Found 4 collections related to African Americans in art

Augusta Savage (1892-1962) was a Harlem Renaissance sculptor and the first director of the Harlem Community Art Center. Arriving in New York in 1921, Savage graduated from Cooper Union and received fellowships to study in France. Her works include The Harp which was commissioned for the 1939 World's Fair. The collection includes press clippings about her sculpting career, manuscripts from her retirement period, and some posthumous correspondence. less

The Guy C. McElroy Papers provide information on his college education as he worked toward his goal of becoming an art historian, in addition to documenting the various positions he held in the museum and art history fields - particularly as guest curator for the exhibition "Facing History: The Black Image in American Art, 1710-1940." Aspects of his personal life are represented in the papers as well. less

The National Research Council Committee on the Status of Black Americans working papers consist of thirty-three essays prepared by prominent scholars in several fields as background for the publication, A Common Destiny: Blacks and American Society (National Academy Press, 1989). less

Born in Topeka, Kansas in 1898, Aaron Douglas became the most celebrated artist-illustrator to emerge from the Harlem Renaissance. He attended the University of Nebraska (F.B.A.), Columbia University Teachers College (M.A.) and l'Academie Scandinave in Paris. Douglas' career spanned sixty years of painting, drawing and illustrating. He created numerous murals, usually of allegorical scenes on the historical life or cultural background of African Americans. In 1937 Douglas became a professor of art and chairman of the Art Department at Fisk University in Nashville, Tennessee, where he remained until 1966, when he retired as professor emeritus. Fisk University bestowed an Honorary Doctorate of Fine Arts upon him in 1973. Douglas died in Nashville, Tennessee, in 1979. The Aaron Douglas papers consist of personal correspondence, letters of introduction, invitations, programs, and printed material. Of particular interest are the eighty-three undated letters, which make up the bulk of the collection, that Douglas wrote to his future wife, Alta Sawyer. Most of the letters were written during an approximate two-year period while she was still married to her first husband and before she and Douglas were married in 1926. Douglas wrote Sawyer endearing letters that were also philosophical in tone and discussed his artwork, aspirations, and the social scene in Harlem. Included are two letters to Douglas from writer Arna Bontemps and an open letter from Douglas on the letterhead of the short-lived magazine "Fire!!.". less