Found 34 collections related to Slides (photographs)

Nicholas N. Martinovich (1883-1954) was a Russian-born authority on Ottoman and Turkish art. He served in the Russian diplomatic service in the Near East and taught Oriental languages at the University of Petrograd. In 1922 he emigrated to the U.S. where he prepared descriptions of manuscripts and art objects for various museums. He wrote books and articles, lectured and taught courses at Columbia University in New York City. Collection consists of biographical sketch; corrrespondence, 1935-1951; and manuscripts of Martinovich's monographs "Battal and Danishmend" (a Turkish legendary work) and on Mihri Khatun, a Turkish poetess of the 15th century. Also, a transcription of an unidentified Persian manuscript and a collection of slides and photocopies of Oriental manuscripts. less

The collection contains work from the partnership of Leo and Sy Friedman and Joseph Abeles, together the pre-eminent firm documenting Broadway theater productions in the 1950s-1970s. The Friedman-Abeles Photographs consist primarily of photographs, negatives, contact sheets, proofs, slides, and oversized prints, spanning the partnership of Leo and Sy Friedman and Joseph Abeles. While the partnership lasted from 1954-1970, the collection does contain photographs from beyond this timeline. These photographs are generally marked as being from Talbot Studio or the Joseph Abeles Collection, the former being the studio Abeles founded before his partnership with the Friedmans, and the latter his studio afterwards. Almost all of the images are in black and white, but there is a series of color negatives, transparencies, and slides. Images from theatrical productions comprise the majority of the collection, and the images cover various stages of production. Many shows have rehearsal, production, and publicity prints. Some also have images of set construction, costume design, backstage visits, and parties. The images are from Broadway and off-Broadway shows, as well as out of town engagements throughout the northeast, and various other productions in Connecticut and New Jersey. There is also a series of the firm's other work that contains images from events around New York City- luncheons, award events, and other commercial work. The collection also contains studio portraits of actors, actresses, producers, authors, and others involved in theater. The invoices and correspondence series contains paperwork related to various projects, sales, reports, bills, and more. This correspondence is mostly from the late 1970s-early 1980s, and is specific to the Joseph Abeles Collection. A large section of this series is devoted to the 1980 Broadway Musical Calendar. less

Samuel Leve (1910-1999) was a New York-based scenic designer. The Samuel Leve design files date from the 1930s to 1994 and contain designs, photographs and slides, scenic and rigging plots, course materials, correspondence, clippings, programs, and newsletters. less

John Rothman (born 1924) was The New York Times director of corporate archives and a longtime information manager and pioneer of digital indexing at The Times. The John Rothman papers (1964-1990) consist of memoranda and reports documenting Rothman's leadership role in the development of The New York Times Information Bank and other information technologies. Also present are Rothman's speeches and writings on copyright, information management, and technological changes in the field of information processing and retrieval. less

Ben Pesner is a writer and digital content producer for the Broadway League, a national trade association for the Broadway industry. Until 2007, the Broadway League was known as the League of American Theatres. The Ben Pesner collection on the League of American Theatres dates from 1988 to 2006 and contains teaching and study guides; souvenir brochures and programs; press kits; and promotional photographs and slides relating to plays and musicals appearing on Broadway. The guides—for shows such as Ragtime, Jekyll & Hyde, Jane Eyre, Sunset Boulevard, and The Diary of Anne Frank— are the result of the work of Pesner and the League to promote Broadway plays and musicals, and make them accessible to a wide range of audiences. Many guides were written or edited by Pesner, whereas press kits, promotional photographs, and slides were submitted to the League by press agents. The collection is arranged by format: guides and programs; photographs and slides; and press kits. less

Robert Clement founded the Church of the Beloved Disciple in New York City for the purpose of ministering to the needs of the gay community. The collection consist of miscellaneous correspondence and papers and photographs. The photographs consist of 35mm color slides, and Ektachrome transparencies. The photographs show church interiors, religious ceremonies and to a lesser extent, gay rallies and demonstrations. less

Regina Kellerman (1923-2009) was an architectural historian who served as an early director of research for the New York Landmarks Preservation Commission, and later become the founder and first director of the Greenwich Village Society for Historic Preservation. Her pioneering research, both in New York and the Netherlands, led to her correctly identifying the location of New York City's first City Hall, a conclusion borne out by the subsequent excavation of the site during the early 1970s. The collection covers Kellerman's career as an architectural historian and preservationist and includes correspondence, reports and notes, architectural drawings and plans, and photographs and slides which she generated and gathered in the course of her investigation of buildings, sites and neighborhoods located in New York City and the surrounding area. less

Photographers + Friends United Against AIDS was a not-for-profit organization that fundraised through exhibitions, the sale of photographs, and events, to lend financial support to organizations providing health care to people with AIDS; to medical research; and to public education initiatives. The materials in the collection date from 1988-1996 and contain correspondence, minutes, annual reports, memoranda, office files, financial records, grant applications, project proposals, exhibition catalogs, and photographs. less

This collection contains the records of HB Playwrights Foundation and the personal and professional papers of its founders, actors Herbert Berghof and Uta Hagen. The Foundation was formed in New York City in 1964 to allow a space for playwrights, actors, directors, and designers to develop their plays in an experimental environment free from commercial limitations. Material relating to the HB Playwrights Foundation includes extensive production material and a small amount of administrative files. Files relating to Berghof and Hagen consist of correspondence, appointment books, diaries, photographs and photo albums, production files, scrapbooks, and a small amount of personal material. less

