Billy Rose Theatre Division | *T-Mss 2008-014
.42 linear feet (1 box)
The Little Hut, written by André Roussin and adapted by Nancy Mitford, was first produced in London in 1950. The play was produced in Boston and then on Broadway in 1953 by producer John C. Wilson. more
The Little Hut, written by André Roussin and adapted by Nancy Mitford, was first produced in London in 1950. The play was produced in Boston and then on Broadway in 1953 by producer John C. Wilson.
The Little Hut production materials date from 1950 to 1955 and primarily document the 1953 American productions. The collection contains correspondence and contracts with investors; financial information about the production; multiple versions of the script, including a stage manager's copy; and programs from the Boston production at the Plymouth Theatre and the Broadway production at the Coronet Theatre. The collection also contains copies of telegrams that John C. Wilson sent on the play's opening nights in England and Scotland.
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Bolton, Guy, 1884-1979
Billy Rose Theatre Division | *T-Mss 2013-108
.84 linear feet (2 boxes)
Guy Bolton (1884-1979) was a British-American playwright, librettist, and novelist. He wrote more than 50 plays and musicals, many of which were collaborations with P.G. Wodehouse and George and Ira Gershwin, including
Oh,...
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Guy Bolton (1884-1979) was a British-American playwright, librettist, and novelist. He wrote more than 50 plays and musicals, many of which were collaborations with P.G. Wodehouse and George and Ira Gershwin, including
Oh, Lady! Lady!,
Oh, Boy! Oh, Kay!, and
Anything Goes. The American Play Company records on Guy Bolton date from 1911 to 1965 and contain correspondence, contracts, financial statements, and other legal papers that document the negotiation process and royalty agreements made for Bolton's compositions represented through the American Play Company.
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Strong, Michael, 1918-1980
Billy Rose Theatre Division | *T-Mss 1985-011
.52 linear feet (1 box, 1 oversized folder)
Michael Strong (1918-1980) was an American film, theatre, and television actor. Strong was an originating company member of the Repertory Theater of Lincoln Center and appeared in the films Point Blank and more
Michael Strong (1918-1980) was an American film, theatre, and television actor. Strong was an originating company member of the Repertory Theater of Lincoln Center and appeared in the films
Point Blank and
Patton. The Michael Strong papers date from 1951 to 1980 and contain biographical sketches, incoming letters, clippings, contracts, theatre programs, photographs, and obituaries. Photographs include production shots from films, promotional photos for theatre productions, and headshots. Oversized photographs from the film
Patton are housed separately. Letters are from Strong's directors, writers, and fellow actors, including Elia Kazan, S.N. Behrman, and Montgomery Clift. All letters are photocopied duplicates.
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Stavisky, Lotte (Charlotte), 1907-2000
Billy Rose Theatre Division | *T-Mss 2002-031
.42 linear feet (1 box)
Charlotte "Lotte" Stavisky (1907-2000) was a German-American actress and sculptor who acted in film, television, radio, Broadway, and Off-Broadway roles from the late 1930s through the 1950s. The Lotte Stavisky papers date from 1935 to 2000 and...
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Charlotte "Lotte" Stavisky (1907-2000) was a German-American actress and sculptor who acted in film, television, radio, Broadway, and Off-Broadway roles from the late 1930s through the 1950s. The Lotte Stavisky papers date from 1935 to 2000 and contain correspondence, photographs, programs, clippings, and contracts that document her work as an actress and sculptor, as well as identity and immigration papers from her early life in Germany and emigration from Nazi-occupied Austria.
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Theatre Guild, 1919-
Billy Rose Theatre Division | *T-Mss-2004-024
.42 linear feet (1 box)
The Theatre Guild, established in 1919 by Theresa Helburn, Lawrence Langner, Philip Moeller, and Helen Westley, is an American theatrical association. Since its inception, the Theatre Guild has produced over 200 original theatrical productions,...
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The Theatre Guild, established in 1919 by Theresa Helburn, Lawrence Langner, Philip Moeller, and Helen Westley, is an American theatrical association. Since its inception, the Theatre Guild has produced over 200 original theatrical productions, many of which have become Broadway classics. The Theater Guild records (1949-1952) document the Theatre Guild's administrative activities during the planning and execution of the production of Carousel at the Stoll Theatre in London in 1950, and Oklahoma! for the 1951 Berlin Arts Festival.
