Found 166 collections related to Posters

Black and white and some color photographs, posters and prints mostly of New York City buildings and streets, including Battery Swimming Baths (Battery Park Baths), photograph by E.J. Lecocq (ca. 1900), 2 photographs of renderings of the New York Biscuit Company (ca. 1890 and 1898), 6 prints of the new Tribune Building (1873); streets depicted include Broadway, Fifth Avenue and Wall Street. Among the subjects are the New York harbor, several ships, the William Cullen Bryant memorial, and Trinity Church memorial to unknown Revolutionary War heroes, photograph by Frank E. Parshley (ca. 1900). There are also 2 prints of the Brooklyn Sanitary Fair (1864) and a house in New Utrecht, Long Island (ca. 1866), as well as a few images from other U.S. cities such as Denver and St. Paul. Portrait prints include those of Rev. Henry Ward Beecher, William Nelson Cromwell, Francis L. Hawks, Robert E. Lee, and George Washington; posters include a series of newspaper advertisements one year after Pres. John F. Kennedy's assassination. less

Rodman Gilder (1877-1953) was an American editor and author. He was editor of Criterion and Credit Monthly and wrote on various subjects. The best known of his literary works is The Battery New York, a History (1935). He was also the archivist of Century Associates. Collection consists of notes and sources for Gilder's writings, papers relating to the history and business operations of the Century Company between 1913 and 1914, and some personal papers. Materials for Gilder's writings include correspondence, typescripts of articles, and research notes for biographies of Don Marquis and Joan of Arc. Century Company papers contain copies of memoranda and letters, circulation analyses for the Century and St. Nicholas magazines, financial records, by-laws, published histories, catalog of publications for 1913, two posters illustrated by Maxfield Parrish and Henry McCarter, and printed matter. Gilder's personal papers include some correspondence, memorabilia and photograph of his father, Richard Watson Gilder. less

United War Work Campaign, an American private organization, coordinated fundraising for World War I war work with American servicemen. The Campaign did fundraising for seven welfare societies: National War Work Council of the Young Men's Christian Associations, War Work Council of the National Board of the Young Women's Christian Associations, National Catholic War Council (Knights of Columbus), Jewish Welfare Board, War Camp Community Service, American Library Association, and the Salvation Army. Collection consists of posters and printed ephemera removed from a scrapbook compiled Nov. 11 to 18, 1918 by the United War Work Campaign. Printed matter includes samples of fundraising materials. less

The War Welfare Council of Philadelphia raised funds during World War I. Collection consists of posters, booklets, forms, instructions, publicity handouts, and other items used in the May 1918 War Chest drive in Philadelphia. Also includes music score written for fund drive by Gus Kahn and Egbert Van Alstyne. less

A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time. less

Frank Wuttge, Jr. was a writer and researcher with interests in the history of New York City, Edgar Allan Poe and poetry. His father, Frank Wuttge, Sr. was a photographer active in German-American organizations. Collection consists of correspondence and other papers of Frank Wuttge, Jr. and his father. Papers of Frank Wuttge, Jr. include personal correspondence; correspondence with Ewald Vorsteher concerning European refugees; and writings about Edgar Allan Poe, Joseph Rodman Drake, German history, New York City, and Biblical Greek. Papers concerning his father include biographical information with correspondence and memorabilia. Collection also contains scrapbooks, newspaper and magazine clippings, slides, and posters. less

Fierce Pussy is a lesbian artist/activist public art collective formed in 1991 in New York City. Work of the collective focuses on issues of lesbian visibility and lesbian and gay rights. Collection consists of approximately thirty works by Fierce Pussy (with a few duplicates). Most items are 11" x 17" posters created to be "wheatpasted" in outdoor locations in New York City. Also, a few color-xeroxes and stickers. Messages on the posters and stickers pertain to lesbian and gay rights and visibility, and to AIDS. less

