Found 90 collections related to Dramatists

Henry A. Rendle (d. 1873) was a playwright. The Henry A. Rendle papers primarily consist of materials on his play, Chesney Wold, adapted from Bleak House. The papers include a letter from the actor Fanny Janauschek to Rendle, dated 1873, in which she discusses her travels and playing in Chesney Wold; and letters from Janauschek's husband, Frederick J. Pillot, to Henry Rendle's wife, Mary Rendle, offering condolences on the death of her husband and notifying her of royalty payments for Chesney Wold. There are also clippings about the play. The collection contains copyright records for other plays by Rendle: Little Amy (1871), If (1872), and Fame (1872), and a copy of the deed for Henry Rendle's burial plot. A photograph, dating to about the 1860s, depicts a member of the family who was an actor. less

Ruth Goodman Goetz (1912- ) and Augustus Goetz (1889-1957) collaborated on writing plays for the theatre and movies. Her father, Philip Goodman (1885-1940), was a producer of Broadway plays and musicals. Collection consists of correspondence, literary manuscripts and miscellaneous materials concerning the work of Ruth and Augustus Goetz. Includes papers relating to Ruth Goetz's father and mother, Philip Goodman and Lily Cartun Goodman; correspondence, 1932-1942, with Henry L. Mencken; and manuscripts of The Hidden River by Ruth and Augustus Goetz, Here's Looking at Them by Philip Goodman, and According to the Text in Shylock by Jules E. Goodman. less

Carlotta Monterey O'Neill was married to the playwright Eugene O'Neill. The notebook contains handwritten transcriptions by Carlotta O'Neill of letters and inscriptions to her from her husband, Eugene O'Neill, and photographs, mostly portraits of Eugene and Carlotta O'Neill. The notebook was probably prepared in 1954 after the death of Eugene O'Neill. less

The Albert Ellsworth Thomas papers date from 1901 to 1943. The collection contains letters to Thomas from prominent individuals in theatre, including Henry Miller, Walter Hampden, Daniel Frohman, Ruth Chatterton, and Patricia Collinge. These letters primarily relate to the production of Thomas's plays. Also held in the collection are original manuscripts of the plays No More Ladies, Her Husband's Wife, Just Suppose, and an unidentified play less

Charles Ludlam, actor, director, and playwright, was born April 12, 1943. He began his career in 1966 with the PlayHouse of the Ridiculous, both as a performer and playwright. Artistic differences caused Ludlam to leave and form his own company, The Ridiculous Theatrical Company, which achieved international recognition. Ludlam's three most successful plays were BLUEBEARD, STAGE BLOOD, and CAMILLE. Although the company attracted grant funding, it was always on the edge of the avant-garde and finances were uncertain. The company made its final tour with Ludlam in the first months of 1980 and then disbanded. Ludlam died on May 28, 1987. The collection consists of diaries, notebooks, scripts, set and costume designs, clippings, transcripts of interviews, and manuscript pages from a published collection of Ludlam's plays. This material was collected as research material for The Complete Plays of Charles Ludlam. The material provides valuable insight into every stage of Ludlam's playwriting process from the development of an idea to its realization on stage. Since Ludlam relied so heavily on improvisation, the information contained in the notebooks and plot outlines in this collection cannot be found anywhere else. less

Dion Boucicault (1820-1890) was one of the most popular playwrights of his day. Although born in Ireland, he spent many years in the U.S. (from 1853 to 1869 and from 1870 to 1890). He also was a well-known actor and theatrical manager and a key figure in the fight for passage of a copyright law. Agnes Boucicault (1883-1916), his wife, was an actress who played in the U.S. and England. Their son Aubrey Boucicault (1869-1913) was an actor. Collection consists of correspondence of members of the Boucicault family, some family papers, manuscript copy of Dion Boucicault's play Led Astray, and notes and fragments of his writngs. less

Clyde Fitch (1865-1909) was an American playwright. Collection consists of Fitch's letters, written mostly from New York City to DeWitt Miller, relating to personal matters, and to literary and dramatic work. Also, manuscript of Fitch's play "The Girl and the Judge" with program from a performance of the play at the Lyceum Theatre, 1901. less

Playwright Christine Darmor (pen name for Faunchette Weir), was born in France but came to the United States as the wife of World War I pilot, John B. Weir, and lived and wrote in New York City. Collection consists of four letters to Darmor and one clipping, all concerning her play, PEACE EVERYONE. The letters document the work of her agents at the Leland Hayward, Inc. agency. less

Daniel de la Vega (1892-1971), a Chilean author, wrote poems, plays, short stories, and novels. He was appointed press secretary to Brazil in 1951 and cultural attache in Spain in 1953. In Chile he received national prizes for literature, theatre and journalism. Collection consists of the hand-written festschrift honoring Daniel de la Vega compiled by Juan Olivares, the original essays by seven Chilean authors, sketches, and letters to Olivares commenting on the festschrift. less

