Hairston, William
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 593
5 linear feet (12 boxes)
William Hairston is an actor, writer, director, producer and administrator. Born 1928, in Goldsboro, North Carolina, Hairston appeared in several off-Broadway productions, television and films in the 1950s. Works written by him include "Walk In...
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William Hairston is an actor, writer, director, producer and administrator. Born 1928, in Goldsboro, North Carolina, Hairston appeared in several off-Broadway productions, television and films in the 1950s. Works written by him include "Walk In Darkness," "Ira Frederick Aldridge (The London Conflict)," and the books "The World of Carlos," and "Sex and Conflict.". The collection contains biographical information about Hairston; correspondence with literary agents and publishers, and letters to prominent theater and literary talents such as Langston Hughes, Owen Dodson, Joseph Papp, Alvin Ailey, Ossie Davis and Fred O'Neal; manuscripts for books, playscripts, musicals, poetry, comedy writing, television and film; and scrapbooks pertaining to published works, produced plays and his acting career.
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Hughes, Langston, 1902-1967
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | SC MG 129
.6 linear feet
Poet, novelist, short story writer, playwright, lyricist, and author of juvenile books, Langston Hughes was one of the most prolific African-American writers of the 20th century. Born in Joplin, Missouri, Hughes came to New York in the 1920s and...
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Poet, novelist, short story writer, playwright, lyricist, and author of juvenile books, Langston Hughes was one of the most prolific African-American writers of the 20th century. Born in Joplin, Missouri, Hughes came to New York in the 1920s and joined other writers and artists in creating what would become known as the Harlem Renaissance. Langston Hughes Collection consists of material in a variety of formats by and about Hughes. His letters to Ruth Jett and Lindsay Patterson (1959-1967) include his review of the Broadway play, "The Long Dream." Writings include manuscript and printed versions of his play scripts "Mulatto," "Jerico-Jim Crow," "Don't you want to be free?" the libretto for "Simply Heavenly," the poem "Song of Spain," as well as essays. There are also translations of his poems into other languages, programs, reviews of Hughes' work, biographical material and clippings about him.
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Watson, Barbara Mae, 1918-1983
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 421
17.8 linear feet (50 boxes)
The Barbara M. Watson Papers date from 1929-1984 and document Watson's career as a business woman (1946-1955); lawyer (1962-1964, 1981-1983); government official (1966-1974, 1977-1980) and diplomat (1980-1981). In addition to career information,...
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The Barbara M. Watson Papers date from 1929-1984 and document Watson's career as a business woman (1946-1955); lawyer (1962-1964, 1981-1983); government official (1966-1974, 1977-1980) and diplomat (1980-1981). In addition to career information, there are personal papers, general and family correspondence, lecture and conference participation data, including typescripts of speeches delivered by Watson, records of her board memberships and professional associations and extensive printed material relating to Watson's professional and personal life.
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Carruthers, Ben F.
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 433
6.5 linear feet
Personal and professional papers consisting of biographical material, correspondence, writings, printed matter, and a subject file, primarily reflecting his career as a travel editor for several magazines. Also, his Ph.D. dissertation on the life...
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Personal and professional papers consisting of biographical material, correspondence, writings, printed matter, and a subject file, primarily reflecting his career as a travel editor for several magazines. Also, his Ph.D. dissertation on the life and works of 19th century Cuban poet Gabriel de la Concepcion Valdes (pseudonym Plácido), and his translation into English, with Langston Hughes, of CUBA LIBRE by the Cuban poet Nicolas Guillen. Some material pertains to his teaching career at Howard University and the Society of Americn Writers.
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Neilson, Kenneth P.
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 218
1.4 linear feet
Kenneth P. Neilson is an educator, artist, composer and author. For nearly thirty years he worked for the New York City public school system as a teacher and supervisor. In 1977 he founded All Seasons Art, a multimedia production center which...
