Found 174 collections related to Theater -- United States

Frank Hogan (1916-1997) was a New York City-based playwright, editor, and radio promoter. The Frank Hogan theatre papers date from 1969 to 1997 and document three of Hogan's stage and film works: Finn MacKool, That Nice Mister Grant, and Lillian Gish and the Movies. The file for Finn MacKool consists of transcribed letters from Hogan to Ethel Huffman discussing his insights and reflections after writing the play, as well as its production potential. Reviews and correspondence regarding the development of Lillian Gish and the Movies are present, and the film's script includes edits and annotations to the text less

Edward Hume was an American actor who performed on Broadway and in touring theatre companies during the late 19th and early 20th centuries. The Edward Hume photographs and ephemera date from 1892 to 1909 and document Hume's performances in the midwestern United States at the turn of the 20th century. The collection consists of cabinet cards and photographic prints showing Hume individually and in group portraits with his companies; the cover of the New York Dramatic Mirror featuring Hume; and a copy of a theatre weekly magazine from Salt Lake City, Utah with several articles discussing Hume's local performances less

Emily Ann Wellman was an American stage actress in the early 20th century. In 1921, she toured with the Shubert Vaudeville, starring in a flash drama (or ten-minute play) she also wrote and directed, titled The Actor's Wife. The Emily Ann Wellman scrapbook contains clippings of reviews, advertisements, and feature articles about Wellman's performances on tour and in New York City from 1921 to 1923. Some programs are also included. The scrapbook documents the productions The Actor's Wife, Suspended Sentence, and The Wasp. less

Marion Davies (1897-1961) was an American stage and film actress. The Marion Davies papers date from 1915 to 1928 and document her early stage and film performances as well as her social activities with incoming correspondence, photographs, and clippings. Incoming correspondence is primarily fan mail, with several telegrams congratulating Davies on her performance in the 1923 film Little Old New York. Correspondence also discusses the efforts of Cosmopolitan Productions to promote Davies's work and stature as a celebrity. Prominent correspondents include philanthropist Vincent Astor, producer Lee Shubert, and journalist Roy L. McCardell. Photographs consist of casual shots of Davies along with autographed headshots of fellow actresses. Clippings include reviews of Davies's performances on the stage and screen, as well as news reports of her social life and promotional work with Cosmopolitan Productions. This collection was previously cataloged under the classmark 8-MWEZ n.c. 20,119. less

The Peninsula Circuit Stock Company, co-managed by Burton Mallory and Frank E. Craig, was a theatrical company formed during the summer of 1926 in order to tour the Eastern Shore states of Delaware, Maryland and Virginia. Burton Mallory was born in 1883, and worked as an actor for many years, appearing in twelve Broadway productions. Mallory's credits include the premiere of George S. Kaufman and Moss Hart's ONCE IN A LIFETIME (1930), the 1950 staging of Shakespeare's AS YOU LIKE IT which starred Katharine Hepburn, and the 1950-51 revival of TWENTIETH CENTURY featuring Gloria Swanson and Jose Ferrer. Burton Mallory died in 1962. The Peninsula Circuit Stock Company papers consist mostly of correspondence from theater managers of Delaware, Maryland, and Virginia concerning Burton Mallory's proposed tour for the 1926-27 theater season. Included are two detailed letters from Burton Mallory setting his terms for the tour, a map of the Eastern Shore area, a list of the towns on the Eastern Shore and their approximate populations, a list of the major newspapers of the area, and a list of plays that may have been performed on the tour or were at least considered for performance, including UP IN MABEL'S ROOM, THE BAT, SO THIS IS LONDON and THE CAT AND THE CANARY. less

Richard Mansfield, actor, was born in Berlin in 1854. He began his career on the London stage but by 1882 he had migrated to the United States and was appearing in the New York theater. Mansfield was instrumental in introducing the works of George Bernard Shaw to the American stage. In his last theatrical performance he played the title role of PEER GYNT in the first English language production of that play. Three letters written by Richard Mansfield to a W. W. Blackmer of Boston. Also includes 8 images. All materials are glued onto pages that appear to have been removed from a scrapbook. less

Robert Benchley, humorist, critic, actor, writer and director was born in 1889 in Worcester, Massachusetts. His writing career began as early as his college days as president of the LAMPOON, in which he wrote many articles. His reputation as a humorist grew when he became editor of the New York Tribune's Sunday Magazine. During the 1920's he was the dramatic editor for both Life Magazine and the New Yorker. His career also included writing, acting and directing for MGM. The Robert Benchley Papers consist of correspondence, photographs, clippings, scrapbooks, programs and reviews and document both the careers of him and his son, Nathaniel. less

