Found 9 collections related to Mourning becomes Electra

The Jennifer Tipton lighting designs date from 1958 to 2013 and contain technical lighting documents created by Tipton throughout the course of her career as a lighting designer for dance, theater, opera, and installations, primarily in the United States. less

During her long life, Mary Ellis (1897-2003) was a successful singer and actress in opera, theatre, film, radio, and television. Working first in her native United States, then from the 1930s in her adopted home of England, she played dozens of roles and crossed paths with hundreds of theatrical personalities. This collection, which includes correspondence, personal items, production files, photographs, scrapbooks, and clippings, spans Ms. Ellis' life and documents both her career and something of the artistic environment in which it flourished. less

Boris Aronson was primarily a set designer, remowned for his work in American theatre. He is best known for his work on The Diary of Anne Frank (1955), Bus Stop (1957), Fiddler on the Roof (1964), Cabaret (1966), Zorba(1968), Company(1970), Follies(1971), and Pacific Overtures (1976). Aronson won eight Antoinette Perry (Tony) Awards for Best Scenic Design. The collection is made up mainly of designs, but also includes production materials, scripts, and other papers. less

Ben Edwards (1916-1999) was an American scenic designer and art director, and occasional lighting designer, costume designer, and producer, working in theatre, industrial shows, film, and television. The Ben Edwards designs and papers (1884-1999, bulk dates: 1938-1999) document his career and personal life with designs, drawings, research files, letters, and other files. less

The New York Shakespeare Festival records (1954-1992) measure approximately 850 linear feet and consist of scripts, correspondence, inter-office memoranda, production materials, reports, financial records, photographs, and memorabilia. The records reflect the origin and activities of the New York Shakespeare Festival, its general administration, and the staging of its productions, including their creation, management, booking, and promotion. The files of the Casting Office, except in the form of carbon copies in other series, are not included in this archive. There are also gaps in the files of the Associate Producer. Contracts were removed and require special permission of the curator to access. Oral history materials in Series I and some correspondence in Series V are restricted until the year 2043 in order to protect the privacy of individual persons. Series XIV (Oversized Materials) is not fully processed and is currently unavailable for research. less

The Builders Association is a New York-based performance and media company that creates original productions based on stories drawn from contemporary life. The Builders Association records consist of production files from all Builders Association productions; administrative and financial files; and production materials from shows in which Marianne Weems was involved prior to the founding of Builders Association (including productions she worked on with Ron Vawter at the Wooster Group). less

The collection primarily contains photographic work from the partnership of Leo Friedman, Joseph Abeles, and Sy Friedman, together the pre-eminent photography studio documenting Broadway theatrical productions. The Friedman-Abeles photographs consist primarily of photographs, negatives, contact sheets, proofs, slides, and oversized prints, spanning the partnership, which lasted from 1954-1970, with additional examples of earlier and later work. less

Documenting the history of the Off-Broadway theater company Circle in the Square and two of its founders, Paul Libin and Theodore Mann, this collection consists of material relating to Circle in the Square's produced works, development material for unproduced works and abandoned projects, correspondence, administrative documents, financial and legal records, personal and office papers belonging to Libin and Mann, photographs, and other material relating to the day-to-day operation of a not-for-profit theatrical company. less

Jules Fisher and Peggy Eisenhauer are American lighting designers, working primarily on the Broadway stage. The Jules Fisher and Peggy Eisenhauer papers and designs date from 1960 to 2005 and contain the work of Fisher and Eisenhauer both individually and in partnership for theatrical productions, dance performances, concerts, and other live events. Fisher's architectural lighting designs, theatre and auditorium lighting plans, and film option files are also included. The collection contains scripts; lighting plots, lighting sections, ground plans, and other technical drawings; design notes and memoranda; correspondence; and contracts. less