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Kenneth P. Neilson is an educator, artist, composer and author. For nearly thirty years he worked for the New York City public school system as a teacher and supervisor. In 1977 he founded All Seasons Art, a multimedia production center which seeks to gain exposure for developing African American and Hispanic artists through a series of exhibitions, publications, concerts and theatrical productions. It also works to develop audience appreciation for the visual, literary and musical arts through special programs devoted to the life and work of well known artists. In 1984 All Seasons Art, in cooperation with the Langston Hughes Community Library and Cultural Center, sponsored a special program entitled "The World of Langston Hughes Music: A Concert of Poems and Musical Settings.". The Hughes-Neilson Music Collection consists of musical settings of the poetry and lyrics of Langston Hughes. Composers represented include David Amram, Leonard Bernstein, W.C. Handy, Hall Johnson, Elie Siegmeister, Hale Smith, Howard Swanson, Kurt Weill, and donor Kenneth P. Neilson. Printed music is composed of song sheets, operatic scores, and anthologies. Included is a copy of singer Rawn Spearman's dissertation, "A Study and Selected Musical Settings for Solo Voice and Piano of the Poetry of Langston Hughes" (1973), and a comprehensive listing of the musical settings of Hughes' works compiled by Neilson, entitled "The World of Langston Hughes' Music" (1982).
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Marriott, John, 1893-1977
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 149
3 linear feet
The John Marriott Papers reflect Marriott's acting career in theater, movies and television commercials. The Personal Papers series, 1940-1977, consists of biographical information, news clippings, obituaries, personal correspondence from friends,...
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The John Marriott Papers reflect Marriott's acting career in theater, movies and television commercials. The Personal Papers series, 1940-1977, consists of biographical information, news clippings, obituaries, personal correspondence from friends, and certificates.
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Johnson, Helen A.
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 599
15.7 linear feet (46 hollinger boxes)
The Helen Armstead-Johnson Miscellaneous Theater Collections (HAJMTC) are formed by over two hundred file-folder level collections (1 to 3 file folders per personality/event). The collections contain information dating from the mid-19th century to...
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The Helen Armstead-Johnson Miscellaneous Theater Collections (HAJMTC) are formed by over two hundred file-folder level collections (1 to 3 file folders per personality/event). The collections contain information dating from the mid-19th century to the late 20th century documenting early dramatic actors, minstrel shows, vaudeville, musical revues, 1920s and 30s Broadway productions, the protest dramas of the 1940s and 50s, plays that came out of the Black Arts Movement of the late 60s and 70s, and theatrical productions of the 1980s and 90s. In addition to actors, playwrights, singers, musicians, and dancers (classical and popular) (e.g. Ira Frederick Aldridge, Eubie Blake and Katherine Dunham), and the productions they appeared in, there are collections for poets, and visual and plastic artists. There are eighteen collections documenting performers of the 19th century; twenty-nine collections covering the period 1900-1919; thirty-seven collections document the 1940s-1950s; and eleven collections for the 1980s and 1990s. The bulk of the collections cover the two most productive periods for black theater: ninety-two collections for the 1920s through the 1930s, and ninety collections representative of the Black Arts Movement.
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Hughes, Langston, 1902-1967
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc Micro R-977
3.4 linear feet; 4 microfilm reels
Poet, author, playwright, songwriter. Biographical information about Hughes' life and activities. Hughes' writings form the largest series in the collection and consist of manuscripts, typescripts, and drafts of books, including NOT WITHOUT...
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Poet, author, playwright, songwriter. Biographical information about Hughes' life and activities. Hughes' writings form the largest series in the collection and consist of manuscripts, typescripts, and drafts of books, including NOT WITHOUT LAUGHTER, FAMOUS AMERICAN NEGROES, and FIRST BOOK OF JAZZ; plays; poems; short stories; songs; and reviews of some of his published works. Material relating to programs, activities, and events in which Hughes participated or was the subject including memorial tributes, personal appearances, radio broadcasts, recordings, speeches, and television broadcasts. Papers related to programs which incorporated a presentation of Hughes' works consisting of news clippings, printed programs, and leaflets announcing or describing the programs. Also, general criticism of Hughes as a writer, and some information on sources of Hughes' material in other institutions in the United States.
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Casimir, J. R. Ralph
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 110
.6 linear feet
The papers consist of correspondence, legal documents and printed matter relating to Casimir's writing and deal with social and political issues affecting the island of Dominica, the Universal Negro Improvement Association (UNIA), and the black...
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The papers consist of correspondence, legal documents and printed matter relating to Casimir's writing and deal with social and political issues affecting the island of Dominica, the Universal Negro Improvement Association (UNIA), and the black nationalist movement worldwide, during the 1920s and 1930s. Significant correspondents include: Marcus Garvey, founder of the UNIA; Casely Hayford, Gold Coast (Ghana) editor and author of "Ethiopia Unbound;" Malaku Bayen, of the Ethiopian World Federation; Sylvia Pankhurst, editor of the "New Times" and "Ethiopia News;" John E. Bruce, African-American journalist; Monroe Work, editor of the "Negro Year Book;" Langston Hughes, W. E. B. Du Bois, Roy Wilkins, and other staff of "Crisis" magazine; Thomas L. G. Oxley, editor of "The Poets' Journal"; Victor L. Gray of the "Chicago Bee" and Cyril V. Briggs, founder of the African Blood Brotherhood.
