Found 49 collections related to Dramatists

The Bronson Howard Papers consist primarily of correspondence, but also include financial and legal documents. Bronson Howard corresponded with a wide circle of family, friends and professional associates. The family correspondence documents Mr. Howard's personal life, family business and social interactions. Correspondence with associates, including actors, managers and writers, gives information about Mr. Howard's activities and theater of the period. A number of letters discuss the Civil War. less

As a literary agent, Bertha Case worked with a variety of authors, playwrights, and performers, including María Irene Fornés, Anthony Quinn, and Ira Wallach. Case also served as the literary representative of the estates of German playwright Bertolt Brecht and composer Kurt Weill. This collection primarily documents Case's career through correspondence with clients, publishers, and producers; the collection also contains contracts, press clippings, performance programs, and photographs. less

Charles Ludlam, actor, director, and playwright, was born April 12, 1943. He began his career in 1966 with the PlayHouse of the Ridiculous, both as a performer and playwright. Artistic differences caused Ludlam to leave and form his own company, The Ridiculous Theatrical Company, which achieved international recognition. Ludlam's three most successful plays were BLUEBEARD, STAGE BLOOD, and CAMILLE. Although the company attracted grant funding, it was always on the edge of the avant-garde and finances were uncertain. The company made its final tour with Ludlam in the first months of 1980 and then disbanded. Ludlam died on May 28, 1987. The collection consists of diaries, notebooks, scripts, set and costume designs, clippings, transcripts of interviews, and manuscript pages from a published collection of Ludlam's plays. This material was collected as research material for The Complete Plays of Charles Ludlam. The material provides valuable insight into every stage of Ludlam's playwriting process from the development of an idea to its realization on stage. Since Ludlam relied so heavily on improvisation, the information contained in the notebooks and plot outlines in this collection cannot be found anywhere else. less

Playwright Christine Darmor (pen name for Faunchette Weir), was born in France but came to the United States as the wife of World War I pilot, John B. Weir, and lived and wrote in New York City. Collection consists of four letters to Darmor and one clipping, all concerning her play, PEACE EVERYONE. The letters document the work of her agents at the Leland Hayward, Inc. agency. less

Microfilm copy of the papers of Pulitzer Prize-winning playwright-director, George S. Kaufman, consisting primarily of correspondence, scripts, and biographical scrapbooks. The correspondence contains letters from Fred Allen, Winthrop Ames, George Arliss, Eleanor Belmont, Walter Damrosch, Joseph E. Davies, Robert H. Davis, Theodore Dreiser, James A. Farley, Arthur Hopkins, Otto Kahn, Groucho and Harpo Marx, Adolphe Menjou, William Saroyan, Alfred E. Smith, Henry L. Stimson, John Steinbeck, Booth Tarkington, Oswald Garrison Villard, William Allen White, Alexander Woollcott, and others. There are scripts (some annotated) for seventeen produced and unproduced titles for stage, screen, and television including THE BUTTER AND EGG MAN (1925), THE LATE GEORGE APLEY (1944), THE MAN WHO CAME TO DINNER (1939), and several other plays on which Kaufman collaborated with Marc Connelly, Ruth Goodman Goetz, Leueen MacGrath, Morrie Ryskind, Howard Teichmann, and other playwrights. less

The Lawrence Langner Papers include scripts by Langner and others, and speeches, articles and miscellaneous writings by Langner. The collection contains over 30 scripts by Langner, and several adaptations by him. Many of the scripts are annotated, and a few include related material including programs, light plots, and prompt books. Langner's writings and speeches include memorial addresses for Ferenc Molnar and Joan McCracken, seminars on playwriting, and works on the future of the theater, morals in mass media, and some material relating to his interest in inventions and patent law. less

The John Van Druten papers consist of diaries, correspondence, writings, scrapbooks and ephemera documenting his life and career. The papers span the years 1901-1957 and give excellent insight into Van Druten's creative processes. Missing from the collection are scripts of his most well-known works. There are however, scripts for some plays including AWAKENING, CHANCE ACQUAINTAINCE, DANCING IN THE CHECKERED SHADE, THE RETURN HALF and SOLITAIRE. The papers also include many other literary forms: essays, parodies and poetry all written by Van Druten. less

