Found 112 collections related to Contracts

Alfred Kazin (1915-1998) was an American literary and cultural critic, essayist and historian. He was one of the most influential of New York intellectuals in the second half of the twentieth century, and belonged to the circle of writers and thinkers associated with the Partisan Review. Kazin's best-known work of criticism was On Native Grounds (1942), his seminal study of American prose and fiction of the period 1890-1940, and is also wel-known for his three memoirs, A Walker in the City (1951), Starting Out in the Thirties (1965), and New York Jew (1978). In 1996 he was awarded the first Truman Capote Lifetime Achievement Award in Literary Criticism. As of 2014, the only other award winner was George Steiner. The archive contains typescripts of Kazin's essays, books, unpublished biographical sketches, and lectures; more than 75 personal and literary journals; 13 literary notebooks; personal, literary and financial correspondence; two commonplace notebooks; extensive subject and biography research files (including especially extensive files on Herman Melville, the Civil War, Harriet Beecher Stowe, slavery, and African-American literature); examinations and reading lists for undergraduate courses taught by Kazin; research files on a large number of American literary figures; page proofs; photographs; correspondence from over 60 persons (excluding fan mail), including writers, critics, cultural notables, intimate friends, and family members; and correspondence from Kazin to over 250 recipients, including over 60 letters to Judith Dunford (Kazin's third wife), dating from 1977 to 1982. less

Organized into 11 series: Series 1: Works by Laura Riding Jackson; Series 2: Correspondence; Series 3: Diaries; Series 4: Book reviews of Laura Riding Jackson’s works; Series 5: Criticism of Laura Riding Jackson’s works; Series 6: Photographs; Series 7: Documents; Series 8: Awards, bibliographies obituaries; Series 9: Ephemera; Series 10: Clippings; Series 11: Writings by others. less

Kenneth Fox (born Kenneth Duvall Tooill, 1896-1979) was an actor who performed on Broadway and in stock theatre companies during the 1920s. The Kenneth Fox papers document Fox's career and his longtime interest in theatre with contracts, programs, and photographs. Contracts originate from Fox's work on Broadway and in regional stock theatre companies from 1922 to 1926. Contracts for single productions list Fox's role and the show title. Programs, dated 1951 to 1962, are from popular Broadway musicals and plays of the 1950s and 1960s, including The Threepenny Opera. Photographs in the collection consist of autographed portraits of stage actors, some of whom were Fox's contemporaries. Photographs date from 1878 to the late 1920s and include portraits of Zelda Sears, Edith Kingdon, Fiske O'Hara, and Lotte Crabtree. less

Annie Proulx is a novelist, short fiction writer, historian, and essayist. She was born in Norwich, Connecticut, in 1935, to Lois Nellie Gill Proulx, a painter and amateur naturalist, and George N. Proulx, the vice-president of a textile mill. Her first collection of short fiction, Heart Songs and Other Stories, was published in 1988. In 1990, she completed her debut novel, Postcards, for which she won the 1993 PEN / Faulkner Award for Fiction. Her second novel, The Shipping News, won the Pulitzer Prize, the National Book Award, the Irish Times International Fiction Prize, and the Heartland Award for Fiction. Accordion Crimes, her third novel, was published in 1996. In 1997, she was awarded the Dos Passos Prize for Literature. In 1998, her story “Brokeback Mountain” won the National Magazine Award, The New Yorker Award for fiction, and the O. Henry Prize. It was adapted, in 2005, for a Paramount Pictures film by Larry McMurtry and Dianna Ossana, and was directed by Ang Lee. Her second collection of short fiction, Close Range: Wyoming Stories, was published in 1999; the lead story, “The Half-Skinned Steer,” was selected by John Updike for the Best American Stories of the Century (1999). In 2000, Proulx’s short story collection Close Range: Wyoming Stories won The New Yorker Award for fiction. Her fourth novel, That Old Ace in the Hole, was published in 2002. This was followed by two collections of short stories: Bad Dirt: Wyoming Stories 2 (2004) and Fine Just the Way It Is: Wyoming Stories 3 (2008). In 2008, she also published and edited Red Desert: A History of a Place, a collection of 38 essays of which she wrote 10. Bird Cloud: A Memoir, was published in 2011, and is named for the painstakingly designed and hand-crafted home she had built for herself in Wyoming, on a 640-acre nature preserve through which runs the North Platte River. Organized into 23 series: Series 1: Writings by Annie Proulx ; Series 2: Artwork by Annie Proulx ; Series 3: Correspondence ; Series 4: Research ; Series 5: Other Projects Series 6: Works by Others ; Series 7: Photographs ; Series 8: Genealogical Papers ; Series 9: Personal Records ; Series 10: Address Books and Monthly Planners ; Series 11: Ephemera ; Series 12: Material related to the estate of Lois Gill Proulx ; Series 13: Publisher’s Artwork and Promotional Material ; Series 14: Material Related to Scheduled Literary Events ; Series 15: Awards ; Series 16: Property Records ; Series 17: Publishing and Other Contracts ; Series 18: Miscellaneous Printed ; Series 19: Electronic Records ; Series 20: Audio Cassettes, VHS, DVDs, CDs ; Series 21: Restricted Material ; Series 22: Realia ; Series 23: Financial Papers. less