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Lewis, David L., 1936-....
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 335
.2 linear feet
The David Levering Lewis "Voices from the Renaissance" Collection consists of forty-three summary transcripts of interviews Lewis conducted with individuals who were either active during the Harlem Renaissance period or who knew people who were...
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The David Levering Lewis "Voices from the Renaissance" Collection consists of forty-three summary transcripts of interviews Lewis conducted with individuals who were either active during the Harlem Renaissance period or who knew people who were Harlem Renaissance figures. The interviews were done for Lewis' book, "When Harlem was in Vogue" (1981).
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Condell, H. A. (Heinz A.)
Billy Rose Theatre Division | *T-Mss 1952-001
2.5 linear feet(5 boxes)
H. A. Condell was a stage and costume designer in Germany and in the United States. He received his early training under the notable Max Reinhardt and his early work was under the auspices of the Berlin Civic Opera and the non-Aryan theater (also...
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H. A. Condell was a stage and costume designer in Germany and in the United States. He received his early training under the notable Max Reinhardt and his early work was under the auspices of the Berlin Civic Opera and the non-Aryan theater (also known as the Jewish Kulterbund), of which he was co-founder. Condell emigrated to the United States in 1938. His first major production after emigrating was SAINT JOAN directed by Erwin Piscator and starring Luise Rainer. In 1944 he began his affiliation with the New York City Opera which continued until his death in 1951. Besides working as a designer, Condell also taught stage design at the Dramatic Workshop and the Technical Institute where he was art director under Erwin Piscator. The H.A. Condell Papers consist of correspondence, contracts, publicity and promotional materials. His papers reflect Condell's professional career as a stage and costume designer for opera and theater in Germany and the United States from 1929 until his death.
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Carpenter, Elliot
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 599
8.7 linear feet
The Elliot Carpenter Papers document his musical career and consists of personal and professional correspondence, handwritten music, programs, lyrics, scripts and newsclippings.
Childress, Alice
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 649
17.1 linear feet (50 record cartons)
The Alice Childress papers document Alice Childress's career as a writer and actress, and her activities in the theatre for five decades in New York City. The Personal Papers series includes correspondence, an oral history conducted by Ann...
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The Alice Childress papers document Alice Childress's career as a writer and actress, and her activities in the theatre for five decades in New York City. The Personal Papers series includes correspondence, an oral history conducted by Ann Shockley, Childress's FBI file, diaries, calendars, interviews, educational materials, family letters, files for her two husbands, and biographical information about Childress. Significant correspondents include writers Kay Bourne, Harold (Hal) Courlander and Susan Koppleman.
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Gilder, Rosamond
Billy Rose Theatre Division | *T-Mss 1987-004
5.5 linear feet (14 boxes)
The Rosamond Gilder Papers consist of correspondence, newspaper clippings, photographs, magazines, promotional literature and other material relating to the career of Miss Gilder. The files primarily deal with Miss Gilder's involvement with...
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The Rosamond Gilder Papers consist of correspondence, newspaper clippings, photographs, magazines, promotional literature and other material relating to the career of Miss Gilder. The files primarily deal with Miss Gilder's involvement with Theatre Arts Monthly. (Miss Gilder inherited the files on Theatre Arts Monthly from Edith Isaacs, the first editor of the magazine.) The collection does not include personal papers or material about Rosamond Gilder or her career as an author.
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Brown, Lawrence, 1893-1972
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc Micro R-3597
4.5 linear feet; l0 microfilm reels
Composer, pianist, arranger. Brown worked as Paul Robeson's accompanist for thirty-eight years. The Lawrence Brown papers encompass correspondence reflecting Brown's wide-ranging travels, and his friendships (mostly letters written by his friends...