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Lipson, Paul
Billy Rose Theatre Division | *T-Mss 1996-013
4.38 linear feet (11 boxes, 1 oversized folder)
Paul Lipson (1913-1996) was an American actor best known for portraying Tevye in Fiddler on the Roof. The Paul Lipson papers (1932-1996) consist of production files, scripts, and a scrapbook that document Lipson's career acting in summer stock,...
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Paul Lipson (1913-1996) was an American actor best known for portraying Tevye in Fiddler on the Roof. The Paul Lipson papers (1932-1996) consist of production files, scripts, and a scrapbook that document Lipson's career acting in summer stock, Off-Broadway, and Broadway productions, with a particular focus on Fiddler on the Roof. There is a small amount of posthumous material consisting of a program and sound recording from his memorial service.
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Minot, Anna
Billy Rose Theatre Division | *T-Mss 2012-064
6.69 linear feet (17 boxes, 1 oversized folder)
Anna Minot Warren (1918-2007) was a stage, screen, and television actress who performed under her maiden name, Anna Minot. Joseph Warren (1916-1993) was a stage, screen, and television actor. Both were self-described "journeyman actors." The...
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Anna Minot Warren (1918-2007) was a stage, screen, and television actress who performed under her maiden name, Anna Minot. Joseph Warren (1916-1993) was a stage, screen, and television actor. Both were self-described "journeyman actors." The collection (1931-2006) contains material related to their acting careers. The papers contain production files, photographs, posters, scrapbooks, scripts, and a sound recording. There is also a small amount of files related to Minot's work as a professional reader for the Theatre Guild and the Play of the Month Guild.
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Kallen, Lucille
Billy Rose Theatre Division | *T-Mss 2000-026
21.44 linear feet (45 boxes)
Lucille Kallen was a published author as well as a prolific writer for radio, television, and stage. In the 1950s, she was the only female writer on the staff of Sid Caesar’s
Your Show of Shows . Today she is best known...
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Lucille Kallen was a published author as well as a prolific writer for radio, television, and stage. In the 1950s, she was the only female writer on the staff of Sid Caesar’s
Your Show of Shows . Today she is best known as the author of the
C. B. Greenfield mystery novels. This collection of personal papers, correspondence, manuscripts, television and theater scripts, and production materials provides insight into her life and work.
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Rabb, Ellis, 1930-1998
Billy Rose Theatre Division | *T-Mss 1998-020
32 linear feet (65 boxes)
The Ellis Rabb Papers document the life and career of actor, director, producer, and author Ellis Rabb and the repertory company he founded in 1960, the Association of Producing Artists (APA).
Buloff, Joseph
Billy Rose Theatre Division | *T-Mss 1992-006
2.75 linear feet (6 boxes)
Joseph Buloff was a stage actor. His collection consists of works by Yiddish and Russian writers, his adaptations into English, correspondence, photographs, reviews, publicity and notes.
Zipprodt, Patricia, 1925-1999
Billy Rose Theatre Division | *T-Vim 1999-001
85 linear feet (126 boxes)
Patricia Zipprodt won three Tony Awards throughout her long career as a costume designer (and was nominated for eleven). She is best remembered for her most famous productions: Fiddler on the Roof (1964), more
Patricia Zipprodt won three Tony Awards throughout her long career as a costume designer (and was nominated for eleven). She is best remembered for her most famous productions:
Fiddler on the Roof (1964),
Cabaret (1966),
Zorba (1968),
Chicago (1975),
Sweet Charity (1987) and the film
The Graduate (1967). The collection includes many original designs and sketches, as well as costume bibles, costume research, photographs, and productions materials.
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Cherry, Ewing, d. 1969
Billy Rose Theatre Division | *T-Mss 2001-020
.21 linear feet. (1 box of material)
Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in...