Foster Parmelee was a New York City businessman and adult educator. He was a charter member of the United World Federalists, secretary in the Campaign for World Government, and participated in many conventions of the world government movement. Collection consists of correspondence, notes, poster, sound recording, printed matter, and other papers reflecting Parmelee's involvement in the world government movement. Correspondence, ca. 1954-1972, concerns meetings, conventions and activities of the various organizations he supported. Printed matter includes circulars, reports, memoranda, newsletters, bulletins, pamphlets, and reprints. less

Singer, song sylist, nightclub entertainer. Papers consist of personal papers including naturalization and immigration documents, correspondence with her husband, Kelsey Pharr, family papers and fan mail. Professional papers include contracts, dates concerning nightclub performances and recordings; sheet music and manuscript music performed and collected by Mercer, music with correspondence attached from composers and lyricists requesting Mercer to include their works in her repertoire in addition to honors, awards, programs, scrapbooks and posters. less

Joel Elias Spingarn (1875-1939) was an American literary critic, poet, teacher, and social reformer. After teaching comparative literature at Columbia University, he became active in literary and public affairs. He helped to found the National Association for the Advancement of Colored People (NAACP) in 1909 and served as president from 1930 to 1939. The Spingarn medal which he endowed in 1913 is awarded yearly by the NAACP. Collection consists of correspondence, Spingarn's writings and printed matter. Correspondence is with his wife, other family members and persons in literary and academic fields, and relates to Spingarn's interests such as the National Association for the Advancement of Colored People and horticulture. Writings include miscellaneous lecture notes, poetry and literary manuscripts. Also, scrapbooks, newsclippings and ephemera. less

Marius Sznadjerman was born in Paris in 1926. He escaped to Spain with his parents in 1942, moving to Venezuela where he attended the School of Fine Arts in Caracas. After moving to the United States in 1949, Sznajderman studied at Columbia University with scenic designer Woodman Thompson and printmaker Hans Mueller, receiving both a B.F.A. and M.F.A. He served in the U.S. Army from 1953-1955 and has taught at several universities, including New York University, School of Visual Arts and Fairleigh Dickinson University. Sznajderman has also had numerous exhibitions of his work over several decades. Over 350 original designs, principally for sets (mostly color), floor plans, and studies created by Marius Sznajderman for Circle in the Square Theatre and the French Art Theatre in the 1950s. The collection also contains production and research notes, as well as publicity material and posters. There are also some publicity materials for Circle in the Square, programs, fliers, and postcards for individual productions, blueprints, elevations, as well as a number of black and white photographs. Also included are costume designs (possibly for The firebrand, ca. 1924), several sketches, a sketchbook with notes, ca. 1918-ca. 1924, by noted stage designer Woodman Thompson, perhaps related to Sznajderman's research for the play Ludus Coventriae. In addition to Sznajderman's set designs, studies, floor plans, and production notes for the French Art Theatre, New York City (Eve Daniel, director), there are subscription letters and 7 posters, ca. 1951-1958. less

The Victory Book Campaign (VBC), originally named the National Defense Book Campaign, was established in 1941 by the American Library Association, the American Red Cross, and United Service Organizations (USO). The Campaign's purpose was to collect and distribute books to members of the armed services. The VBC was dissolved in 1943. Collection consists of correspondence, minutes, press releases, posters, photographs, and other materials relevant to the activities of the Victory Book Campaign. Organization series contains correspondence, lists, manuals, and reprints of photographs of New York Public Library World War I book drive. Operations series includes minutes, budgets and related records. Collection & Distribution series has reports, lists, statistics, and other documentation pertaining to the handling of books. Transportation & Warehouses materials consist of correspondence, bills of lading and lists for the shipment and storage of books. Also, correspondence between VBC headquarters and regional offices; publicity materials including correspondence, posters and press releases; and photographs of Campaign events and participating celebrities. less