Vivian Martin, actress, was born in Michigan, 22 July 1893. She made her stage debut in 1901 in CYRANO DE BERGERAC and was then seen in PETER PAN and LITTLE LORD FAUNTLEROY. As an adult she acted in numerous Broadway shows and then turned to the cinema where she appeared in silent films for Paramount Pictures. After her marriage to Arthur W. Samuels in 1926, Miss Martin retired from the stage and screen. Vivian Martin died 16 March 1987. The Vivian Martin Papers consist of 53 items including halftones, personal papers, photographs, a programme of FATHER AND THE BOYS and a promptbook of LITTLE LORD FAUNTLEROY. less

Whitford Kane (1882-1956) was an English-American actor. Collection consists of correspondence with prominent American, English and Irish theater and literary figures, and theater agreements and contracts. Correspondents include Padraic Colum, St. John Ervine, Katharine Hepburn, Rutherford Mayne, Sean O'Casey, and Carl Van Vechten. less

The Shepperd Strudwick Papers is composed of correspondence, newspaper clippings, programmes, memorabilia, scripts, and other material relating to the career of Shepperd Strudwick. The papers document in detail the rise of Strudwick's career from "The Carolina Playmakers'' to his nomination for a Tony award for TO GRANDMOTHER'S HOUSE WE GO. Included are financial statements and contracts giving salary information for the years 1952 to 1978. The collection also contains information about accusations by the Onandaga County American Legion that Strudwick was a communist and his reaction to those statements. Insight into his acting technique and his teaching career at the University of Detroit is also included. There is also information about the acting career of his third wife Margaret O'Neill. less

Townsend Walsh (1872-1941), American theater press agent, business manager, drama critic, playwright and actor, was a collector of theatrical and circus memorabilia. Consists of two pencil portraits of Townsend Walsh; one portrait in watercolor and ink of Walsh in the role of Darby O'Hara in his play, The Boys of Kilkenny (1897); one handwritten poem "To the Players;" one small menu card showing a painted face and the words "Advocate" and "Townsend Walsh;" and three pieces of ephemera: some leaves, a menu and a card for Sir Frederick Pollock all pasted on one piece of cardboard, perhaps a souvenir from a dinner. less

Sandy M. Campbell, a professional actor from the mid-1940s through the end of the 1950s, knew and worked with a number of prominent stage and screen actors of the period, and corresponded with many of them. The Sandy M. Campbell correspondence spans 1939-1980, but the bulk of the material dates from the 1940s through the 1950s, the period when Mr. Campbell was active in the theater. Most of the correspondence consists of brief letters to him, though there is one letter written by him to Sarah Marshall. The strength of the collection is a large group of letters from actor Herbert Marshall (1890-1966) to his daughter, actress Sarah Marshall (Mrs. Karl Held), written between 1948 and 1959. Mrs. Held had these letters xeroxed, bound, and privately printed in 1980, and presented copies to family members and friends, including Sandy Campbell, to whom she inscribed a copy. Herbert Marshall is best known as the star of such films as ACCENT ON YOUTH (1935), FOREIGN CORRESPONDENT (1940), and THE LITTLE FOXES (1941), and his letters cover a variety of topics. less

Julie Mathilde Lippman (1864-1952) was an author of novels and plays and a political activist, who knew many of the prominent literary and political figures of her day. Best known for her novel MARTHA-BY-THE-DAY (1914) which she successfully adapted to the stage in 1919, Julie Mathilde Lippman came to know Louisa May Alcott while still a teenager, and later became friends with Mark Twain, Charles Dudley Warner, actor and playwright William Gillette, and other writers of the late nineteenth and early twentieth centuries. Among Lippman's books were SWEET P'S (1905), MARTHA AND CUPID (1914), and FLEXIBLE FERDINAND (1919), while her works for the stage included COUSIN FAITHFUL (1908), THE FACTS IN THE CASE (1912), and A FOOL AND HIS MONEY (1913). Lippmann was a fervent supporter of Theodore Roosevelt, took part in the womens' suffrage movement, and also wrote propaganda for the Allied cause during the First World War. After many years of residence in New York City Julie Mathilde Lippman moved to Cincinnati, Ohio, at the age of eighty-five, to live with her niece, and died in that city three years later. Typed manuscript, called "AUNTIE" : REMINISCENCES OF JULIE M. LIPPMANN on title page, undated but written after Julie Mathilde Lippmann's death in 1952, with occasional corrections in blue ink in the author's hand. Memoir written by Julie Morrow DeForest (1882-1979), an artist and niece of Julie Mathilde Lippmann, who records personal impressions of her aunt as well as several other relatives, but provides little specific information about her aunt's literary or theatrical career, or her famous friends. Of special note is the author's description of a women's suffrage march and related activities in New York circa 1915. less