Playwright, novelist and editor of Life (1922-1924), Louis Evan Shipman's most sucessful play was probably D'ARCY OF THE GUARDS (1901). Other titles include THE CRISIS, THE CROSSING, ON PAROLE, THE FOUNTAIN OF YOUTH, FOOLS ERRANT, and POOR RICHARD. Shipman was born in Brooklyn, NY, educated at Brooklyn Polytechnic and Columbia and Harvard Universities, lived for a number of years in New Hampshire and spent his last years in France. The collection is almost entirely letters by Shipman to his lawyers, George C. Hazelton, Jr. and John H. Hazelton, regarding his claim against Mr. Braden, the manager, at least for a time, of Shipman's play ON PAROLE and later letters accompanying his payments to his lawyers. Also includes one letter by the lawyers to Shipman and one personal letter by Shipman to a friend. less

Richard Mansfield, actor, was born in Berlin in 1854. He began his career on the London stage but by 1882 he had migrated to the United States and was appearing in the New York theater. Mansfield was instrumental in introducing the works of George Bernard Shaw to the American stage. In his last theatrical performance he played the title role of PEER GYNT in the first English language production of that play. Transcribed letters, carbon copies, from George Bernard Shaw to Richard Mansfield and/or his wife, Beatrice Cameron, concerning Mr. Shaw's plays. less

Playwright Mary Drayton, born in Hope, Arkansas, turned to writing after a car accident ended her acting career. Her plays DEBUT (1956) and PLAYROOM (1965) were produced on Broadway. She also wrote SALT OF THE EARTH, BUILD ME A BRIDGE, DUCKS IN A ROW, and a novel, ALL OUR SECRETS. The collection concerns the world premiere of DUCKS IN A ROW, performed at Cedar Crest College in Allentown, Pa. in 1981 as THREE LINKS OF CHAIN. It is primarily letters by Drayton to the play's director, Rod [Roderick] Bladel, discussing casting, script changes, the Allentown production, and efforts to get the play produced elsewhere. The collection also contains pre-rehearsal notes, sheet music, and programs. less

Carlotta Monterey O'Neill was married to the playwright Eugene O'Neill. The notebook contains handwritten transcriptions by Carlotta O'Neill of letters and inscriptions to her from her husband, Eugene O'Neill, and photographs, mostly portraits of Eugene and Carlotta O'Neill. The notebook was probably prepared in 1954 after the death of Eugene O'Neill. less

Primarily documenting the career of playwright and screenwriter Paddy Chayefsky, this collection consists of correspondence, material relating to production of his works, draft and development material for unproduced works and other writings, office papers, vital records, financial and legal records, photographs, and research material. less

Anthony Holland (1928-1988) was an actor and playwright best known for his comic performances in theater, film, and television. He was a founding member of the Second City satirical improvisation comedy troupe in Chicago. This collection documents his personal and professional life from 1956 to 1988. less

Mac Wellman is an American playwright and poet, known for his experimental work in theatre. He is the author of more than 60 plays, including Cellophane, Terminal Hip, and Sincerity Forever. The Mac Wellman papers, Additions date from 1979 to 2008 (bulk dates: 2000 to 2008) and contain manuscript drafts and revisions of plays, poetry, and fiction, as well as posters, reviews, a program, letters, photographs, and ephemera. less

George Furth (1932-2008) was an American playwright, librettist and actor, most famous for writing the books for two Stephen Sondheim musicals, Company and Merrily We Roll Along. The George Furth papers contain professional and personal papers, created or collected by Furth as a playwright and actor. less

Edward Mabley (1906-1984) was an American writer for theater, radio, and television, and author of the book Dramatic Construction: An Outline of Basic Principles. The Edward Mabley papers (1920s-1985) document his writing career through scripts, scores, book manuscripts, correspondence, clippings, promotional materials, and notes. The papers also hold material related to the Tatterman Marionettes, a company that Mabley co-founded. less

Jane Dransfield (1875-1957) was a playwright, poet, and lecturer on theater. The Jane Dransfield papers (1892-1957) document the creation, publication, production, and reception of her work, especially her plays. The papers also document her work as a lecturer, her study of drama, and her professional relationships. The collection holds correspondence, clippings, programs, promotional materials, scripts, poetry, articles, drafts, and notes. less