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Composer, pianist, arranger. Brown worked as Paul Robeson's accompanist for thirty-eight years. The Lawrence Brown papers encompass correspondence reflecting Brown's wide-ranging travels, and his friendships (mostly letters written by his friends and business associates); personal papers; travel file consisting mostly of itineraries for tours; financial records comprised largely of royalty and earnings statements; programs for Brown and other artists; scrapbooks of news clippings and telegrams covering the Brown and Paul Robeson concert years (1928-1968); news clippings of concert reviews; and original scores and sheet music written by Brown and other composers. Papers relate to Brown's life and times, including World War I, Harlem Renaissance, World War II, spirituals, and his collaborator, Paul Robeson. Correspondents include Amanda Aldridge, Ethel Gardner Dingle, Jannett Hamlyn, Roland Hayes, Langston Hughes, Zaidee Jackson, William Lawrence, John Payne, Paul and Eslanda Robeson, Clara Rockmore, Robert Rockmore, Mrs. Corinne Sawyer (Brown's landlady), and Greta and I. W. Sequeira.
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Hansberry, Lorraine, 1930-1965
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 680
49 linear feet (93 archival boxes,13 record cartons, 2 flat boxes)
The Lorraine Hansberry Papers document Lorraine Hansberry's life as an award-winning playwright and activist, and chronicles her activities during the Civil Rights Movement. Virtually all of Hansberry's writings, autobiographical materials,...
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The Lorraine Hansberry Papers document Lorraine Hansberry's life as an award-winning playwright and activist, and chronicles her activities during the Civil Rights Movement. Virtually all of Hansberry's writings, autobiographical materials, journals, diaries, personal and professional correspondence are included here, as well as related materials generated by her late husband, Robert Nemiroff, and his third wife, Jewell Gresham-Nemiroff, as the executors of Hansberry's state. Significant correspondents include Daisy Bates, Louis Burnham, Julian Mayfield, Robert Nemiroff, and William Worthy.
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Van Vechten, Carl, 1880-1964
Manuscripts and Archives Division | MssCol 3142
156.3 linear feet (208 boxes, 339 v.)
Carl Van Vechten (1880-1964) was a writer, promoter of African-American artists during the Harlem Renaissance, patron of the arts, and photographer. After he graduated from the University of Chicago in 1930, he entered upon a career as a reporter...
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Carl Van Vechten (1880-1964) was a writer, promoter of African-American artists during the Harlem Renaissance, patron of the arts, and photographer. After he graduated from the University of Chicago in 1930, he entered upon a career as a reporter for newspapers that included The American in Chicago and within a few years The New York Times. At the latter he served as an overseas correspondent in Paris and subsequently as an assistant to the music critic Richard Aldrich in New York City. Van Vechten moved to New York City in 1906 with his first wife Anna Elizabeth Snyder, a teacher. After his divorce in 1912, Van Vechten met and married the stage actress Fania Marinoff. Marinoff made her stage debut at the age of eight in a stock company, and eventually developed a successful stage career. Van Vechten's novels include The Blind-Bow Boy, Interpreters and Interpretations, Nigger Heaven, Peter Whiffle, Tiger By the Tail, and The Tattooed Countess. Van Vechten promoted the careers of many authors' works by writing introductions to their monographs. In his second successful career as a photographer, he had the opportunity to photograph, and to have himself photographed, with many literary figures, stage and screen stars and others. Papers reflect Van Vechten's social life and professional career as a writer, photographer and patron of the arts; they also document Van Vechten's literary and artistic circle of friends and colleagues. An avid collector, Van Vechten retained the letters of prominent individuals who corresponded with him including Ralph Barton, James Branch Cabell, Arthur Davidson Ficke, F. Scott Fitzgerald, Donald Gallup, Langston Hughes, Edward Jablonski, Klaus Jonas, James Weldon Johnson, Mabel Dodge Luhan, Bruce Kellner, Saul Mauriber, H. L. Mencken, Georgia O'Keeffe, Alfred Stieglitz, Florine Stettheimer, and Henrietta Stettheimer. Papers are also rich in Van Vechten's photographs of prominent individuals, and in 19th century photographs of his family in Iowa. Multiple editions of Van Vechten's monographs and the monographs of others add to the diversity of the papers. Many of the monographs have been autographed by the author.
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Cosme, Eusebia
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc Micro R-3619
Correspondence, personal papers, contracts, poems including some written about Cosme, essays, programs, newspaper and magazine clippings, scripts including radio scripts, certificates, posters, and photographs, relating mainly to Cosme's career,...
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Correspondence, personal papers, contracts, poems including some written about Cosme, essays, programs, newspaper and magazine clippings, scripts including radio scripts, certificates, posters, and photographs, relating mainly to Cosme's career, including her readings of Afro-Antillian verse, chiefly by Hispanic poets using black themes, as well as Afro-American poets Paul Laurence Dunbar and Langston Hughes. Also, material on Cuba. Correspondents include Felix B. Caignet.
