Found 91 collections related to Black%20author

Lyonel C. Florant, an African American economist, was employed by the Carnegie Corporation's "Study of the Negro in America" project. Florant authored several documents for the project, and he, along with others, completed the report, "Negro Population Movements, 1860 to 1940: In Relation to Social and Economic Factors". The Lyonel C. Florant papers consist of reports and some research files Florant prepared and gathered primarily regarding African American migration and population studies across the country, mostly for the Negro in America study. less

The Harlem Writers Guild was established in 1950 and is the oldest organization of African-American writers in the United States. Originally founded as the Harlem Writers Club by John Henrik Clarke, Rosa Guy and John Oliver Killens, it was created as a forum for emerging African-American writers in New York City who felt alienated from the white literary mainstream. The Guild helped nurture African-American literary talent since its inception. Prominent members include Maya Angelou, Amiri Baraka, Terry McMillan, and Louise Meriwether. The Harlem Writers Guild Press was established in 2000 as an imprint to publish the literary works of its members. The Harlem Writers Guild Records collection consists of the work of two Guild members, Grace F. Edwards and K.C. Washington. The collection contains nine manuscripts of published books and unpublished material, including three annotated manuscripts, spanning circa 1998 to 2009. Edwards is the author of the popular Mali Anderson Mystery series. The collection contains three annotated manuscripts: A Toast Before Dying (1998), Do or Die (2000), and The Viaduct (2003). It also includes the manuscript for No Time to Die (The Cereal/Serial Killer) (1999). The collection also includes a manuscript of Washington's debut novel Mourning Becomes Her, which was first published by Harlem Writers Guild Press in 2006, as well as two unpublished manuscripts: "Beauty" (2009) and "Mad River" (2000-2005). less

The Black Consciousness Movement emerged as a political trend in South Africa in the late 1960s, in the decade after the banning of the African National Congress and the Pan Africanist Congress by the South African regime. The collection documents a primarily youth-based radical critique of the apartheid system, of the ANC's Freedom Charter and its moderate leadership in negotiating a transition to white rule in South Africa. The South Africa Black Consciousness Movement Collection consists primarily of interviews, speeches, organizational materials and printed matter documenting the politics and activities of Black Consciousness organizations in and outside of South Africa from 1983 to 1991. It comprises interviews and speeches by BCM leaders Itumeleng J. Mosala, Ishmael Mkhabela and Lybon Mabasa; interviews with black South African exiles, and anti-apartheid activists within South Africa; leaflets, declarations and factsheets of the Azanian People's Organization and the Black Consciousness Movement of Azania (BCM (A)); miscellaneous files on the New Unity Movement, the Pan Africanist Congress and other non BCM organizations; and subject files on churches, trade-unions, white organizations inside South Africa, and the State of Emergency declared by the South African government in 1985. An organization file for Indaba, a Durban-based experiment in power-sharing, and a collection of essays entitled "War Stories" by an independent American journalist, Michael Slate, are also included. less

The Gay Men of African Descent, Inc. records (1986 - 1998) document the development of the largest black, gay-run, educational, social and political organization in the United States. Records include board of directors materials, a fairly comprehensive collection of newsletters, and information on GMAD's funding sources. Documentation on the organization's earliest years are augmented by transcripts of oral history interviews with both early and active members. less

Maya Angelou (1928-2014) was one of the most renowned and celebrated voices in American literature. The Maya Angelou papers consist of original manuscripts, computer generated typescripts, galleys, and proofs of published work as well as manuscripts for unpublished work and dozens of poems. Additionally, there is personal and professional correspondence, teaching files, printed matter, and materials from public and academic appearances and engagements. less

The New Heritage Theatre Group records consists of playbills, broadsides, flyers, playscripts, correspondence and printed matter relating to the organization's productions and events from 1965-2015. Of particular note are original playscripts and production materials for the South African musical "Sarafina!" (1988-1991) and flyers and announcements for a play reading series entitled "Voices of Griots" (1991-1996). There is also a biographical file for Roger Furman. less

The Craig G. Harris Papers, 1986-1993, document his life as a gay, HIV-positive African-American, his work as an AIDS activist, and his prolific writing career. The collection consists of biographical information, personal correspondence, obituaries and memorial material, as well as original manuscripts of his speeches, essays, articles and poems. less