Frank Ellice Carstarphen (1871-1952), a lawyer who specialized in criminal law, held public office in Colorado and New York and actively campaigned for the Democratic Party. He also wrote stage adaptations of novels. Collection consists of correspondence, typescripts, family and personal papers, photographs, and printed matter. Legal and political correspondence, 1903-1948, includes letters concerning Carstarphen's various positions. Theater correspondence, 1930-1951, contains letters about plays that he and his wife, Anita Carstarphen, adapted from novels. Family correspondence, 1897-1932, consists primarily of letters of Carstarphen to his family with some letters written by other family members. Also, photographs, biographical sketches, personal papers, and newsclippings. less

Florence Ryerson (1892-1965) was an American playwright and screenwriter. Collection consists of Ryerson's diaries, correspondence, notes, and memoranda. Work diaries kept by Ryerson, chiefly at her homes in Beverly Hills and Canoga Park, California, describe her life and work; the writing of her plays with the aid of her husband, Colin Clements, including "Harriet," based upon the life of Harriet Beecher Stowe, "June Mad," "Strange Bedfellows," and "Welcome Home"; her work as a screenwriter for Metro-Goldwyn-Mayer; and her personal life. Also, correspondence with literary agents and producers, and production notes and memoranda relating to the staging of "Harriet" in New York City in collaboration with Charles MacArthur and Helen Hayes. Includes references to stage and screen personalities and Ryerson's reaction to international events in the World War II period. less

Harriet Ford (1868-1949) was an American playwright in New York City. Collection consists of letters to Ford from people prominent in the theatre and in literature, letters by Ford to others, autographs, poems, Christmas cards, a play entitled "Cupid and Psyche," and clippings. Correspondents include Winthrop Ames, David Belasco, Mary Johnston, Elisabeth Marbury, Sinclair Lewis, Chauncey Olcott, Otis Skinner, Laurette Taylor, and Walker Whiteside. less

Harold Richard Atteridge (1886-1938) was a playwright who wrote musical shows for the theatre in New York City. Collection consists of correspondence, accounts and other papers, 1909-1939, relating to Atteridge's career and business dealings. Subjects include royalties, copyright, and requests for Atteridge to write lyrics and scenes for new plays. less

Kenneth Koch was an American poet, playwright, essayist, screenwriter, novelist, and short-story writer. The Kenneth Koch papers document the personal and professional activities of the writer, Kenneth Koch. Holograph and typescript drafts comprise the bulk of the collection. The papers contain holograph manuscripts and typescripts of the author's published and unpublished work (in every genre, including plays, "comics," and games), notes and other material related to the works, Koch's correspondence, photographs, collaborations, material related to his work with children, miscellaneous personal documents, printed material, ephemera, scrapbooks, press cuttings and photocopied reviews of his books, and holograph manuscripts and typescripts of works by other writers (especially Frank O'Hara and John Ashbery). Also included in the papers are 9 boxes of unsorted printed ephemera, and 3 boxes of journals, magazines, and newspapers. The correspondence in the collection is mostly made up of incoming material, of which there are three categories: personal, professional, and fan mail. The personal and professional correspondence is arranged alphabetically by author; within each author's folder letters are arranged by date. Of the personal correspondence and works by others, the most substantial holdings are by "New York School" artists such as Frank O'Hara, John Ashbery, James Schuyler, Larry Rivers, Harry Mathews, Fairfield Porter, and Jane Freilicher. Also noteworthy are letters and works by Koch's former students, Ron Padgett, Frank Lima, Tony Towle, David Shapiro, and Jordan Davis. Also present are publishing contracts and royalty statements for several of Koch's books. less

Joseph Henry Benrimo (1871-1942) was an American playwright. Collection consists of correspondence, business papers and miscellany relating principally to Benrimo's plays: Peacock Lady, Yellow Jacket, and Willow Tree. Includes the manuscript of Willow Tree. less

Jacob (Jack) Charash (ca. 1880-1949) was a press agent, theatrical manager, dramatist, and translator of plays from Yiddish and German. He was co-founder and co-director of the Anglo-Jewish Theatre, a unit of the WPA Federal Theatre Project. Collection contains correspondence, contracts and agreements, and theatrical papers of Charash. Bulk of the correspondence, 1921-1949, consists of letters from various producers, actors and playwrights. Contracts and agreements are related to Charash's work as a press agent and literary collaborator. Theatrical papers include memoranda and clippings. less