This collection documents the research material collected by Barbara Barker. The collection spans ca. 1833-1998. It consists of correspondence, extensive clippings from books, and newspapers of the mid-to-late 1800’s. There are also illustrations, slides, photographs and negatives.There is no personal material in the collection. less

The Dr. Ingrid Brainard Papers contain documents from the 1890s to 2000, and cover the academic and professional career of the distinguished dance historian and author. It contains letters, writings, research and conference materials, and teaching materials, as well as personal papers relating to Brainard, her career, and education. less

The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and notes, sketches, and swatches; production notes, schedules, and contact lists; costume and research photographs and slides; correspondence, contracts and financial records, as well as a substantial number of scripts. The collection also includes professional papers such as correspondence, coursework and lecture notes, research materials, and theatrical vendor brochures. There are no personal papers in this collection. less

Magazine editor. Editor-in-chief (1982-1984) of Modernismo Publications, Ltd. publishers of MANDATE, HONCHO, and PLAYGUY, popular men's magazines. The papers include correspondence, make-up sheets, tear sheets, and photographs. The correspondence is with free-lance writers, photographers, illustrators, editors and others and reflects the editorial policies and philosophy of Sam Staggs and of his predecessor, John Devere. less

The Century Foundation, established in 1906 as the Cooperative League and renamed the Twentieth Century Fund in 1922, is a non-profit research institution that supports the study of political and economic issues in the United States. Since its inception, the organization has funded research projects—primarily books and reports, but also pamphlets, papers, committees, task forces, conferences, seminars, and educational films—with the aim of influencing and improving public policy. The Century Foundation records, dating from 1906 to 2010, contain correspondence, reports, minutes, memorandum, manuscripts, and publications that document the work of trustees, staff, and funded project directors. The records provide extensive documentation of projects conceived of, funded by, and associated with the organization, the bulk of which date from 1960 to the mid-1990s. These projects, and the development of the foundation's areas of study, track the evolving focus of progressive political thought and economic policy in the 20th century United States. less

This collection contains the records of HB Studio, an acting school founded by actor Herbert Berghof in New York City in 1945, and the personal and professional papers of Berghof and his wife, actress Uta Hagen. Material includes correspondence, administrative files, appointment books, diaries, photographs and photo albums, production files, scrapbooks, a small amount of personal material, and sound and video recordings. less

Frederick Fox (1910-1991) was a scenic designer for theater, opera, and television. The Frederick Fox design files date from 1880 to 1959 and consist of designs, scale drawings, paint elevations, blueprints, photographs, and slides that document his work. less

Saeko Ichinohe (born 1936) was the founder, choreographer, and a dancer of the Saeko Ichinohe Dance Company, which she created in 1970. The Company merged traditional Japanese movement, music, and costumes with modern Western movement. The collection chronicles Saeko Ichinohe's professional career and that of her dance company from the late 1960s to 2014. It contains choreography and dance notation, photographs, costume notes, teaching material, administrative and financial documents, correspondence, biographical material, repertoire lists, programs, writings by Ichinohe, publicity, and audio and video recordings. less

Deborah Willis (b. 1948) is an African American photographer, curator, historian of photography, author, and educator. The Deborah Willis professional files date from 1944 to 2011 (bulk dates 1980s-1990s), and document her work on photographic publications and exhibitions. less

Claudia Gitelman (1936-2012), was a dancer, choreographer, author, and assistant professor at the Mason Gross School of the Arts, Rutgers University. Her artistic collaborators for productions include Alwin Nikolais, Murray Louis, and Hanya Holm. The Claudia Gitelman papers, dated 1946-2012 (bulk dates 2010-2011), focuses mostly on Gitelman's curatorial work for Alwin Nikolais' Total Theater of Motion, a centennial celebration held at The New York Public Library for the Performing Arts from 2010 to 2011. These files include correspondence, photographs of the Nikolais Dance Theatre dance performances, watercolor sketches of dancers, and programs. Gitelman's career development is represented to a lesser extent mainly through photographs, programs and writings. The electronic records contain a number of manuscripts, drafts, and planning documents for the book On Stage Alone: Soloists and the Modern Dance Canon (2012) that Gitelman co-edited with Barbara Palfy. Other materials in the collection include clippings, notebooks, and notes. less

Naked Angels is a New York City based company of actors, producers, playwrights, and designers who create and perform works primarily for theater. The collection provides a record of the company's performance activities from 1987 to 2012 through programs; scripts; photographs; flyers, posters; administrative material; lighting plots; and some stage and costume notes. less

The Costas dance photographs consists of prints, negatives, slides, and digital images from 1966 to 2016 of a multitude of national and international dance companies, performances, and important figures in the dance world. The collection has an emphasis on ballet, particularly the New York City Ballet. In addition, a small portion of the collection consists of non-ballet personal and professional photographs documenting trips, parties, friends, and art forms. less

The Acting Company is a New York City-based repertory theater company founded by John Houseman and Margot Harley in 1972. The Acting Company records, dating from 1968 to 2017, offer extensive documentation of the Company's history. They contain voluminous stage and technical notes and instructions; programs, promotional literature, administrative files, and clippings; a comprehensive set of stage and promotional photography; and audio and video recordings. less

Robert Kovich (1950-1991) was a dancer and choreographer. He danced with the Merce Cunningham Dance Company for eight years before leaving to work on his own choreography. In the 1980s, Kovich performed, choreographed, and taught dance in New York and France. The collection contains photographs and negatives, correspondence, blank contracts, programs, clippings, a press pack, and material from Kovich's memorial retrospective. The photographs include Kovich performing solo and in group works, as well as in more candid shots. less