Found 30 collections related to Photographic prints

Joe Smith and Charlie Dale were a well-known vaudeville duo known as Smith and Dale who performed around the United States for over seventy years. The collection contains an extensive run of scripts for Smith and Dale sketches, material reflecting the later life and career of Joe Smith following Charlie Dale's death, and early material relating to their other comedy team The Avon Comedy Four. less

Dorothy Loudon (1925-2003) was a singer, comedienne and Tony Award-winning actress, who appeared in supper clubs, television shows, films, summer stock and on Broadway. The bulk of the materials in this collection are from 1940-2003. They extensively cover the personal life and professional career of Dorothy Loudon, including materials relating to stage, film and television productions, albums, nightclub performances as well as personal correspondence. less

The Carole Shelley papers, dated 1940s to 2016, document the career of character actor Carole Shelley (1939-2018). Her collection contains correspondence, production scripts, notes, photographs, posters, costume sketches, scrapbooks, animation cels, awards and sound recordings. less

Child actress, best known for playing the title roles in the original LITTLE LORD FAUNTLEROY (1888-1889) and THE PRINCE AND THE PAUPER, Elsie Leslie returned to the stage as a young adult to star in THE RIVALS (1898) and other plays. Born Elsie Leslie Lyde, she was married twice: in 1901 to actor Jefferson Winter, and in 1918 to banker Edwin J. Milliken. The collection contains letters to Elsie Leslie from friends and admirers, publicity photographs of Leslie as a child and an adult actress, and her autograph album containing letters, photographs, clippings, autographs and cards. Most of the letters concern personal matters: invitations, travels and health, though there is some discussion of possible roles and compliments on her performances. There is an extensive file of letters from playwright Louis N. Parker. Other correspondents include Poultney Bigelow, members of the Samuel Clemens family, Julie Harris, Helen Keller, Julia Marlowe, Schuyler Mathews, and Alexander Woollcott. There is a small amount of third party correspondence, primarily letters to her second husband, Edwin Milliken. less

The Harold Clurman papers contain notebooks and journals, director's annotated scripts, manuscript drafts and annotated typescripts of Clurman's books, and photograph scrapbooks documenting his career as a director, critic and writer. The materials span from 1935 through 1978 and give an interesting look at Clurman's work and thought process as a director. Notebooks contain his ideas on plot and character development, as well as casting notes and ideas for plays which he directed, while the scripts contain his director's annotations and compliment the notebooks for research and study of Clurman's techniques as a director. Drafts and typescripts of Mr. Clurman's three books: On Directing; All People Are Famous; and Ibsen show these works as they evolved. Finally, the photograph scrapbooks give a pictorial representation of specific plays including AWAKE AND SING and foreign productions of THE ICEMAN COMETH and LONG DAY'S JOURNEY INTO NIGHT. less

This collection contains the records of HB Studio, an acting school founded by actor Herbert Berghof in New York City in 1945, and the personal and professional papers of Berghof and his wife, actress Uta Hagen. Material includes correspondence, administrative files, appointment books, diaries, photographs and photo albums, production files, scrapbooks, a small amount of personal material, and sound and video recordings. less

Morton DaCosta (born Tecosky), stage and film director and actor, was born 7 March 1914 in Philadelphia. A graduate of Temple University, Mr. DaCosta began his career as an actor and director in regional theatre in 1937. He made his acting debut on Broadway in 1942 in THE SKIN OF OUR TEETH and his New York directing debut in 1949 with a revival of SHE STOOPS TO CONQUER. Among his many productions are PLAIN AND FANCY (1955), NO TIME FOR SERGEANTS (1955), AUNTIE MAME (1956) with which he made his film directing debut in 1958, and THE MUSIC MAN (1957). Mr. DaCosta died in 1989. The Morton DaCosta Papers consist of scripts and promptbooks, production materials, correspondence and personal papers documenting his life and career as a director and actor of stage and film. The papers span the years 1929 to 1978 and include such productions as THE MUSIC MAN, SARATOGA, NO TIME FOR SERGEANTS and AUNTIE MAME, among others. less

Ray Henderson, advance man and publicist, promoted many of the well-known actors of the early 20th century, among them George Arliss, Katharine Cornell and E. H. Sothern and Julia Marlowe. His papers document this relationship with these theatrical personalities through correspondence, press releases, clippings and tour materials. less

The Constance D'Arcy MacKay Papers consist of correspondence, clippings, photographs, programs and writings pertaining to her career as a writer and director or pageants and plays. Included as well are articles written by her husband, Roland Holt. The collection spans the years 1912-1939. less

The papers of Mike Kellin document his personal life and acting career from the late 1940's to the early 1980's. The collection includes correspondence, biographical materials, scripts he wrote, awards, photos, TV and news releases, writings, scripts of performances he acted in, speeches, poems and newsclippings. Newsclippings, photographs, and scripts of his performances make up the bulk of the collection. less