A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time. less

Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in vaudeville in a skit called OUT OF LUCK. He went on to play juvenile leads for various stock companies in such shows as MRS. WIGGS OF THE CABBAGE PATCH and THE LITTLE SPITFIRE through the 1910s and 1920s. His Broadway credits include WHAT PRICE GLORY?, SKIDDING with Glenda Farrell, THE NIGHT BEFORE with Franchot Tone, and MARCHING MEN (1930) with Leon Ames. Cherry also acted in radio drama. After a period of retirement, he returned to the stage for a role in the Off-Broadway production of Sean O'Casey's RED ROSES FOR ME (1961), then appeared in O'Casey's MOON SHINES ON KYLENAMOE and in Nikolai Evreinov's THE CHIEF THING (1963), his last professional credit. Ewing Cherry died in New York City on March 30, 1969. The Ewing Cherry papers span 1916 to 1962, and consist of letters to Ewing Cherry from employers and friends, a number of contracts securing Mr. Cherry's services as an actor for various stock companies between 1917 and 1927, three booklets (1920-23) introducing the members of the Gene Lewis-Olga Worth stock company, photographs of Ewing Cherry in a variety of characterizations, playbills for a dozen plays in which Ewing Cherry appeared, press releases, fliers, telegrams to and from Ewing Cherry, and clippings of reviews which mention his performances. less

Kenneth Koch was an American poet, playwright, essayist, screenwriter, novelist, and short-story writer. The Kenneth Koch papers document the personal and professional activities of the writer, Kenneth Koch. Holograph and typescript drafts comprise the bulk of the collection. The papers contain holograph manuscripts and typescripts of the author's published and unpublished work (in every genre, including plays, "comics," and games), notes and other material related to the works, Koch's correspondence, photographs, collaborations, material related to his work with children, miscellaneous personal documents, printed material, ephemera, scrapbooks, press cuttings and photocopied reviews of his books, and holograph manuscripts and typescripts of works by other writers (especially Frank O'Hara and John Ashbery). Also included in the papers are 9 boxes of unsorted printed ephemera, and 3 boxes of journals, magazines, and newspapers. The correspondence in the collection is mostly made up of incoming material, of which there are three categories: personal, professional, and fan mail. The personal and professional correspondence is arranged alphabetically by author; within each author's folder letters are arranged by date. Of the personal correspondence and works by others, the most substantial holdings are by "New York School" artists such as Frank O'Hara, John Ashbery, James Schuyler, Larry Rivers, Harry Mathews, Fairfield Porter, and Jane Freilicher. Also noteworthy are letters and works by Koch's former students, Ron Padgett, Frank Lima, Tony Towle, David Shapiro, and Jordan Davis. Also present are publishing contracts and royalty statements for several of Koch's books. less

Leo Lucker was an actor whose credits included the plays SEASON OF CHOICE and NINA. Born in Chicago, Leo Lucker attended Northwestern University and later taught drama at Georgia State College. He toured with the Lunts in I KNOW MY LOVE, with Sylvia Sidney in AUNTIE MAME, and with Shirley Booth in NINA, appeared with Ed Begley and Paul Muni in INHERIT THE WIND, and in productions of CAROUSEL, THE FOURPOSTER, and NIGHT OF THE IGUANA. Leo Lucker died in New York City in February 1977 at the age of 64. The Leo Lucker papers consist primarily of opening night telegrams and copies of contracts for two plays in which Leo Lucker appeared, SEASON OF CHOICE and NINA. less