The Maxine Sullivan Papers document her career as a jazz performer. The papers contain correspondence from both professional and personal contacts, legal contracts, newspaper clippings, performance flyers, posters, and programs, sheet music, and some financial and organizational membership records. Some materials pertain to her third husband, Cliff Jackson. less

Guichard Parris was director of public relations of the National Urban League from 1944-1968. The bulk of the Guichard Parris Collection is comprised of photocopies of research material and biographical information Parris compiled for a translation of nineteenth century French abolitionist Bishop Henri Gregoire's De la litterature des Nègres. In addition, there is a scrapbook and printed matter from the New York Urban League (1950s) as well as some personal papers. less

Albert John Luthuli, 1898-1967, African leader in the Republic of South Africa and former Zulu chief; president of the African National Congress (ANC); first African to be awarded the Nobel Peace Prize, 1960, for his role in the non-violent struggle against apartheid. The Albert J. Luthuli papers document Chief Luthuli's leadership in the struggle against the apartheid system in South Africa and the growth of the ANC after 1949 into a mass based and increasingly militant freedom organization. Included are materials from the 1952 Defiance Campaign; the 1955 Congress of the People which gave birth to the Freedom Charter; the Treason Trials of ANC leaders; the Rivonia Trial; the struggle against the pass laws and other discriminatory legislation; and the international movement against the apartheid system. Other documents pertain to the Federation of South African Women, the Bantu Education Act, A.G.W. Champion, the Pan Africanist Congress, the Non-European Unity Movement, the ANC Youth League, the campaign against the Coloured Affairs Department (Anti-CAD), the South African labor movement, and Swaziland and the Bantustan system. less

Anthony Horton was an African-American man who for a period of his life was homeless and lived in the tunnels beneath the subway trains. Together with author/artist Youme Landowne, Horton wrote and illustrated "Pitch Black: Don't be Skerd" (2008) which tells the story of how the two met, his background and his life underground. Horton worked with the Theater of Oppressed NYC, frequently playing the role of a police officer in the troupe's performances. He died in a fire that ripped through his underground home. The Anthony Horton Collection consists of a mock-up for the book he and Youme Landowne wrote and illustrated together, "Pitch Black: Don't be Skerd," about Horton's life in the tunnels under the New York City subway system, and letters he wrote to his co-author/friend from 2009-2010. The letters discuss their friendship and his thoughts; most were written while he was an inmate in Downstate Correctional facility in Fishkill, New York. According to Landowne, he was incarcerated because of possession of an antique knife that he wanted to sell. There are additional writings along with original artwork and illustrations. less

Lawrence D. Reddick served as curator of the Schomburg Collection of Negro Literature, 1939-1948. An African-American historian, Reddick was interested in the role of the black soldier in U.S. wars and published on this topic. Concerned that the role of black soldiers during World War II would not be portrayed accurately by the government, the mainstream or black press, Reddick initiated a campaign to document the experiences of blacks in the military using their first hand accounts. He placed an ad in newspapers served by the Associated Negro Press, requesting that letters written by black soldiers to their families be sent to the Schomburg Collection. In addition, he conducted interviews with black servicemen and women from 1944 to 1946, and collected memorabilia and other World War II related items. The Lawrence D. Reddick World War II Project Collection, 1943-1953 (bulk 1943-1945) consists of correspondence with black servicemen and women, summaries of interviews Reddick conducted, as well as research files maintained by him. The series Letters and Interviews, 1943-1945 consists of more than a hundred letters that black servicemen and officers, and a few black servicewomen, wrote principally to their families and friends relating the individuals' experiences. The servicemen were stationed in all of the theaters of operation, and some were stateside at various training camps throughout the United States. Of note is a letter Dwight Eisenhower wrote in 1947 in response to a letter from Reddick, stating his opposition to discrimination of American soldiers based upon color or race. Also included in the collection are summaries of interviews Reddick conducted between 1944 and 1946 in Harlem with former servicemen and officers. The interviewees were forthright in their discussions about their experiences with both black and white soldiers and officers, and the people in the countries where they served. There are also summaries of interviews with several black servicewomen and one white serviceman, as well as civilians. Individuals interviewed include William E. Artis (artist), Warren Cuney (writer), Benjamin O. Davis (Air Force General), Ewart Guinier (who later headed the first African-American Studies Department at Harvard University), William H. Hastie (civil rights attorney), Roi Ottley (author and journalist) Leigh Whipper (actor). less