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Schomburg, Arthur Alfonso, 1874-1938
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc Micro R-2798
Papers reflecting Schomburg's endeavors as a writer and researcher, and collector and curator of books and manuscripts pertaining to black history and culture. Personal and professional papers, including correspondence and writings, and writings...
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Papers reflecting Schomburg's endeavors as a writer and researcher, and collector and curator of books and manuscripts pertaining to black history and culture. Personal and professional papers, including correspondence and writings, and writings of others. Includes material relating to Schomburg's position as curator of the Schomburg Collection, and to black literature, art, and history. Correspondents include John Bruce, Henrietta Buckmaster, W.E.B. Du Bois, Nicolas Guillen, W.C. Handy, Langston Hughes, Charles S. Johnson, James W. Johnson, Claude McKay, J.A. Rogers, Albert A. Smith, Stenio Vincent (President of Haiti), Walter White, and Carter G. Woodson. Other papers include programs, news clippings, invitations, announcements, and minutes of a variety of organizations, such as the New York Urban League, New York Public Library, Young Men's Christian Association, and several black cultural and educational groups. Also, transcriptions of 18th and 19th century historical documents pertaining to black history and culture.
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Untermeyer, Louis, 1885-1977
Henry W. and Albert A. Berg Collection of English and American Literature | Berg Coll MSS Untermeyer
455 items
This is a synthetic collection consisting of typescripts, a manuscript, and correspondence.
Psacharopoulos, Nikos, -1989
Billy Rose Theatre Division | *T-Mss 1998-022
17.25 linear feet (28 boxes)
Nikos Psacharopoulos was a Greek-born director best known for his long-term association with the Williamstown Theatre Festival in Williamstown, Massachusetts. His papers include photographs, programs, clippings, production materials,...
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Nikos Psacharopoulos was a Greek-born director best known for his long-term association with the Williamstown Theatre Festival in Williamstown, Massachusetts. His papers include photographs, programs, clippings, production materials, correspondence and scrapbooks.
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Delaney, Sadie P., 1889-1958
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 120
Incoming letters from W.E.B. Du Bois, Leigh Whipper, Mary McLeod Bethune, Langston Hughes, Ralph J. Bunche, James Weldon Johnson, Fannie Hurst, Booker T. Washington, Franz Boas, Benjamin Brawley, Countee Cullen, and others. Other letters from...
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Incoming letters from W.E.B. Du Bois, Leigh Whipper, Mary McLeod Bethune, Langston Hughes, Ralph J. Bunche, James Weldon Johnson, Fannie Hurst, Booker T. Washington, Franz Boas, Benjamin Brawley, Countee Cullen, and others. Other letters from librarians and other professionals at black institutions; letters of congratulations on achievements, 1948-1950; and additional letters of a personal and professional content. Papers include programs, articles, text of a speech given at a commencement banquet, and minutes of the Bi-Racial Committee in which the motion to establish a separate Alabama Negro Library Association was passed, 1952. Several photographic portraits of Delaney are included in the collection.
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Mielziner, Jo, 1901-1976
Billy Rose Theatre Division | *T-Mss 1993-002
Jo Mielziner, set and lighting designer, theater architect and consultant. The collection consists of personal papers, personal and professional correspondence, production materials, office and financial files, writings, professional appearance...
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Jo Mielziner, set and lighting designer, theater architect and consultant. The collection consists of personal papers, personal and professional correspondence, production materials, office and financial files, writings, professional appearance and exhibition files, photographs, scrapbooks and subject files documenting the life and career of Jo Mielziner.
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Lortel, Lucille
Billy Rose Theatre Division | *T-Mss 2001-006
The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization...
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The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization files, clippings, memorabilia, and scrapbooks. Lucille Lortel's life spanned the twentieth century, so in addition to providing details of her family and personal life her papers encompass many aspects of the theatrical history of her era. Lortel is credited with fostering the Off-Broadway movement and providing a forum for avant-garde and experimental work at her Theatre de Lys. Lortel's productions at the White Barn and the ANTA Matinee Series at the Theatre de Lys brought works by Jean Genet, Sean O'Casey, Athol Fugard, and others to a wider audience. Many of these productions are represented in the collection by correspondence, programs, photographs and clippings. Over the years Lortel also worked closely with several non-profit theaters as a donor and mentor. Her affiliations with Circle in the Square, Circle Repertory Company, Goodspeed Opera House, Yale Repertory Theatre, and other companies are documented in the organization files.
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