The Leopold Badia papers consist of a variety of materials reflecting a long acting career, including contracts, salary stubs, portions of scripts, sheet music, some correspondence, and a complete radio script from 1945. Contracts for stock productions make up the bulk of Leopold Badia's papers, but there are also several "sides" representing his character's lines from plays, including SPEAK EASY and THE GENTLEMAN FROM ATHENS, and brief notes from colleagues such as José Ferrar, Fredric March, and Sam Levene. The radio script is from a series called ONE MAN'S DESTINY, celebrating the lives of prominent people. This episode is devoted to New York Mayor Fiorello La Guardia. less

Henry Hadley was an American composer and conductor, founder of the National Association for American Composers and Conductors. Correspondence, contracts and royalty statements, libretti and programs, clippings (reviews), scrapbooks, financial records (receipts, checks, loan papers), diaries, motion picture films, and photographs relating to Hadley's life and career; musical scores by various composers (chiefly reproductions of manuscripts); and records of the National Association for American Composers and Conductors. less

The League of New York Theatres and Producers, a professional trade association incorporated in 1930, promotes the interests of its members by addressing issues that effect the Broadway theater. It represents theater owners and producers in negotiations with actors and craft unions and seeks to widen the theater audience. The collection is primarily contracts with unions, but also contains some correspondence and press releases. less

Gustav Blum (d. 1963) was an American theater director, producer, actor, and teacher. In 1916, he founded the East-West Players, a group that performed one-act plays, including English translations of Yiddish plays. The East-West Players won the Belasco Cup at the first Little Theater Tournament in 1923. Blum also produced and staged Broadway plays, and worked as a drama teacher in high schools from 1909 until his retirement in 1958. The Gustav Blum papers (1912-1988, bulk 1915-1953) contain a scrapbook, contracts, scripts, photographs, clippings, and other papers documenting Blum's career. The scrapbook dates from 1916 to 1923 and contains clippings and programs of the East-West Players. There are scripts for four plays that Blum produced: The Shame Woman (1923), Gertie (1926), My Son (1924), and Walk Hard (1946). The script for Walk Hard is a heavily annotated prompt copy; the other scripts have minimal or no annotation. There are also three scripts written or co-written by Blum: Against the Current, Eden, and A Sleepless Night. Contracts date from 1927 to 1946. The collection includes a statement of receipts and disbursements for Walk Hard and an estimated budget for Laughter in the Courtyard. Photographs consist of images of Blum, an unidentified production photograph, and signed photographs of Bertha Kalich and David Belasco. The collection also contains biographical information, clippings, and copyright records related to Blum's career, dating from 1912 to 1988 less

Charlotte "Lotte" Stavisky (1907-2000) was a German-American actress and sculptor who acted in film, television, radio, Broadway, and Off-Broadway roles from the late 1930s through the 1950s. The Lotte Stavisky papers date from 1935 to 2000 and contain correspondence, photographs, programs, clippings, and contracts that document her work as an actress and sculptor, as well as identity and immigration papers from her early life in Germany and emigration from Nazi-occupied Austria. less

The Little Hut, written by André Roussin and adapted by Nancy Mitford, was first produced in London in 1950. The play was produced in Boston and then on Broadway in 1953 by producer John C. Wilson. The Little Hut production materials date from 1950 to 1955 and primarily document the 1953 American productions. The collection contains correspondence and contracts with investors; financial information about the production; multiple versions of the script, including a stage manager's copy; and programs from the Boston production at the Plymouth Theatre and the Broadway production at the Coronet Theatre. The collection also contains copies of telegrams that John C. Wilson sent on the play's opening nights in England and Scotland. less

The Richard Maltby Sr. papers hold scores, correspondence, business papers, photographs, clippings, and scrapbooks. The vast majority of the collection consists of scores and parts for arrangements and compositions by Maltby as well as by his staff arrangers (primarily Al Muller and Red Bone), most of which are for jazz big band. less