Consists of an undated 52-page typescript by George Wotherspoon, which appears to have been written in the late 1940s. Entitled "A Lady of Many Amours," Wotherspoon's manuscript is focused primarily on actress Lillie Langtry and her extramarital relationship with a wealthy American sportsman named Frederick Gebhard. Wotherspoon also writes of Langtry's stage career, her reputed relationship with Edward, Prince of Wales, later King Edward VII, and about the societal mores of the era. Wotherspoon also writes of Langtry's daughter Jeanne. The typescript is labelled "Part 7," which suggests that this text was part of a larger work which does not survive. Included is a pamphlet of biographical information about Lillie Langtry, written by H. T. Porter and issued by the Société Jersiaise in 1973. Also included are three photographs of Lillie Langtry, one of her father, and one of her grave. less

Collection of autographs of prominent stage figures from the late 19th and early 20th centuries, as well as a few famous individuals from other walks of life. Some of the autographs are appended to brief notes, others are written on the backs of calling cards, while a few have been snipped from larger documents. They have been arranged in folders in alphabetical order. Autographs include: Ethel Barrymore (1904), Billie Burke, Andrew Carnegie, John Drew, Maxine Elliott, Charles Frohman, Clyde Fitch, James Montgomery Flagg, Lew Fields, William Gillette, Raymond Hitchcock, Anna Held, May Irwin, Elsie Janis (1907), Joseph Jefferson, Maxfield Parrish, Blanche Ring, Lillian Russell, Otis Skinner (1910), and Fred Stone. less

The American Dramatic Fund Association was founded in New York City in 1848 for the purpose of aiding members of the theatrical profession (actors, dancers and singers) who were unable to work, helping to support members' widows and orphans, and defraying funeral expenses of members. The organization has been known as the Actors' Fund of America since 1882. Collection consists of correspondence and records of the American Dramatic Fund Association. Correspondence concerns donations and applications for membership and financial assistance. Also, annuity receipts, receipt book for 1848 to 1869, and papers regarding alterations of rules and regulations. less

Alice Fischer (1869-1947) was an American actress. Collection contains correspondence, telegrams, clippings, and other papers relating to Fischer's career and that of her husband, William Harcourt King. Also, letters, four pocket diaries and other papers of comedian Frank Mayo. less

Bernard Adolph Reinold (1860-1940) was an actor and a soldier, a member of several theatrical social organizations, and an administrator of the Actors' Fund of America. The career of Bernard A. Reinhold, whose stage name was Adolph Bernard, alternated between the stage and the military. On stage, Reinold played opposite such luminaries as Lawrence Barrett, Rose Coghlan, James O'Neill, Lionel Atwill, and Helen Hayes. Reinold also acted in a few silent movies, including THE HEADLESS HORSEMAN (1922) starring Will Rogers. Reinold was an adventurer from an early age, having run off to sea as a teenager. In the 1880s he fought as a mercenary in the Belgian Congo, then, back in the United States, against Indians. During the Spanish-American War in 1898 Reinold signed up as a Rough Rider under the command of Theodore Roosevelt. When America entered the World War in 1917, Reinold, now in his late 50s, sought and was granted special permission to serve as a Captain of the Quartermaster Corps in France. Bernard Reinold died on March 19, 1940, at the age of 80. At the time of his death he was chairman of the board of the Actors' Fund of America. Consists of letters and cards written to Bernard A. Reinold by colleagues and family members, with several notes from the writer/director Rupert Hughes. Most of the family correspondence was written to Captain (later Major) Reinold during the First World War, including a Valentine greeting written by one of Reinold's children, which, according to an inscription, was "picked up off the coast of Ireland, August 1918, in mail bag from torpedoed ship." The other correspondence includes two notes from California Rep. Julius Kahn, a former actor, and two notes from actor/manager Joseph Jefferson. less

Dion Boucicault (1820-1890) was one of the most popular playwrights of his day. Although born in Ireland, he spent many years in the U.S. (from 1853 to 1869 and from 1870 to 1890). He also was a well-known actor and theatrical manager and a key figure in the fight for passage of a copyright law. Agnes Boucicault (1883-1916), his wife, was an actress who played in the U.S. and England. Their son Aubrey Boucicault (1869-1913) was an actor. Collection consists of correspondence of members of the Boucicault family, some family papers, manuscript copy of Dion Boucicault's play Led Astray, and notes and fragments of his writngs. less