Arthur (originally Arturo) Alfonso Schomburg was a collector of books and manuscripts pertaining to black history and culture, whose collection formed the basis for the Schomburg Center for Black Culture. This collection includes typewritten manuscripts written by Schomburg, a memorial tribute by Alain Locke, and genealogical research conducted by his descendants. less

Born in Topeka, Kansas in 1898, Aaron Douglas became the most celebrated artist-illustrator to emerge from the Harlem Renaissance. He attended the University of Nebraska (F.B.A.), Columbia University Teachers College (M.A.) and l'Academie Scandinave in Paris. Douglas' career spanned sixty years of painting, drawing and illustrating. He created numerous murals, usually of allegorical scenes on the historical life or cultural background of African Americans. In 1937 Douglas became a professor of art and chairman of the Art Department at Fisk University in Nashville, Tennessee, where he remained until 1966, when he retired as professor emeritus. Fisk University bestowed an Honorary Doctorate of Fine Arts upon him in 1973. Douglas died in Nashville, Tennessee, in 1979. The Aaron Douglas papers consist of personal correspondence, letters of introduction, invitations, programs, and printed material. Of particular interest are the eighty-three undated letters, which make up the bulk of the collection, that Douglas wrote to his future wife, Alta Sawyer. Most of the letters were written during an approximate two-year period while she was still married to her first husband and before she and Douglas were married in 1926. Douglas wrote Sawyer endearing letters that were also philosophical in tone and discussed his artwork, aspirations, and the social scene in Harlem. Included are two letters to Douglas from writer Arna Bontemps and an open letter from Douglas on the letterhead of the short-lived magazine "Fire!!.". less

Born Yves Francois Lubin in Haiti in 1957, Assotto Saint was a New York-based gay activist, poet, and performance artist who edited two anthologies of black gay poets in the early 1990s. He founded a publishing house, Galiens Press, which published his book of poems Stations and the anthologies Here to Dare and The Road Before Us. In addition, Saint also wrote and produced several theater pieces, including Risin' to the Love We Need and New Love Song. Saint was the founder and artistic director of Metamorphosis Theater and the lead singer of the rock band Xotica. He died of HIV-related diseases in 1994. The Assotto Saint papers consist of correspondence and writings by Saint, manuscripts and letters from authors featured in his anthologies as well as other gay writers, printed matter, and some personal papers. less

Rietta Hines Herbert (1940-1969) (also Rietta May Herbert) was an African American social worker in New York City from 1935-1965. She spent most of her career as a social investigator and supervisor of child welfare in the Harlem offices of the Department of Welfare. less

Robert H. Beecher was a Panamanian-born educator who worked as a high school teacher, administrator, and community liason in the Bronx, then as an adjunct associate professor in the Department of Education Foundations at Hunter College. The Robert H. Beecher papers contain personal papers, correspondence, writings and research materials relating to education in the Panama Canal Zone and the education of minorities in the United States. less

Thomas Sinclair, Jr., was an African-American lawyer, director of the Upper Manhattan Rent Commission, Chairman of the Housing Committee of the Harlem Neighborhoods Association, and a New York City Housing Court judge. The Thomas Sinclair collection consists of biographical data, some letters and speeches, minutes and other documents of Community Boards 10 and 11 regarding urban renewal in Harlem in the 1960s, and some legal files, one of which concerns the proposed installation of Stuart H. Merriam as minister of Harlem's Broadway Presbyterian Church (1961-1962). less

The J. Alfred Smith, Sr. Papers primarily document Smith's roles as author, pastor of the Allen Baptist Temple Church (ATBC) and his activities with the Progressive National Baptist Convention, Inc (PNBC) as well as other church organizations. Over half of the papers document Smith's career during the 1970s and '80s as pastor of ATBC and president of the PNBC. Smith's papers include very little documentation on his career and professional activities during the 1950s and '60s, his vice presidency and presidency of the Progressive State Baptist Convention of California and Nevada headquartered in Los Angeles, or his first and second vice presidencies of the PNBC. less