Gustav Blum (d. 1963) was an American theater director, producer, actor, and teacher. In 1916, he founded the East-West Players, a group that performed one-act plays, including English translations of Yiddish plays. The East-West Players won the Belasco Cup at the first Little Theater Tournament in 1923. Blum also produced and staged Broadway plays and worked as a drama teacher in high schools from 1909 until his retirement in 1958. The Gustav Blum papers (1912-1988, bulk 1915-1953) contain a scrapbook, contracts, scripts, photographs, clippings, correspondence, and other papers documenting Blum's career. The scrapbook dates from 1916 to 1923 and contains clippings and programs of the East-West Players. There are scripts for four plays that Blum produced: The Shame Woman (1923), Gertie (1926), My Son (1924), and Walk Hard (1946). The script for Walk Hard is a heavily annotated prompt copy; the other scripts have minimal or no annotation. There are also three scripts written or co-written by Blum: Against the Current, Eden, and A Sleepless Night. Contracts date from 1927 to 1946. The collection includes a statement of receipts and disbursements for Walk Hard and an estimated budget for Laughter in the Courtyard. Photographs consist of images of Blum, an unidentified production photograph, and signed photographs of Bertha Kalich and David Belasco. The collection also contains biographical information, clippings, and copyright records related to Blum's career, dating from 1912 to 1988. less

This collection includes original drawings and renderings for costume designs for various theatrical productions created by Vincente Minnelli for the Balaban Katz and Paramount-Publix theatre companies, under the art direction of Frank Cambria. All designs are works on paper, in a variety of media. More than half the collection are finished drawings; the remainder are unfinished sketches. Only two productions are clearly identified: Alice in Wonderland (Chicago, 1925) and Oliver Twist. Additionally, there are two portrait photographs taken by Minnelli of Cambria family members and a 1928 letter from Minnelli to Cambria describing his proposed designs for a Paramount-Publix production. less

Compiled by Dr. Saram R. Ellison during the late 19th- and early 20th-centuries, this collection of scrapbooks documents the founding and early years of the Society of American Magicians (S.A.M.), numerous magicians, and various subjects of magic and the related arts. less

Large-format black and white photographs, primarily group portraits, by Edward Kelty's Century Flashlight Photographers company document twenty circus troupes performing in the Midwest, East Coast, and Montreal, Canada. Also included in this collection are two photographs of circus troupes taken by other photographers. less

After World War I, Edward J. Kelty made his main living taking traditional banquet and party photographs for his Century Flashlight Photographers Company, based in New York City. During the summer months, Kelty used a custom-made large-format camera and portable darkroom and followed circus troupes around the East Coast and Midwest, taking some of the most vivid photographs known to circus historians. However, lingering injuries from his Navy service in World War I, other personal struggles, and the hardships of the Depression led to Kelty closing his business and selling his camera and negatives by the early 1940s. Kelty died in Chicago, Illinois, in 1967. Large-format black and white photographs primarily by the Edward Kelty's Century Flashlight Photographers company document 22 circus troupes and one rodeo performing in the Midwest, East Coast, and Montreal, Canada. Images depict group portraits and exterior and interior tent views. Manuscript annotations, likely by collector and donor Harold Dunn, are present on the verso of a few images. Some photographs may be later reprints by Dunn from Kelty's original negatives. All photographs are credited to Kelty, except for a photograph of the Sparks Circus and a photograph of the Worldwide Rodeo Championship, both by Knickerbocker Photographers. less

Theatrical director, producer, and performer Agnes Morgan (1879-1976) and her life partner Helen Arthur (1879-1939) were integral to the development of the theatre and dance productions at the Neighborhood Playhouse in New York City. The Neighborhood Playhouse was founded as a theater in 1915 by sister philanthropists Alice Lewisohn Crowley (1883-1972) and Irene Lewisohn (1892-1944). Originally intended as a home for the Neighborhood Players, an amateur acting troupe for adults and children, the theater was housed in the Henry Street Settlement House and is considered one of the first to be given the designation "off-Broadway." By 1920 the theater had gone from amateur to professional and gained attention for its avant-garde and experimental work, as well as its popular revue The Grand Street Follies. The theater was under Arthur'smanagement from 1915 to 1927, and during this time Morgan was one of the theater's most significant directors. In 1940, Morgan became associate director of the Paper Mill Playhouse in Millburn, N.J., and retired from that position in 1972. She died in San Bernardino, Calif., in 1976. This collection documents the relationships that Morgan and her partner Helen Arthur had with many other dancers, actors, and artists in their New York circle and associated with the Neighborhood Playhouse theatre in New York City. Included in the collection are photographs, artworks, programs, correspondence, and other ephemera. Of particular note is a group of original fine art designs by dancer and artist Angna Enters, sent to Morgan and Arthur as holiday greetings in the 1930s. Also of note are numerous autographed portrait photos of leading actors and dancers of that period and a grouping of original costume designs for a production of Petrouchka at the Neighborhood Playhouse. less