Found 12 collections related to Appointment books

Albert S. Bard (1866-1963) was an attorney and civic activist in New York City. A graduate of Amherst College and Harvard Law School, Bard came to New York City in 1893, where he engaged in the practice of corporation and general law until a few years before his death. From 1901-1935 (or 1938) he practiced with his partner, Leighton Calkins (1868-1955), under the firm name of Bard & Calkins at 25 Broad Street. Bard continued to practice law until 1960. Bard was an energetic participant in civic and urban affairs and a member of numerous civic and professional organizations, to which he contributed his legal expertise. As a preservationist, he opposed many of Robert Moses' plans for the development of New York City. He successfully organized opposition to the Brooklyn-Battery Bridge project and was instrumental in the preservation of Castle Clinton. Bard also retained life-long affiliations with his hometown of Norwich, Connecticut, and the schools he attended. The Albert S. Bard papers include correspondence, notes, reports, draft legislation, printed material, photographs and posters documenting his decades of participation in urban affairs, especially in matters relating to city planning, good government, billboard advertising, and ballot reform. Bard's civic affiliations represented in the collection include the Citizens Union of New York, City Club of New York, the City Fusion Party, the Fine Arts Federation of New York, the Honest Ballot Association, the Mayor's Billboard Committee, the Municipal Art Society, and the National Roadside Council, among many others. Personal and family papers include Bard's personal correspondence and letterbooks, appointment books recording his professional and social activities, a typescript genealogy of the Bard family, a few photographs, and printed memorabilia. less

Collected by Pierre F. Simon beginning in the 1960s, the letters in this collection represent approximately sixty artists of the nineteenth and twentieth centuries, spanning many of the major artistic movements and schools of the era. Primarily the creation of French painters--but also including other Europeans whose careers encompassed various media--the letters are often surprisingly personal, offering small glimpses into the humanity of each artist. Several of the letters include illustrations. Most letters are in French, with a small number of letters in German or English. less

Chiefly an autograph collection of manuscript letters, documents, musical scores, photographs, and other papers of European, British, and American composers, musicians, authors, novelists, poets, playwrights, historians, philosophers, painters, sculptors, scientists, physician, politicians, statesmen, royalty, and others spanning the period from the 17th to the 20th centuries. There is also Vollmer family correspondence (1892-1959), primarily correspondence of Ruth Vollmer (in German) with family and friends in Europe just prior to the outbreak of Work War II. less

Robert Hobart Davis (1869-1942) was an American journalist, editor, dramatist, and photographer. He was editor of Munsey's Magazine from 1904 to 1925, columnist for the New York Sun from 1925 to 1942, and honorary president of the Stevenson Society of America. Collection consists of correspondence, writings, clippings, printed matter, and photographs documenting Davis's career as an editor and writer and his hobby of photography. Letters reflect his personal as well as professional interests. Correspondents include editors, dramatists, illustrators, journalists, artists, and public figures. Writings contain typescripts and printed versions of works by Davis and a file of printed reviews of his books. Materials relating to the Stevenson Society of America, 1915-1930, include letters, printed matter, clippings, and reports. Photographs consist of approximately 375 portraits by Davis of friends and acquaintances, including prominent writers, artists, performers, and public figures. less