Found 43 collections related to Costume%20design

Peter Harvey (born 1933) is an American theatrical stage and costume designer. His work has appeared in Broadway, Off-Broadway, regional, and international theatre productions. The Peter Harvey design files date from 1956 to 1970 and contain drawings, elevations, and renderings of stage and costume designs, as well as clippings, programs, photographs of the sets, and correspondence. less

The Rhoda Levine Papers document the career of the opera director, mainly through files on each of the many stage and opera productions on which she worked as dancer, choreographer or director. The papers contain annotated scores and libretti; costume, stage and set designs; choreographic, rehearsal and performance notes; programs; clippings; photographs; and audio/visual recordings. less

Rouben Ter-Arutunian (1920-1992) was a scenic and costume designer best known for his long association with the New York City Ballet. The design portfolios are a comprehensive reflection of the artist's prolific forty-year career designing for theater, ballet, dance, opera, television, and motion picture productions. The portfolios are made up of materials mostly gathered together under a production's title and contain set and costume designs; set models; press material; photographs; design notes; technical drawings; business documentation; correspondence; and research and reference material. less

The Carole Shelley papers, dated 1940s to 2016, document the career of character actor Carole Shelley (1939-2018). Her collection contains correspondence, production scripts, notes, photographs, posters, costume sketches, scrapbooks, animation cels, awards and sound recordings. less

Alvin Colt is an award-winning costume and scenic designer that has worked in film, television and theater. The collection consists mainly of costume designs for television productions from the 1970s and 1980s, but also includes scenic designs for stage productions drawn early in his career (1935-1947). less

Welland Lathrop (1905-1981) was a dancer, teacher, painter, and choreographer and a leader of the west coast modern and avant-garde dance movement. The Welland Lathrop papers consist of materials reflecting his decades long career as an artist. The collection is divided into five series: Costume Design, Labanotation, Photographs, Scores, and Subject Files. less

Willa Kim, costume designer, was nominated for a Tony Award in 1989 for her work on this production. Consists of color copies of eleven sheets of costume designs for the musical LEGS DIAMOND that opened at Broadway's Mark Hellinger Theatre on December 26, 1988. The drawings are signed and have notes on materials to be used. Includes costumes for Julie Wilson (Flo), Peter Allen (Jack Diamond), Randall Edwards (Kiki Roberts), and members of the chorus. less

Consists of ten slides with accompanying documentation: a detailed listing in English and an article about the fate of Bilinsky's designs by René Clémenti Bilinsky in French from CinemAction (no. 97, 2000). Slides consist of a set design for the movie MONTE-CRISTO (France, 1929), a costume design for the opera PELLÉAS ET MÉLISANDE at the Royal Opera of Covent Garden in London (1937), set and costume designs for the movie AMORE IMPERIALE (Italy, 1941), set design for the movie SENZA CIELO (Italy, 1941), costume design for the play IL TENENTE VIRGOLA at the Odeon Theatre in Milan (1941), set design for the play SAINT JOAN at the Argentina Theatre in Rome (1943), and two women's costume designs from unidentified productions. less

Richard Rychtarik, costume and set designer. Consists of 24 watercolor drawings, mostly costume designs, for a 1922 production of ANNE PEDERSDOTTER at The Play House in Cleveland, Ohio. Some of the drawings have notes in pencil on character, actor and costume specifics; others are unidentified. Also includes three set designs and a playbill. less

These black and white illustrations are representations of original Broadway costume designs, as well as drawings of similar stock pieces, that were sent to clients (universities, community theatres, etc.) to indicate what a given play or musical might look like using costumes rented from Eaves-Brooks. The Eaves-Brooks Costume Company (New York, N.Y.) was sold to Dodger Costumes, Ltd., affiliated with Dodger Productions, in 1998. The costume construction and rental business was disbanded in February 2005. less

Paul Morrison (1906-1980), whose prolific theatrical career began in New York with the Theatre Guild and Group Theatre, designed sets, lighting and costumes for more than 60 Broadway productions, often working in multiple capacities. This collection includes many of his scenic and lighting designs and a few costume designs, as well as notes and sketches. less

Jeanne Button (1930-2017) designed costumes for Broadway and Off-Broadway productions, as well as for dance, opera, film, and television. Her second husband, MacDonald Eaton (1929-2013), was a set and production designer for television and stage, as well as a painter. The Jeanne Button and MacDonald Eaton designs and papers, dating from 1950 to 2015, document Button's and Eaton's designs, careers, and art, as well as the career of Button's son, actor Raphael Sbarge. less

Desmond Heeley (1931-2016) was a British-born costume and set designer for theater, ballet, and opera who worked internationally. Through original sketches, prints, production bibles, reference files, photographs, and correspondence, the Desmond Heeley designs and production files primarily document the North American portion of Heeley's career. less

Includes more than 300 sketches of costume designs for circa 1920s New York theatrical productions, including the Ziegfeld Follies, the Ziegfeld Midnight Frolics, George White's Scandals, and George M. Cohan's The Merry Malones. Primarily showing female performers, many designs are identified by title or description. Images are generally in graphite, with some in colored pencil and gouache. The scrapbook also contains numerous examples of croquis or blank figure templates. less

Ann Hould-Ward is an American costume designer known for her work in Broadway and Off-Broadway theater, ballet, and opera. This collection consists of show and costume bibles, sketches, reference materials, press materials, programs, and photographs related to various productions. less

John Armstrong, costume designer. Costume designs in pencil and watercolor for the female characters in the London Film Productions movie, Rembrandt, directed by Alexander Korda with Charles Laughton and Gertrude Lawrence. The film opened on November 6, 1936 at the Leicester Square Theatre in London. Collection includes notes, fabric swatches and a cast list. less

Four costume designs in watercolor and ink: two signed by Cora MacGeachy, two are initialed B. V. D. Also a drawing in ink depicts an unidentified woman and is signed possibly F. Holman. Two ink drawings by W. W. Denslow and presented to Townsend Walsh depict the scarecrow, including a self-portrait of Denslow drawing the scarecrow. Finally, a watercolor and ink study by K. Grey for The Poppy Girl, used to illustrate a poster advertising the 1902 stage production. less

Leslie Hurry (1909-1978), costume designer. Consists of four original designs in ink with color highlights, signed by Hurry. Three drawings, including one sheet with two different designs, were made for the 1966 production of THE LAST TSAR in Stratford, Ontario, Canada. One drawing, which might be for a different project, has sustained some water damage. less