files, biographical material, financial records and photographs. A small amount of material pertaining exclusively to the activities of her husband, Lester Cowan, are included in the papers. less

Florence Ryerson (1892-1965) was an American playwright and screenwriter. Collection consists of Ryerson's diaries, correspondence, notes, and memoranda. Work diaries kept by Ryerson, chiefly at her homes in Beverly Hills and Canoga Park, California, describe her life and work; the writing of her plays with the aid of her husband, Colin Clements, including "Harriet," based upon the life of Harriet Beecher Stowe, "June Mad," "Strange Bedfellows," and "Welcome Home"; her work as a screenwriter for Metro-Goldwyn-Mayer; and her personal life. Also, correspondence with literary agents and producers, and production notes and memoranda relating to the staging of "Harriet" in New York City in collaboration with Charles MacArthur and Helen Hayes. Includes references to stage and screen personalities and Ryerson's reaction to international events in the World War II period. less

Florence Ryerson (1892-1965) and Colin Clements (1894-1948) were a married American writing team who created plays, novels, and short stories. The Florence Ryerson and Colin Clements papers date from 1909 to 1965 and contain scrapbooks, typescripts, notes, and correspondence. less

The collection is almost entirely bound promptbooks, annotated with notes and cues by Prentice, for the plays he produced. The extensive handwritten staging directions as well as many loose lighting and property plots, cast lists and set design diagrams provide substantial documentation of these productions of the regional British theater in this period (1920s-1950s). There are also some autobiographical writings, notes and drafts for speeches he gave, a small amount of correspondence, mostly with playwrights, photographs from unidentified productions and some photographs of Prentice with colleagues. less