Found 34 collections related to Press releases

Louise Branch (1901-1959) was a photographer and film producer who organized the 1937 Dance International 1900-1937 exhibition at Rockefeller Center. The Louise Branch papers include correspondence and planning materials for the exhibition, files relating to Branch's educational film company United Specialists, Inc., and some personal correspondence. less

Barry Hyams (1911-1989) was an American theater producer and press representative who publicized over 40 Broadway productions throughout the course of his career. His production work was limited to Off-Broadway pieces associated with Rooftop Productions. Hyams was the head of publicity for the Lincoln Center Repertory Company during the 1960s, and the editor of Theatre: The Annual of the Repertory Theatre of Lincoln Center. The Barry Hyams papers date from 1947 to 1963 and document Hyams' work as a press representative for Broadway. The collection contains publicity files and scrapbooks for over 30 Broadway productions, many of which were produced by Robert Whitehead and the Producers Theatre. This collection is rich with material demonstrating the nature of Broadway press relations. The collection holds correspondence; photographs; press releases; drafts of stories for magazines and newspapers; scripts for radio and television announcements; programs; clippings; advertisement schedules for print, radio, and television; and proofs for advertisements and programs. less

Charlie Uno (born Charles M. Feldheim, 1876-1959) was an entertainment reporter, columnist, and editor in New York City from 1892 until his death. From the mid-1930s to 1959, he worked for Billboard magazine, writing the columns "U-Notes" and "Burlesque Bits," in addition to serving as the magazine's Coney Island correspondent. The Charlie Uno papers date from 1909 to 1959 and contain correspondence, clippings, press releases and kits, story drafts, and photographs, primarily related to Uno's work at Billboard. The bulk of the collection consists of photographs, including headshots of burlesque performers and other entertainers. The papers are arranged alphabetically by subject or document type. less

The New Dance Group (NDG), founded in 1932, provided classes, scholarships, studio rentals, public performances, and support of new choreographic work to the New York City dance community. The Hadassah collection of New Dance Group Studio, Inc. records (1944-1977), assembled and annotated by longtime board and faculty member Hadassah, documents the activities and functions of the Board of Directors and Executive Committee following NDG's nonprofit incorporation in 1944. A selection of personal correspondence regarding Hadassah's dance career and outside affiliations is interspersed throughout. less

The Jean Erdman Papers document the professional life of Jean Erdman Campbell, a dancer, choreographer, and dance instructor. Materials date from the late 1930s to the mid-1990s, and cover the early stages of her career as well as productions created during her later endeavors at the Theater of the Open Eye. This collection contains correspondence, production materials, academic papers, office files, financial and legal papers, scrapbooks, publicity materials, and photographs. This collection contains almost no materials related to Jean Erdman's personal life. less

Sol Jacobson was an American press agent, noted for his work on early productions of the director and producer Harold Prince, including Fiddler on the Roof. The Sol Jacobson papers contain publicity files on productions, organizations, and individuals Jacobson represented; responses to a biographical questionnaire of actors and actresses; personal notes and correspondence, and a late nineteenth century theatre scrapbook. less

Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in vaudeville in a skit called OUT OF LUCK. He went on to play juvenile leads for various stock companies in such shows as MRS. WIGGS OF THE CABBAGE PATCH and THE LITTLE SPITFIRE through the 1910s and 1920s. His Broadway credits include WHAT PRICE GLORY?, SKIDDING with Glenda Farrell, THE NIGHT BEFORE with Franchot Tone, and MARCHING MEN (1930) with Leon Ames. Cherry also acted in radio drama. After a period of retirement, he returned to the stage for a role in the Off-Broadway production of Sean O'Casey's RED ROSES FOR ME (1961), then appeared in O'Casey's MOON SHINES ON KYLENAMOE and in Nikolai Evreinov's THE CHIEF THING (1963), his last professional credit. Ewing Cherry died in New York City on March 30, 1969. The Ewing Cherry papers span 1916 to 1962, and consist of letters to Ewing Cherry from employers and friends, a number of contracts securing Mr. Cherry's services as an actor for various stock companies between 1917 and 1927, three booklets (1920-23) introducing the members of the Gene Lewis-Olga Worth stock company, photographs of Ewing Cherry in a variety of characterizations, playbills for a dozen plays in which Ewing Cherry appeared, press releases, fliers, telegrams to and from Ewing Cherry, and clippings of reviews which mention his performances. less