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Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in vaudeville in a skit called OUT OF LUCK. He went on to play juvenile leads for various stock companies in such shows as MRS. WIGGS OF THE CABBAGE PATCH and THE LITTLE SPITFIRE through the 1910s and 1920s. His Broadway credits include WHAT PRICE GLORY?, SKIDDING with Glenda Farrell, THE NIGHT BEFORE with Franchot Tone, and MARCHING MEN (1930) with Leon Ames. Cherry also acted in radio drama. After a period of retirement, he returned to the stage for a role in the Off-Broadway production of Sean O'Casey's RED ROSES FOR ME (1961), then appeared in O'Casey's MOON SHINES ON KYLENAMOE and in Nikolai Evreinov's THE CHIEF THING (1963), his last professional credit. Ewing Cherry died in New York City on March 30, 1969. The Ewing Cherry papers span 1916 to 1962, and consist of letters to Ewing Cherry from employers and friends, a number of contracts securing Mr. Cherry's services as an actor for various stock companies between 1917 and 1927, three booklets (1920-23) introducing the members of the Gene Lewis-Olga Worth stock company, photographs of Ewing Cherry in a variety of characterizations, playbills for a dozen plays in which Ewing Cherry appeared, press releases, fliers, telegrams to and from Ewing Cherry, and clippings of reviews which mention his performances.
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Moscowitz, Jennie, approximately 1868-1953
Billy Rose Theatre Division | *T-Mss 2001-011
Jennie Moscowitz was a star of the theater and radio. Her papers, though sketchy, document her life and career as an actress of the stage and radio.
Curtis, Jack, 1942-
Billy Rose Theatre Division | *T-Mss 2001-019
.1 linear feet (1 portfolio), 40 cm
Jack Curtis was a theatrical manager. The Jack Curtis contracts date from autumn 1937, and consist of sixteen copies of the same 'standard minimum' contract for actors. There are thirteen contracts for the play BORN IN A TRUNK, and three contracts...
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Jack Curtis was a theatrical manager. The Jack Curtis contracts date from autumn 1937, and consist of sixteen copies of the same 'standard minimum' contract for actors. There are thirteen contracts for the play BORN IN A TRUNK, and three contracts for Aurania Rouverol's play PLACES PLEASE, each signed by a different actor. There is also a brief contract offering BORN IN A TRUNK star Lillian Emerson a bonus contingent upon the play's box office performance.
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Pearl, Jack
Billy Rose Theatre Division | *T-Mss 1985-001
1.67 linear feet (4 boxes)
The Jack Pearl Papers consist of correspondence, contracts, scripts, programs and photographs and are primarily of his professional life and career.
Barton, James, 1890-1962
Billy Rose Theatre Division | *T-Mss 1996-028
15.75 linear feet (47 boxes)
James Barton (1890-1962) was an American actor, singer, dancer and comedian in vaudeville, theatre, film and television. The James Barton papers document the career and personal life of James Barton through production files, scripts, sheet music,...
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James Barton (1890-1962) was an American actor, singer, dancer and comedian in vaudeville, theatre, film and television. The James Barton papers document the career and personal life of James Barton through production files, scripts, sheet music, photographs, scrapbooks, contracts, publicity materials, correspondence, and personal ephemera.
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Badia, Leopold
Billy Rose Theatre Division | *T-Mss 2003-044
(1 portfolio)
The Leopold Badia papers consist of a variety of materials reflecting a long acting career, including contracts, salary stubs, portions of scripts, sheet music, some correspondence, and a complete radio script from 1945. Contracts for stock...
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The Leopold Badia papers consist of a variety of materials reflecting a long acting career, including contracts, salary stubs, portions of scripts, sheet music, some correspondence, and a complete radio script from 1945. Contracts for stock productions make up the bulk of Leopold Badia's papers, but there are also several "sides" representing his character's lines from plays, including SPEAK EASY and THE GENTLEMAN FROM ATHENS, and brief notes from colleagues such as José Ferrar, Fredric March, and Sam Levene. The radio script is from a series called ONE MAN'S DESTINY, celebrating the lives of prominent people. This episode is devoted to New York Mayor Fiorello La Guardia.
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Cornell, Katharine, 1893-1974
Billy Rose Theatre Division | *T-Mss 1965-002
202 linear feet (257 boxes)
: Katharine Cornell was an American actress and producer. Guthrie McClintic was an American director and producer. They both worked the New York theater from 1915-1960. This collection includes correspondence, personal files, scripts, production...