Myran E. Haley (My Haley) is the third wife of the well-known writer Alex Haley. They were married in 1977 although they were legally separated at the time of his death in 1992. Myran Haley claimed she assisted Alex Haley in finishing "Roots," published in 1976. She also stated in court documents that she was a collaborator on at least three of his unpublished works: "Queen," (the story of his Caucasian ancestry), "Madame C. J. Walker," and "Henning," a collection of stories about Haley's boyhood summers at his grandmother's home in western Tennessee. The Myran E. Haley Legal Documents relate to the suit filed by Myran Haley against George Haley (Alex Haley's brother), and the Haley Estate regarding ownership of three literary works Haley was working on at the time of his death: "Merging" aka "Queen," "Madam C. J. Walker," and "Henning." She claimed co-ownership of these works and the right to complete the manuscripts. A compromise judgment was rendered giving her partial (15%) ownership rights. Documents include photocopies of Mryan Haley's complaint, her affidavit, Alex Haley's will, their prenuptial agreement, and the partial compromise judgment. less

Ted Poston was the first full-time African-American reporter for the New York Post, where he worked from 1936 covering many major black-oriented news stories, until his retirement in 1972. The Ted Poston Research Collection consists of biographical information about Poston and a transcript of an interview that Professor Luther P. Jackson did with Ted Poston on "interracial reporting" in October 1968. Most of the collection consists of typescripts of articles and columns written by Poston (1927-1971) collected and prepared by the donor, Kathleen Hauke. less

Ira Gollobin, an immigration rights attorney and author, served as pro bono counselor to refugees from all over the world including Nazi Germany and Duvalierist Haiti. His work with Haitian refugees, the purview of this collection, began in 1974. In this capacity he served as lead counsel on several major cases that were pivotal to the rights of Haitian refugees, the so-called "boat people." Gollobin's critical role as lead counsel was as important as his active role in developing grassroots organizations that made the public aware and active in Haitian refugee legislation issues. Through his affiliation with major organizations such as Church World Service and the communist founded American Committee for the Protection of the Foreign Born, he created channels for Haitian-American led coalitions such as the National Coalition for Haitian Rights and Haitian Refugee Center, two prominent activist organizations, to form and help steer the campaign for the rights of Haitian refugees. He organized a broad-based strategy that combined legal advocacy to secure basic freedoms for Haitians with long-term policy arguments aimed at granting thousands of Haitian immigrants the right to due process in filing asylum claims. The Haitian Refugee Collection, 1972-2004, documents Ira Gollobin's involvement in multiple legal battles related to Haitian political asylum from the 1970s to the early 1990s. The collection highlights much of the legal and organizational features of the plight of Haitian refugees entering the United States in the late twentieth century. It represents one particular U.S. immigration discourse and the different treatment accorded to some refugees. The collection consists largely of drafts and copies of legal documents, meeting summaries, public outreach material that includes petitions, flyers, pamphlets, and other galvanizing materials; administrative papers from his various organizational affiliations; and research material for refugee asylum and cases. It covers the latter part of Gollobin's legal career beginning with his tenure as a legal consultant for the National Council of Churches in 1974, and continuing through his advocacy and consultant work until 2004 on behalf of Haitian organizations. less

The Frederick O'Neal Papers document the theatrical, labor, and civic activities of this actor and labor leader, mostly from the 1940s through the 1990s. The collection consists primarily of personal papers, correspondence, speeches and addresses, writing, and information about the theatrical productions in which he appeared. There are also research materials about the 19th century African-American actor, Ira Aldridge, and files pertaining to the many organizations with which O'Neal was associated. less

Emmett "Babe" Wallace is a singer, composer, actor and writer. He has performed in cabarets, musical revues, films and the theater. As a composer and writer, he has produced a voluminous body of musical compositions, poetry essays and journals. Music, songs, poetry, prose, daybooks, scripts, personal papers, printed material, and other papers, relating to Wallace's career in cabarets, musical revues, films, and theater in the United States, Canada, France, and Israel. Themes in his creative work include personal life, civil rights, religion, and politics. less

The T. Thomas Fortune Scrapbook consists primarily of clippings of Fortune's articles from the "New York Age," 1890-1898, in which he discussed events and issues affecting African Americans nationwide as well as overseas. There are also articles from other newspapers such as the "Evening Telegram, the "New York Sun," the "Texas Morning News, the "Galveston Daily" and the "Brooklyn Daily Eagle," some of which he authored, and articles written about him by fellow journalists, 1889-1904. less