The George Kleine Company distributed motion picture films. The company was established by George Kleine (1864-1931) who was involved in various ventures in the early motion picture industry. He also formed the Kleine Optical Company to handle the rental of projection apparatus and other accessories for new films. Collection consists of ledgers, journals and registers of the George Kleine Company; ledgers of the Kleine Optical Company; university and college film rental reports; balance sheets of Kleine's production of the movie "Gloria's Romance"; and movie posters. less

Marion Andersen (1924-2002) was a modern dancer, choreographer, and instructor. The Marion Andersen papers, dated 1930 to 2002, document her choreography work; creation of dance departments and performing companies at Utah State University and the University of Washington; and founding of the Valley Dance Ensemble in Logan, UT. The collection consists of choreographic notes, scripts, photographs, programs, posters, correspondence, and research materials on May O'Donnell, a modern dance choreographer and Andersen's mentor. less

Randall B. Smith (1916-1989) was a veteran of the International Brigades who fought in the Spanish Civil War, and an active member of the Veterans of the Abraham Lincoln Brigade. Collection consists of materials relating to the Spanish Civil War and the Veterans of the Abraham Lincoln Brigade. Seventy-three audiotapes (ca. 1975-1985), include interviews with veterans, radio programs, conferences and classes and document experiences of Americans and Canadians in the Spanish Civil War. They provide information on the involvement of veterans in a number of organizations and movements, including the U.S. Office of Strategic Services, the Communist Party, the Vietnam anti-war movement, and protests against U.S. policies in Central America. Collection also includes lists of veterans, printed matter and photographs and slides of Spanish Civil War posters, and two original posters. less

The papers of Truman Capote consist chiefly of holograph and typescript manuscripts of his works, both published and unpublished. The collection also includes correspondence, printed matter, photographs, artwork, sound recordings, and personal miscellany. Material related to In Cold Blood forms an important part of the collection and reflects Capote's five years of research and involvement in the Clutter murder case upon which the book was based. The bulk of the correspondence consists of letters and postcards from Capote to Andrew Lyndon and to Alvin Dewey and Marie Dewey and letters received from his lover and mentor, Newton Arvin. Other correspondents include Jack Dunphy, Leo Lerman, Donald Windham, Cecil Beaton, John O'Shea, Joseph Fox, Irving Lazar, Alan Schwartz and family members. less

William Bradhurst Osgood Field and his family were prominent members of New York City and Lenox, Massachusetts society during the late 19th and early 20th centuries. Field was an avid book collector, gentleman farmer, and philanthropist who sat on the boards of many organizations, both commercial and charitable, and was a member of over twenty clubs and societies. The collection consists of family, personal, and office correspondence; financial documents; diaries; genealogical records; educational materials; photographs; and ephemera documenting the family's commercial, philanthropic, and social activities from 1897 to 1934. less

Ecco Press was an independent small-trade publisher known for presenting distinguished new work in international poetry and fiction writing through its books and its journal Antaeus, and for reissuing neglected classics in a variety of fields, including travel and food writing. Daniel Halpern (b. 1945) started Antaeus in 1970 with the help of Paul Bowles. His search for financial backing for Antaeus led to the creation of Ecco Press in 1971 with co-founder and publisher Drue Heinz. Heinz retired in 1991, transferring ownership of Ecco Press to Halpern, its editor-in-chief. Ecco Press remained an independent firm, although affiliated with publishers Viking Press and W.W. Norton & Company for sales and distribution, until its acquisition by HarperCollins in 1999. The Ecco Press records contain correspondence, memoranda, administrative and financial records, typescripts, galleys, page proofs, bound books and periodicals, photographs, jacket art, posters, a sound recording and computer data storage that document the founding and day-to-day operations of the press. The records also reflect the personal life and career of Daniel Halpern as an editor, poet, teacher, anthologist, and prominent literary figure, as well as such literary activities as the National Poetry Series which Halpern ran out of the Ecco Press offices. Halpern's papers contain correspondence, diaries, notebooks, writings, subject files and academic, financial and real estate papers. less