Manart Kippen was an American actor. Collection consists of papers of Manart Kippen and, in part, letters and papers of author Minna C. Smith, including two letters from Edward Everett Hale. Kippen papers include correspondence, 1915-1947, consisting of letters from actors and actresses, playwrights, theatrical producers and agents; and miscellaneous documents. Correspondents include Julia Marlowe, George Arliss, Alfred Lunt, and Davis Belasco, among others. less

Richard Mansfield, actor, was born in Berlin in 1854. He began his career on the London stage but by 1882 he had migrated to the United States and was appearing in the New York theater. Mansfield was instrumental in introducing the works of George Bernard Shaw to the American stage. In his last theatrical performance he played the title role of PEER GYNT in the first English language production of that play. Transcribed letters, carbon copies, from George Bernard Shaw to Richard Mansfield and/or his wife, Beatrice Cameron, concerning Mr. Shaw's plays. less

Jane Cowl (1884-1950) was an actress, playwright and theatrical producer. She appeared in her most famous acting roles in the 1920s and 1930s and co-authored several plays during this period with Jane Murfin. During World War II she was co-director of the Stage Door Canteen, an entertainment center for U.S. servicemen and women in New York City. She also hosted a radio program in the 1940s. Collection consists of correspondence, financial papers, diary, and biographical materials collected by Cowl. Correspondence, 1923-1948, is with noted playwrights, directors, actors, and theater managers; other correspondence, 1943-1946, concerns her charitable work with disabled veterans and underprivileged children. Also, diary written during Cowl's first trip to Europe in 1907 in which she described the European stage; materials she collected for a planned autobiography; and personal financial accounts. less

Playwright, novelist and editor of Life (1922-1924), Louis Evan Shipman's most sucessful play was probably D'ARCY OF THE GUARDS (1901). Other titles include THE CRISIS, THE CROSSING, ON PAROLE, THE FOUNTAIN OF YOUTH, FOOLS ERRANT, and POOR RICHARD. Shipman was born in Brooklyn, NY, educated at Brooklyn Polytechnic and Columbia and Harvard Universities, lived for a number of years in New Hampshire and spent his last years in France. The collection is almost entirely letters by Shipman to his lawyers, George C. Hazelton, Jr. and John H. Hazelton, regarding his claim against Mr. Braden, the manager, at least for a time, of Shipman's play ON PAROLE and later letters accompanying his payments to his lawyers. Also includes one letter by the lawyers to Shipman and one personal letter by Shipman to a friend. less

This collection documents the creation of the film The Ten Year Lunch. Slesin acquired significant materials from numerous sources about the core group of the Round Table including Marc Connelly, Dorothy Parker, Alexander Woollcott, Harold Ross, Robert Benchley, Ruth Gordon, and Edna Ferber, as well as satellite figures. Types of materials in this collection include photographs (both originals and copies), personal correspondence and ephemera, telegrams, sound recordings, a script, theatre programs, posters, and bound volumes. Includes the work of notable photographers such as James Abbe, Alfred Eisenstaedt, Nickolas Muray, and Carl Van Vechten. Slesin's production notebook includes a descriptive listing of 702 items that she consulted during her research, most of which are in this final collection. The final script for the film is accompanied by a promotional poster illustrated with a drawing by Al Hirschfeld of the Round Table members. less

Collection contains Mumford's writings, legal papers, correspondence, art work, and printed matter. Writings consist primarily of manuscripts of her plays with some short stories, poems, musical lyrics, and clippings of a literary column she wrote for the New York Evening World during 1913-1914. Also, contracts and royalty agreements, 1904-1934; letters, 1900-1924, concerning the sale of her works; clippings of reviews; and sketches and a watercolor. less

William Churchill De Mille (1878-1955) was an American playwright, producer and director. He wrote a number of stage plays and produced them with David Belasco from 1902 to 1914 before becoming one of the pioneers of the motion picture industry. He founded the drama department at the University of Southern California and taught there until 1953. Collection consists of manuscripts and typescripts of De Mille's writings. Writings include play scripts, scenarios, lectures, reminiscences of his career in the motion picture industry, and typescript of children's fairy tale he co-authored. less

Edward J. Eustace (1897-1971) was an American poet, playwright and screenwriter for the Fox Film Corporation. Collection consists of correspondence, writings, drawings, photographs, and printed matter. Correspondence, 1920-1971, is with Eustace's associates at Fox, family and friends. Writings include typescript and printed versions of his plays and poems; several typescript versions of Eustace's play, "King of the Mountain," ca. 1934-1949, with prefaces to the 1948 and 1955 editions, and related correspondence, 1945-1951; notes and sketches; and diary, 1891-1893. Other materials are drawings, miscellaneous notes, photographs, financial records, and printed matter. Also, typescript and printed poems of his aunt Sarah Eustace. less