Vivian Blaine was a singer in concerts and nightclubs and an actress in film, television and theater from the late 1930s through the mid 1980s. She is best remembered for having originated the role of Miss Adelaide in Guys and Dolls (1950). This collection consists mainly of professional items pertaining to Blaine’s film and theater career, but also includes personal items. less

The Helene Obolensky Papers document Obolensky's activities in the field of dance book publishing. Obolensky (born 1919), who had a varied career in fashion, marketing, public relations, and publishing, later established Helene Obolensky Enterprises, Inc. as a multiple interest corporation and was active in publishing lavish coffee table books under her own imprint during the 1970s and 1980s. less

Patricia Zipprodt won three Tony Awards throughout her long career as a costume designer (and was nominated for eleven). She is best remembered for her most famous productions: Fiddler on the Roof (1964), Cabaret (1966), Zorba (1968), Chicago (1975), Sweet Charity (1987) and the film The Graduate (1967). The collection includes many original designs and sketches, as well as costume bibles, costume research, photographs, and productions materials. less

The Patricia Bosworth Papers consist largely of her manuscripts and research files for Montgomery Clift: A Biography (Harcourt Brace Jovanovich, 1978), but also contains material relating to other writings and professional activities. less

Joe Smith and Charlie Dale were a well-known vaudeville duo known as Smith and Dale who performed around the United States for over seventy years. The collection contains an extensive run of scripts for Smith and Dale sketches, material reflecting the later life and career of Joe Smith following Charlie Dale's death, and early material relating to their other comedy team The Avon Comedy Four. less

The George DeMott papers consist of correspondence, some diaries/appointment books, contracts, photographs, and scrapbooks. This material is almost all business related, and there are no significant personal papers. The papers are divided into two distinct parts, with some overlap: items such as contracts and correspondence that relate to the career of Mr. DeMott, and items such as posters, brochures, etc., that he collected, and placed into scrapbooks. The section of the DeMott papers devoted to Booking Agencies and Agents (Series IV) is divided into 18 sub-series, and contains a great deal of correspondence detailing the difficulties George DeMott and his wife Fanny faced booking their act into schools. The scrapbooks comprise the bulk of the collection and contain a variety of items, including clippings, posters, brochures, correspondence, handbills, fliers, photographs, and programs. The oversized material includes a poster and a road map. less

John Holler (1904-1977) was an organist and choir director from New York City. He performed in churches for most of his career, occasionally participating in secular concerts, as well. Holler also composed and arranged music for the organ. The John Holler Papers include scores, programs, clippings, photographs and other professional materials. less

The archive contains material related to the publication of four novels and one unpublished novel written by Auster during the period 1999-2005; material related to the publication of volumes of collected poetry, novels, and prose published in the period 1999-2006; and material related to the genesis of five film projects: the HBO project "I Thought My Father Was God," based on Auster's collection of reminiscences published in 2001; "In the Country of Last Things," based on Auster's novel published in 1987; and "Lulu on the Bridge." Also present are materials related to four nonfiction works, an illustrated fiction project ("Auggie Wren's Christmas Story," first published in 1990); contributions, prefaces, interviews from the period 2000-2005, and material related to reissues of translations completed mostly during the 1970s but published 2002-2005. Additional material includes promotional artwork; programs featuring Paul Auster; and public remarks made by Auster and those introducing him at these events. Also present is material written by others, including creative adaptations of Auster's work and scholarly analyses of his work. The archive is rich in both incoming and outgoing correspondence, and includes letters to and from writers and friends, agents and publishers, as well as translators, readers, students, and organizations. Writers and recipients of correspondence include Pedro Almodóvar, Russell Banks, William Corbett, Don DeLillo, Jonathan Safran Foer, Jonathan Lethem, Sam Messer, Michael Ondaatje, Ron Padgett, Claude Royet-Journoud, and others. less

The Sara Greenspan Theatre Guild Files chiefly contain correspondence relating to activities of the Theatre Guild during some of its most significant years of operation. Sara Greenspan, who began as secretary with the Guild in 1925, served as the business manager of the prestigious production company for twenty years before retiring in 1963. less