"Jabbo" Smith, born Cladys Smith in 1908 in Pembroke, Georgia, was an African-American jazz trumpeter, trombonist and singer. He died in St. Louis in 1991. The collection consists of autobiographical material; correspondence with Lorraine Gordon and others (1957-1991); financial receipts; medical records; contracts and agreements; passports and other official documents; performance files, news articles, press releases and programs (1930-1991), including information on One Mo' Time, Chicago Kool Jazz Festival, and Jazz Fest Berlin; scrapbooks and photographs of Smith, Wynton Marsalis, Louis Armstrong, and others (1982-1991); and an account book (1969-1973) with aphorisms. less

Correspondence; memoranda; reports; minutes of meetings; press releases; drafts and final copies of articles, speeches, and statements; awards and certificates; diaries; photographs; magazines; clippings; pamphlets and papers; programs; posters; and scrapbooks. Correspondents include: Samuel Barber, Jacques Barzun, William Bergsma, Leonard Bernstein, Aaron Copland, Agnes DeMille, David Diamond, Antal Dorati, Morton Gould, Martha Graham, Frank Loesser, Otto Luening, Peter Mennin, Eugene Ormandy, Vincent Persichetti, Frederik Prausnitz, Andre Previn, Josef Raieff, Claire Reis, Richard Rodgers, Isaac Stern, Risë Stevens, Anthony Strilko, Roman Totenberg, Edgard Varèse, and Hugo Weisgall; representatives of organizations with which he has been associated and of other orchestras, foundations, educational institutions, and publishers. less

The records of the Composers' Forum document the history of the organization from 1935 to 2002. They hold correspondence, concert programs, press releases, clippings, grant applications and other development files, board meeting minutes and correspondence, photographs, membership files, concert production files, concert discussion transcripts, historical essays and scrapbooks. less

The Patricia Bosworth Papers consist largely of her manuscripts and research files for Montgomery Clift: A Biography (Harcourt Brace Jovanovich, 1978), but also contains material relating to other writings and professional activities. less

Paul B. Affelder (1915-1975) was a music critic and the founder of Program Note Service. The collection consists primarily of Affelder’s writings, as well as press releases, programs and other promotional materials compiled by Affelder from the mid-1950s through 1975. The collection also includes an incomplete set of orchestral parts for the Emmerich Kálmán–George Marion, Jr. operetta, Marinka. less

Dan Langan (1935-2018) was a press agent who represented theatrical performers and works of musical theatre. He was also an avid collector of recordings of musical theatre performances. The Dan Langan collection includes a selection of these audio and video recordings and files relating to his public relations work. less

Sam Zolotow was a theater reporter for the New York Times. The Sam Zolotow papers (1944-1967) contain press releases, clippings, correspondence, and draft articles from Zolotow’s work as a theater reporter. The materials mostly date from 1962 to 1967. less

Ward Beam's World Champion Daredevils and the Jimmie Lynch Death Dodgers were motorized thrill-shows that toured North America during the 1940s. The collection dates from 1941 to 1949 and holds programs, press releases, and newspaper clippings relating to Ward Beam's World Champion Daredevils and the Jimmie Lynch Death Dodgers. less

The Metropolitan Opera has been one of the world’s premiere opera companies for well over a century. Its series of live Saturday matinee radio broadcasts began in 1931, featuring host Milton Cross. The Metropolitan Opera radio scripts date from 1933 to 1974, and hold Milton Cross's writings and correspondence in addition to scripts. less

The Broadway Show League (incorporated in 1955) is a non-profit organization that offers casts and crews from Broadway and Off-Broadway the opportunity to engage in softball games. Frances Froehlich Lewin (c.1921-1998) served as the commissioner of the League from 1968 to 1984. The collection, dated 1950s to 1990s, documents the League mostly during Lewin's tenure. The files hold correspondence, financial data, memorandums, notes, notebooks, memorabilia, photographs and printed matter. less

Frank Cruickshank was a theatrical press agent active from the turn of the twentieth century until the mid-1940s. The Frank Cruickshank papers, dating from 1904 to 1946, contain press releases and clippings regarding the productions Cruickshank promoted on behalf of the Shubert Theatre Organization. They also hold show handbills and a small set of letters. less

Beauvais Fox (1876-1955) was drama editor of the New York Tribune in the early 1920s and a theatrical press agent. Fox served as president of the Theatrical Press Representatives of America in 1929, and was also a member of the New York City-based social club The Players. The Beauvais Fox papers contain outgoing correspondence and publicity files that document Fox's work in New York theatre from 1923 to 1935. Outgoing correspondence discusses Fox's reviews in the New York Tribune, administration of the Theatrical Press Representatives of America, activities of The Players, and the work of fellow press agents in New York City. Many correspondents are associated with The Players. A partial list of correspondents is included in the collection. Publicity files date from 1929 and consist of press releases and clippings for two productions promoted by Fox: Macbeth and The Beaux Strategem. less