Found 69 collections related to Financial records

Lucille Kallen was a published author as well as a prolific writer for radio, television, and stage. In the 1950s, she was the only female writer on the staff of Sid Caesar’s Your Show of Shows . Today she is best known as the author of the C. B. Greenfield mystery novels. This collection of personal papers, correspondence, manuscripts, television and theater scripts, and production materials provides insight into her life and work. less

The Jean Erdman Papers document the professional life of Jean Erdman Campbell, a dancer, choreographer, and dance instructor. Materials date from the late 1930s to the mid-1990s, and cover the early stages of her career as well as productions created during her later endeavors at the Theater of the Open Eye. This collection contains correspondence, production materials, academic papers, office files, financial and legal papers, scrapbooks, publicity materials, and photographs. This collection contains almost no materials related to Jean Erdman's personal life. less

Orvil Dryfoos (1912-1963) was a newspaper executive and the publisher of The New York Times from 1961 to 1963. The Orvil Dryfoos papers document Dryfoos's daily activities and the operations of The Times, particularly during his tenure as vice president, president, and publisher from 1954 to 1963. The collection also contains Dryfoos's private business papers and records concerning the Dryfoos family's finances, travels, and other personal matters. less

Victor Samrock (1907-1995) was an American theatrical business manager, active in New York theatre from the mid-1930s to the mid-1980s. From 1938 to 1960 he was the general manager of the Playwrights' Company. The Victor Samrock professional files contain business files pertaining to productions managed by Samrock, the records of the Playwrights' Company, and a small amount of personal correspondence. less

Godfrey Nelson (1878-1954) was a tax lawyer, financial columnist, and New York Times executive. The Godfrey Nelson papers document much of Nelson's career at The Times, including his roles as corporate secretary, financial and legal advisor, columnist, and in various administrative roles for The Times' subsidiary companies. The collection also contains some files from Nelson's private practice advising clients on estate and tax law. less

The New Dance Group (NDG), founded in 1932, provided classes, scholarships, studio rentals, public performances, and support of new choreographic work to the New York City dance community. The Hadassah collection of New Dance Group Studio, Inc. records (1944-1977), assembled and annotated by longtime board and faculty member Hadassah, documents the activities and functions of the Board of Directors and Executive Committee following NDG's nonprofit incorporation in 1944. A selection of personal correspondence regarding Hadassah's dance career and outside affiliations is interspersed throughout. less

The Netherland Club of New York is a private social and professional organization centered on Dutch culture, history, and the fostering of Dutch-American relationships. The Netherland Club of New York records date from 1903 to 2013 and contain meeting minutes, annual reports, correspondence, financial records, newsletters, photographs, and other materials that document the Club's activities. less

The records of the Sunshine Settlement of New York City includes financial records (1905-1911) and a meeting attendance register (1901-1910). The Sunshine Settlement was a society formed in 1900 to provide education, health services, and healthful seaside visits for poor children and mothers less

Primarily documenting the career of playwright and screenwriter Paddy Chayefsky, this collection consists of correspondence, material relating to production of his works, draft and development material for unproduced works and other writings, office papers, vital records, financial and legal records, photographs, and research material. less

Vincent Persichetti, American composer, educator and author, studied the piano with Olga Samaroff and composition with Paul Nordoff at the Philadelphia Conservatory, and conducting with Fritz Reiner at the Curtis Institute. In 1941 he was appointed to teach at the Philadelphia Conservatory, and in 1947 he joined the faculty of the Juilliard School. From 1952 he also served as Editorial Director for Elkan-Vogel. In 1961, Persichetti’s Twentieth Century Harmony: Creative Aspects and Practice was published by W.W. Norton and was immediately viewed as the definitive book on modern compositional techniques. Over the course of his career, he received commissions from the Philadelphia Orchestra, the Louisville Philharmonic Society, the Naumberg Foundation, the Samaroff Foundation, the Serge Koussevitzky Music Foundation, the American Guild of Organists, universities and individual performers. less

The Chamberlain and Lyman Brown Papers are 351 linear feet and contain business and personal correspondence, scrapbooks, autographs, legal and financial papers, scripts, photographs, clipping files, and production materials documenting their work as theatrical agents, managers, and producers. The papers provide a history of the entertainment industry from the end of the 19th century through the middle of the 20th century. A number of family and personal papers are also included. less

The Danny Apolinar Papers document the career of Danny Apolinar, lyricist, composer, pianist, nightclub entertainer and illustrator. The materials date from 1946-2000 (bulk dates 1957-1993) and include professional correspondence, legal and financial papers, production and promotional materials, scripts, photographs, scores, scrapbooks, clippings, programs, and posters designed by Danny Apolinar. There are no personal records in the collection. less

Born in 1945, Jack Briece was an American composer, organist and pianist, video artist, educator, and author, whose creative output was original and inventive. Most of this collection contains Briece’s diary, written on index cards and documenting his personal study of astrology, planetary movements, and the I-Ching, which informed every aspect of his life and inspired much of his output as an artist. However, of particular interest are the music series and the records surrounding Briece’s travels in Finland. The music materials demonstrate Briece’s use and personal development of conventional as well as modern and experimental orchestration techniques. The materials related to Finland represent a particularly active and creative time for the composer, his involvement with the newly developing videotape medium, and the culmination of much of his work up until his untimely death in 1988. less

Teresa Sterne, a pioneering producer of classical music recordings, was director of Nonesuch Records from 1965 to 1979. The Papers include material related to Sterne's tenure in charge of Nonesuch Records, as well as her childhood career as a performing pianist. The bulk of the material dates from 1969-1979, and includes production files, clippings, photographs, scrapbooks and scores. less

The Bohemians (New York Musicians' Club) is an organization made up of distinguished New York City musicians and music lovers that organizes dinners and chamber concerts for its members, supports young artists, and honors notable musicians. The collection consists of bylaws, membership lists, letters, financial records, meeting minutes, photographs, programs, and menus for the club spanning 1907 to 2008. Also present are some items documenting the Musicians Foundation Inc., an affiliated tax-exempt charitable organization that provides support to professional musicians in need. less

Russell and Volkening is one of New York's oldest literary agencies, opened in 1940 by Diarmuid Russell and Henry Volkening. They represented some of the most noted writers in the history of American publishing, including Eudora Welty, Bernard Malamud, Anne Tyler, George Plimpton, Barbara Tuchman, Saul Bellow, Ann Petry, A. J. Liebling, and Nadine Gordimer. Included in the collection are business correspondence; financial material; inventories and submission records of manuscripts submitted to the agency and through the agency to publishers and others; some manuscripts; and other material regarding the business of the agency. The bulk of the collection is represented by correspondence between Diarmuid Russell, Henry Volkening, Timothy Seldes, and other agents and their clients, notably Eudora Welty, Barbara Tuchman, Mavis Gallant, May Sarton, George Plimpton, Anne Petry, Wright Morris, and many others. less

The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and notes, sketches, and swatches; production notes, schedules, and contact lists; costume and research photographs and slides; correspondence, contracts and financial records, as well as a substantial number of scripts. The collection also includes professional papers such as correspondence, coursework and lecture notes, research materials, and theatrical vendor brochures. There are no personal papers in this collection. less

The Richard Englund Papers cover the professional career of Richard Englund (1931-1991), a noted American dancer, choreographer, director, and teacher. Englund served as the director of several small dance companies, including the pioneering regional ballet company, Birmingham Civic Ballet, and training companies for both American Ballet Theatre and the Joffrey Ballet. The largest part of the collection documents the choreographic works that made up the repertory of the companies with which Englund was connected. less