Found 17 collections related to African American artists

John H. Hewitt was a writer, editor, instructor, and a collector of Black art. Born in 1924, in New York City, Hewitt attended Harvard College and New York University. He taught English at Morehouse College and he was a medical staff writer for the journals Frontiers of Psychiatry and Emergency Medicine. He also was an associate editor for the newspaper Medical Tribune and a managing editor of Hospital Practice, a monthly magazine. Hewitt held memberships in professional organizations including the American Medical Writer Association and National Association of Science Writers, and he was a trustee with the Manhattan Country School and The Schomburg Corporation. In 1994, Hewitt was awarded the New York Association's Kerr History Prize for his article, "Mr. Downing and His Oyster House". This collection contains Hewitt's writings on Black artists (1931-1997), including Hale Woodruff, Ernest Crichlow, Alvin C. Hollingsworth, and Haitian artist Luce Turnier. Also included are historical profiles of largely unknown, but accomplished, 19th-century African American New Yorkers, such as Thomas Downing and Elizabeth Jennings, along with writings on African American Episcopalians and St. Philip's Church in New York City. Materials include research matter, drafts, and correspondence. less

Kenneth P. Neilson is an educator, artist, composer, author, and founder of All Seasons Art, a multimedia production center which seeks to gain exposure for developing African American and Hispanic artists. The Hughes-Neilson music collection consists of musical settings of the poetry and lyrics of Langston Hughes. less

Writings consisting of manuscripts for his book, GARVEY: THE STORY OF A PIONEER BLACK NATIONALIST; miscellaneous typescript essays and printed articles, 1946-1974; numerous examples of Fax's art such as magazine illustrations and book jackets, 1936-1962; and photocopies of some correspondence. Also, programs, invitations, broadsides, book reviews, and news clippings concerning Fax's career. less

The Thomas family--Clara and Henry Thomas and their children Alice, Leroy, Mabel, Marguerite, Percival, and Rosa--was a Black family who lived in Western New York then Washington, DC in the late nineteenth and early twentieth century. The Thomas family papers consists of correspondence and ephemera, mostly belonging to Rosa Thomas. less

Born in Topeka, Kansas in 1898, Aaron Douglas became the most celebrated artist-illustrator to emerge from the Harlem Renaissance. He attended the University of Nebraska (F.B.A.), Columbia University Teachers College (M.A.) and l'Academie Scandinave in Paris. Douglas' career spanned sixty years of painting, drawing and illustrating. He created numerous murals, usually of allegorical scenes on the historical life or cultural background of African Americans. In 1937 Douglas became a professor of art and chairman of the Art Department at Fisk University in Nashville, Tennessee, where he remained until 1966, when he retired as professor emeritus. Fisk University bestowed an Honorary Doctorate of Fine Arts upon him in 1973. Douglas died in Nashville, Tennessee, in 1979. The Aaron Douglas papers consist of personal correspondence, letters of introduction, invitations, programs, and printed material. Of particular interest are the eighty-three undated letters, which make up the bulk of the collection, that Douglas wrote to his future wife, Alta Sawyer. Most of the letters were written during an approximate two-year period while she was still married to her first husband and before she and Douglas were married in 1926. Douglas wrote Sawyer endearing letters that were also philosophical in tone and discussed his artwork, aspirations, and the social scene in Harlem. Included are two letters to Douglas from writer Arna Bontemps and an open letter from Douglas on the letterhead of the short-lived magazine "Fire!!.". less

The collection primarily documents people, places and events in Harlem from the early 1930s to the mid-1950s. The collection consists of studio and candid portraits of mainly African American personalities, Harlem residents, and fashion models; views of various social and political events in Harlem; and coverage of sports events and other news stories, representing the Smiths' freelance photography work for the New York Amsterdam News, the New York Age, and other African-American newspapers. Images depicting the personal activities of the Smith brothers are limited. less

The Helen Armstead-Johnson miscellaneous theater collections (HAJMTC) were formed by over two hundred file-folder level collections (one-three file folders per personality or event). The collections contain information dating from the mid-nineteenth century to the late twentieth century, and they document early dramatic actors, minstrel shows, vaudeville, musical revues, Broadway productions, and protest dramas, among others. In addition to actors, playwrights, singers, musicians, and dancers and the productions in which they appeared, there are collections for poets and visual artists. less

Quincy Troupe (born 1939) is a poet, author, and editor, perhaps best known for co-writing Miles: The Autobiography (1989) with the influential jazz trumpeter Miles Davis. His father, Quincy Trouppe, Sr., was an all-star catcher in Negro league baseball. The Quincy Troupe papers, dating from 1915 to 2008, mainly document Troupe's career from the mid-1970s to 2008. They also hold the scrapbooks of Quincy Trouppe, Sr. less

The American Society of Composers, Authors and Publishers (ASCAP) is an organization of more than 420,000 artists that protects the copyrights of its members. The ASCAP records represent a portion of the artists who joined the society from the 1930s to the mid-1980s. Many notable recording artists are represented from vaudeville to rock music. The files hold articles, biographical data sheets, broadsides, film strips, memorandum, obituary notices, photographs and photograph negatives,performance brochures, publicity and sheet music. less

The Helen Brown scrapbook contains programs and reviews of plays and concerts that took place in New York City between 1926 and 1941. Included are articles and reviews of musicians, singers, actors, writers, such as Langston Hughes and Zora Neale Hurston, and artists, such as Jacob Lawrence, Augusta Savage and James L. Allen. The programs represent a variety of performances, among them those by the Negro Opera Company and Hall Johnson's groups (the Hall Johnson Singers, Hall Johnson Jubilee Singers, and Hall Johnson Negro Choir). Also included are programs for Roland Hayes, Richard B. Harrison, Marian Anderson, Paul Robeson, Hazel Harrison, Abbie Mitchell, Jules Beldsoe, and the Eva Jessye Choir. The lyrics to some songs can also be found in the scrapbook.. less

Michele Wallace is best known for her first book, Black Macho and the Myth of the Superwoman, which is considered the first collection of essays published by a black woman, and the first book published by a black feminist. The Michele Wallace papers document her career as a cultural critic, journalist, and intellectual since the late 1970s. less

This collection contains files of biographical material; correspondence; articles written by and about Chanticleer; his fashion drawings; assorted programs from events in which he participated; material related to his role as the executive director of The Learning Tree; and material related to the African-American Wax and History Museum. less