George B. Hillard was active in the Prohibition Party, the Young People's Prohibition League and a variety of other prohibition organizations in New York City from the 1880s through 1914. He ran for state and local office and served as a local trade union official. Collection consists of correspondence, notes, memoranda, scrapbooks of clippings, and other printed matter mainly concerning the Prohibition Party. Prohibition Party records comprise approximately half of the collection and contain letters to Hillard, minutes, notes, accounts, and printed matter such as party pamphlets, announcements, circulars, posters, programs, handbooks, and maps. Materials from various prohibition groups include mostly printed items issued by organizations ranging from local clubs to national organizations. Printed material and letters to Hillard document banquet, conference, entertainment, and travel arrangements he made for prohibition groups. Personal and miscellaneous papers relate to both personal and prohibition matters and scrapbooks contain clippings of articles about prohibition news in New York and nationally. less

Edwin Arlington Robinson (1869-1935) was an American poet. He lived in New York City and also worked at the MacDowell Colony in Peterborough, New Hampshire. Collection consists of the Lewis M. Isaacs (1877-1944) collection of E.A. Robinson's papers with Isaacs's correspondence pertaining to Robinson. Robinson correspondence, 1899-1935, with other writers and the Isaacs family, concerns his professional and personal life. Writings include manuscripts (some annotated by Robinson), galleys and published works in addition to drafts and notes. Unsorted papers contain Robinson's will, publishing contracts, songs by Robinson and Isaacs, essay by Isaacs, and printed matter. Isaacs correspondence, 1921-1967, is between the Isaacs family and the family, friends and acquaintances of Robinson. Many letters, ca. 1935-1940, are with prospective biographers and researchers. Photographs are of Robinson and various places and buildings associated with him. Also, drawing of Robinson and poster announcing an exhibition of his work. less

Horace Grant Healey (1867-1938) was a practitioner of the art of penmanship. His career included teaching in New York City schools and affliation with the Penman's Art Journal and its successor, Business Journal. Collection consists of scrapbooks, notebooks and posters, all of which contain writing specimens. Scrapbooks include calling cards, letters, envelopes, flourishes, photographs, and various samples of penmanship sent to Healey. Other writing samples are penmanship exercises and assignments done by students. Also, some photographs of correspondents. less