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: Katharine Cornell was an American actress and producer. Guthrie McClintic was an American director and producer. They both worked the New York theater from 1915-1960. This collection includes correspondence, personal files, scripts, production materials, programs, photographs, scrapbooks and oversized items.
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Morley, Ruth
Billy Rose Theatre Division | *T-Mss 1998-024
38 linear feet (70 boxes)
The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and...
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The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and notes, sketches, and swatches; production notes, schedules, and contact lists; costume and research photographs and slides; correspondence, contracts and financial records, as well as a substantial number of scripts. The collection also includes professional papers such as correspondence, coursework and lecture notes, research materials, and theatrical vendor brochures. There are no personal papers in this collection.
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Smith, Joe, 1884-1981
Billy Rose Theatre Division | *T-Mss 1981-015
2 linear feet (3 boxes)
Joe Smith and Charlie Dale were partners in one of vaudeville’s most famous and successful comedy acts, later translating many of their most popular sketches to other media, including radio, motion pictures and television. The Smith and Dale...
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Joe Smith and Charlie Dale were partners in one of vaudeville’s most famous and successful comedy acts, later translating many of their most popular sketches to other media, including radio, motion pictures and television. The Smith and Dale Papers include contracts, correspondence, photographs, scripts and other professional material from the team, as well as clippings documenting their joint career and Smith’s activities after Dale’s death.
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Greenspan, Sara, 1894-1968
Billy Rose Theatre Division | *T-Mss 1968-005
.21 linear feet (1 box)
The Sara Greenspan Theatre Guild Files chiefly contain correspondence relating to activities of the Theatre Guild during some of its most significant years of operation. Sara Greenspan, who began as secretary with the Guild in 1925, served as the...
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The Sara Greenspan Theatre Guild Files chiefly contain correspondence relating to activities of the Theatre Guild during some of its most significant years of operation. Sara Greenspan, who began as secretary with the Guild in 1925, served as the business manager of the prestigious production company for twenty years before retiring in 1963.
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Radio Writers Guild
Billy Rose Theatre Division | *T-Mss 1977-001
37.5 linear feet, (90 boxes)
The Radio Writers Guild Records consist of correspondence, contracts and minutes for the years 1930 to 1958. The materials regarding the RWG is limited to the Guild as a national organization and to the activities of the Eastern Region. While...
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The Radio Writers Guild Records consist of correspondence, contracts and minutes for the years 1930 to 1958. The materials regarding the RWG is limited to the Guild as a national organization and to the activities of the Eastern Region. While there are some contracts between the Western Region and their local radio stations, there is little correspondence within the Western Region and almost none within the Mid Region. The membership records of the Western and Mid Regions, in this collection, only reflect transfers of Mid Region and Western Region members to and from the Eastern Region.
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Hamilton, Nancy
Billy Rose Theatre Division | *T-Mss 1985-006
19 linear feet (26 boxes)
Nancy Hamilton was an American actress, playwright, lyricist, director and producer. She worked in the New York theater from 1932-1954. This collection includes personal files, scripts, production materials, scores, photographs and scrapbooks.
American Play Company
Billy Rose Theatre Division | *T-Mss 1966-002
49.14 linear feet (117 boxes)
The American Play Company was a New York theatrical agency which represented authors and rights-holders and assisted in the negotiation of theatrical and film licensing. The American Play Company records contain administrative files, contracts,...
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The American Play Company was a New York theatrical agency which represented authors and rights-holders and assisted in the negotiation of theatrical and film licensing. The American Play Company records contain administrative files, contracts, literary department correspondence, and scripts relating to the theatrical rights management business.
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Scourby, Alexander, 1913-1985
Billy Rose Theatre Division | *T-Mss 1986-002
6.05 linear feet (15 boxes)
The Alexander Scourby Papers document the professional career of the prolific actor and narrator through contracts, correspondence, photographs, scripts, and other material. Although he had a long and varied career as an actor and narrator on...
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The Alexander Scourby Papers document the professional career of the prolific actor and narrator through contracts, correspondence, photographs, scripts, and other material. Although he had a long and varied career as an actor and narrator on stage, screen, and radio, Alexander Scourby considered his most important work to be the performances he gave as a voice actor in the Talking Books recordings he made for the American Foundation for the Blind.