Director, choreographer, dancer and actor Athan Karras was born in Greece, toured there in classical drama, then came to the United States where he was most active in theater during the 1950s and 1960s. Karras was perhaps best known in America for his work in adaptations of Greek drama, especially Sophocles' OEDIPUS REX, which he directed a number of times and in which he also played the title role. Karras also appeared with the Pearl Lang Dance Company, and worked in various productions of PAL JOEY, PAINT YOUR WAGON, Bernard Shaw's CAESAR AND CLEOPATRA with Franchot Tone and Susan Strasberg, Jean Genet's DEATHWATCH with Vic Morrow, and in the Living Theatre production of Pirandello's TONIGHT WE IMPROVISE, designed and directed by Julian Beck, with Judith Malina. The Athan Karras papers span 1955-1963, and consist of playbills, fliers, clippings in English and Greek, and a small amount of correspondence concerning the career of Athan Karras. less

The Cherry County Playhouse is a summer theater in Traverse City, Michigan. During the summers of l955-74, its owner, Ruth Bailey produced and presented weekly plays, musicals, and childrens' productions. Each play or musical featured a different star celebrity. Besides the main productions, Ms. Bailey produced the Children's Theatre Program at the Playhouse, under the supervision of the Cherry County Junior Players. About 180 personalities have been featured as star players in the various productions offered by the Playhouse within a twenty year period. The Cherry County Playhouse was purchased in 1975 by Pat Paulsen. The Cherry County Playhouse Records include information regarding the Playhouse from 1955 to 1974, the years when Ms. Bailey was the producer and owner. less

Letters, cards and postcards by Hayes to Loos are intimate and detailed, providing a rich depiction of Hayes' work, theatrical touring and personal life. Most of the material is undated. Also includes a few letters and telegrams from Loos to Hayes, a few items of correspondence with third parties, a few clippings and a snapshot of Hayes from 1978. less

Edmond Pauker (ca. 1880-1962) was a Hungarian-born literary agent and play broker in New York who represented European, especially Hungarian, playwrights, as well as some American authors. Collection consists of Pauker's personal and business papers. Personal papers contain correspondence, 1926-1959; legal and financial documents; telephone books and calendar notes; and papers of Honora and Yolan Pauker (Edmund Pauker's sister and his wife.) Business papers include correspondence, 1926-1959, of Edmond Pauker Inc.; correspondence, 1923-1946, with prominent authors, playwrights, movie studios, theatre organizations, and agents. Also, correspondence regarding plays and scripts, advertising, copyright, and related topics; legal and financial documents including cash books, ledgers and journals; writings by authors; printed matter, such as programs and playbills; and photographs of playwrights and play. less

Elliott John Nugent, actor, playwright, producer, and director, was born on September 20, 1896, in Dover, Ohio, the son of John Charles Nugent and Grace Mary Fertig. Nugent's most notable work is the Broadway play, THE MALE ANIMAL (1941) co-written with James Thurber. His screenwriting creits include: WHISTLING IN THE DARK, THE MALE ANIMAL and SHE'S WORKING HER WAY THROUGH COLLEGE. His film credits include a lead role in THE VOICE OF THE TURTLE, as well as co-producer of THE SEVEN YEAR ITCH. Nugent died on August 9, 1980. The Elliott Nugent papers consist of clippings, photographs, programmes, correspondence, and manuscripts documenting his career as an actor playwright, producer and director, for the years 1916 to 1965. less

Emlyn Williams was an actor, director, novelist, essayist, and playwright best known for NIGHT MUST FALL and THE CORN IS GREEN. Born in 1905 in Mostyn, Flintshire, Wales, where most of his family and friends mined coal, Emlyn Williams was inspired by a sympathetic teacher to pursue a theatrical and literary career. He acted in many plays and films, and also directed the movie THE LAST DAYS OF DOLWYN (1949) which marked the film debut of his fellow Welshman Richard Burton. From the early 1950s onward Williams toured in a one-person show in which he portrayed Charles Dickens. In his last years Williams was involved in setting up a film version of his novel HEADLONG. Emlyn Williams died on Sep. 25, 1987, at the age of 81. The Emlyn Williams papers consist of correspondence, clippings, photographs, and various materials relating to the one-person show in which Williams portrayed Charles Dickens. The material relating to Williams' Dickens impersonation dates back to his earliest appearances in the role in 1951, and includes numerous playbills, clippings, press releases, and other documents. Most of the correspondence in this collection is with Robert Crawley and pertains to a proposed film version of Williams' novel HEADLONG. After Williams' death the film was eventually produced under the title KING RALPH (1991), starring John Goodman. less

American actress on stage and film, Fannie Ward was probably most famous for her apparently successful efforts to appear forever young. Born circa 1868, she made her stage debut in 1890, was in Hollywood films 1915-1919, and called the perennial flapper, played teenagers and even a child in late middle age. Her jewelry and her social life were also of note. Collection consists of five scrapbooks of clippings and photographs of Fannie Ward, arranged chronologically, and one scrapbook of typed research notes by Glendon R. Good on her career. less