Gerome Ragni (1935-1991) was a stage actor and musical theater lyricist and librettist active from the 1950s through the 1980s, who achieved renown as one of the authors and original stars of the musical, Hair (1968). Born Jerome Bernard Ragni in Pittsburgh, Pennsylvania, he attended suburban Scott Township High School, where he appeared in various school productions. In 1954, Ragni made his professional stage debut in a Washington D.C. production, Shadow and Substance. His acting career was put on hold when Ragni enlisted in the United States Air Force in 1955. Following his years in the Air Force, Ragni moved to New York and found work in the rapidly growing Off-Broadway theater community. In 1964, he met fellow actor James Rado, who would become a major figure in Ragni's personal and professional life. In 1965, Ragni and Rado began writing a rock musical that would depict contemporary life in New York's East Village, the hippie movement, the anti-Vietnam war protests, and the generation gap, symbolized in a central metaphor of long hair. In early 1967 they teamed up with Canadian composer, Galt MacDermot, who provided the music for their book and lyrics. Ragni and Rado's original intent with Hair was to introduce the uptown Broadway world to that other world downtown and they tried to interest mainstream musical theater producers, such as David Merrick and Hal Prince, but Joseph Papp, head of the Off-Broadway Public Theater, with whom Ragni had worked previously, was the only one interested in the project. Hair opened at the Public Theater on October 29, 1967, with Ragni in one of the lead roles, Berger. The Off-Broadway production was a critical and financial success and produced a cast album. Michael Butler, the heir to a Chicago fortune, decided to finance and produce the transfer of the show to Cheetah, a disco nightclub in the theater district in December of 1967 and eventually to Broadway. Ragni, Rado and McDermot made significant revisions to the show, writing several new songs and a largely new book. This new version of Hair opened on Broadway on April 19, 1968 to enthusiastic reviews and became phenomenally popular with audiences, running for 1,750 performances. A national tour and sit-down productions of the show played in other major US cities, as well as productions in dozens of other countries and in many different languages In 1979, Hair was made into a film directed by Milos Forman. Its hit songs, such as "Aquarius" and "Let the Sun Shine In" have been covered by many singers. After their success with Hair, Ragni and Rado played themselves in Lions Love (1969), a film by Agnes Varda about Hollywood celebrity. Ragni's next Broadway musical, another collaboration with Galt MacDermot, Dude (1973), was not successful critically or commercially. In the 1980s, the Hair trio of Ragni, Rado, and MacDermot reunited for another musical, YMCA (also titled Sun) which was not produced. The Gerome Ragni papers consist mainly of professional files pertaining to theater and film projects written by Gerome Ragni, or in which he appeared as an actor. There are items from productions Ragni acted in during school and later in New York, such as Hamlet (1964), Hang Down Your Head and Die (1964), The Knack (1964) and Viet Rock (1966) but the majority of the material in this collection pertains to the original Broadway production of Hair (1968). There is also some material on subsequent projects with which Ragni was involved, including the show, Dude (1973), and the film, Lions Love (1969). This collection also contains personal items, including correspondence with Ragni's family and friends and documents on his Air Force service. The strength of this collection is its extensive coverage of the many productions Hair in the United States and internationally, represented here with photographs, programs, posters and press materials. The collection includes material as early as 1952, when Ragni was in high school and as late as 1984. less

Rose Pesotta (1896-1965) was a labor union official. Collection consists of correspondence and papers reflecting Pesotta's career as official of the International Ladies' Garment Workers' Union and as organizer of garment workers in various cities in the United States, Canada and Puerto Rico. Includes diaries, 1934-1949; family letters; photographs; and writings, including drafts of her autobiographies, Bread Upon the Waters (1944) and Days of Our Lives (1958). Also, notes, personal accounts, pamphlets, news clippings, posters, and periodicals relating to the labor movement, Spanish Civil War, the Histadrut (Israeli labor organization), and topics such as anarchism, the labor movement, racism, and the plight of displaced persons after World War II. less

Conductor, radio host, and music educator David Randolph (1914-2010) was an active member of the New York classical music community. He served as musical director of the Randolph Singers, the Masterwork Chorus, and The St. Cecilia Chorus and was a longtime WNYC radio host of “Music for the Connoisseur,” later called “The David Randolph Concerts.” The collection contains letters, diaries, writings, concert programs, photographs, and annotated scores, documenting Randolph’s career. less

Carl Sontz (1936- ) was an electrical engineer who was active in New York City politics. He served as head of Democratic Party clubs in the Bronx and ran unsuccessfully for the Democratic nomination for the City Council in 1961 and 1970. Bulk of the collection consists of ephemera accumulated by Sontz in his work in politics and community affairs. Political items, 1958-1970, include leaflets, form letters, posters, and campaign literature. Also, some Democratic club correspondence with various officials about neighborhood problems, and reference files on local community issues and local civic and political organizations. less

Happy Fanny Fields (born Fanny Furman, circa 1881-1961) was an American actress, dancer, and comedian who found great success in British pantomime theater in the first decade of the twentieth century. The collection documents Fields's professional life in New York and Europe, with an emphasis on her career in Britain. The bulk of the materials are scrapbooks, writings, and photographs, with contracts, letters, programs, and posters also included. less

Richard Beckhard (1918-2000) was a theatrical stage manager and actor who worked on Broadway, Off-Broadway, and in regional theaters. The collection, dating 1937 to 1990, consists mostly of material documenting Richard Beckhard's work as a stage manager and holds scrapbooks, newspaper clippings, photographs, and printed matter. less