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Frank, Alexander, 1866-1939
Billy Rose Theatre Division | *T-Mss 1940-002
1 portfolio (4 folders)
Alexander Frank (1866-1939), was a stage actor, first in England and then, after 1900, in the United States, where he was also a motion picture actor and director. Born in Boston, England, Alexander Frank initially worked as a political secretary...
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Alexander Frank (1866-1939), was a stage actor, first in England and then, after 1900, in the United States, where he was also a motion picture actor and director. Born in Boston, England, Alexander Frank initially worked as a political secretary for a Member of Parliament, but turned instead to acting. After receiving his early training from Sir Henry Irving and making a number of appearances on the London stage, he came to the United States around 1900. Mr. Frank acted opposite many of the leading actors of his era, and belonged to the companies of such major figures as James K. Hackett and Olga Nethersole. Mr. Frank acted in several films between 1913 and 1920, and also directed, but later restricted himself to stage work as a performer. Mr. Frank's last major role was in Elsie Schauffler's play Parnell in 1935, in which he portrayed British Prime Minister William E. Gladstone, whom he had met in his youth. The Alexander Frank papers span 1902-1920 and consist of contracts, correspondence, and a notebook. The collection is split between contracts for various plays and theatrical companies, and correspondence, encased in mylar, consisting of letters of recommendation from Mr. Frank's past employers to prospective ones. There is also a small notebook, which holds four pages of sketchy pencilled notes concerning Medieval England.
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Blaine, Vivian, 1921-1995
Billy Rose Theatre Division | *T-Mss 1996-053
14 linear feet (18 boxes)
Vivian Blaine was a singer in concerts and nightclubs and an actress in film, television and theater from the late 1930s through the mid 1980s. She is best remembered for having originated the role of Miss Adelaide in
Guys and...
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Vivian Blaine was a singer in concerts and nightclubs and an actress in film, television and theater from the late 1930s through the mid 1980s. She is best remembered for having originated the role of Miss Adelaide in
Guys and Dolls (1950). This collection consists mainly of professional items pertaining to Blaine’s film and theater career, but also includes personal items.
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Abel, Walter, 1898-1987
Billy Rose Theatre Division | *T-Mss 1993-050
The papers of Walter Abel consist primarily of correspondence, contracts, speeches, and clippings documenting his work as an actor. The professional correspondence is not extensive: the bulk is single letters received from a wide variety of...
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The papers of Walter Abel consist primarily of correspondence, contracts, speeches, and clippings documenting his work as an actor. The professional correspondence is not extensive: the bulk is single letters received from a wide variety of individuals, much of it letters of thanks. A few outgoing letters discuss proposed productions. Correspondents include John Golden, Robert Edmond Jones and Eugene Ormandy. The contracts file is incomplete. Speeches, for the most part lectures on Shakespeare, theater history, and the psychology of acting, reflect his tireless work promoting the theater to college students and others. Clippings consist of production reviews and interviews with Abel. Production materials are mostly miscellaneous single items such as call sheets and schedules from films in which Abel appeared. Organizational work consists of minutes and correspondence pertaining to his work with ANTA, the Hollywood Victory Committee and other war service organizations. The collection also contains personal material on his family, awards, and a few scrapbooks of photographs.
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Hyde, Tommy
Billy Rose Theatre Division | *T-Mss 1940-003
.1 linear feet (1 portfolio), 40 cm
Tommy Hyde (d. 1940) was a dancer and songwriter, and also managed a troupe of performers who toured in vaudeville under the name the Honey Boys. The Tommy Hyde papers span 1922-1940, and consist primarily of correspondence to Tommy Hyde,...
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Tommy Hyde (d. 1940) was a dancer and songwriter, and also managed a troupe of performers who toured in vaudeville under the name the Honey Boys. The Tommy Hyde papers span 1922-1940, and consist primarily of correspondence to Tommy Hyde, condolence letters to his widow, Adelaide, following his death in March of 1940, three sheets of song lyrics (two of which were written by Mr. Hyde in collaboration with others, while the third is unattributed), contracts and a route sheet for the Honey Boys, receipts and membership cards related to Mr. Hyde's vaudeville career.
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Darling family
Billy Rose Theatre Division | *T-Mss 1986-005
The papers give a brief and sporadic look at the careers of Edward and Alfred Darling.