Found 346 collections related to American%20Music%20Collection

Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II distinguished him as a symbol of freedom and humanity. His extraordinarily long career began in 1886, when Italian orchestral conductors were still relatively few in number, and extended into the 1950s, by which time his radio and television broadcasts had transformed him into a cultural icon. The Toscanini Legacy papers form a portion of the Toscanini Legacy housed at the New York Public Library for the Performing Arts. The other major portion, of sound recordings, is housed in NYPL's Rodgers and Hammerstein Archives of Recorded Sound. The papers in the Music Division consist of music scores and orchestral parts with and without markings by Arturo Toscanini and others (including composers in some instances), correspondence, photographs, programs, clippings, books, newspapers, brochures, periodicals, scrapbooks, and medical and financial records. Subjects include the various musical organizations in Europe and the United States with which Toscanini was associated, and his anti-Fascist activities. The hundreds of correspondents include family members, composers, performers, conductors, and music critics; as well as Italian exiles, and U.S. and Italian political figures. less

The Jerry Bock papers primarily document the professional activities of the prime twenty years of his composing career, as well as his later works, and do not offer much, if any, insight into his personal life. Vocal scores, lead sheets, and sketches for all of his musical productions produced on Broadway, including The Apple Tree, The Body Beautiful, Fiddler on the Roof, Fiorello!, Mr. Wonderful, The Rothschilds, She Loves Me, and Tenderloin are represented in the papers. Also present are a significant number of pop songs that Bock wrote with Sheldon Harnick and Larry Holofcener in addition to many for which he supplied his own lyrics. Business correspondence can be found within the production it relates to; many productions also include documents such as notes, cast information, ticket stubs, ephemera, and photographs. The collection does not contain Bock's personal correspondence; the few personal papers here are either work or school-related. less

Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued performing as a concert singer after her retirement from the operatic stage. Sembrich also became an instructor of singing at the Curtis Institute of Music and the Juilliard School of Music, becoming mentor to many pupils who later became famous in their own right. The correspondence, papers, posters, and programs in this collection represent the career and activities of Marcella Sembrich and her family from 1851 to 1988. The collection consists of an extensive amount of correspondence with the leading musical figures of the day; posters, concert advertisements and programs from Sembrich (and other) performances throughout her career; and memorabilia including an autograph album with signatures and drawings of famous musicians and others. Series IX "Photographs" also includes some 15-20 original graphic art works among its 2284 items. Subjects include Sembrich, places she lived, places she performed, and people with whom she performed. The sheet music and musical scores (Series X) are currently being processed. less

Betty Comden, lyricist and part of the creative team of Comden and Green, wrote lyrics for many Broadway shows from 1940 until 1990. The collections consists of vocal scores, parts and sketches for musicals of which Comden and Green were part of the creative team. less

John Cheshire, harpist and composer, was born in Birmingham England on March 28, 1839. He studied at the Royal Academy of Music in London and became internationally famous as a viruoso touring the Scandinavian countries and South America. He wrote orchestral works, songs, piano music and pieces for harp. He was married to famed pianist Mathilda Frances Cheshire. His collection includes the papers of his daughter Zoe Cheshire, famed harpist. less

Ann Ronell was a songwriter and lyricist who had an extensive career working on film scores and in musical theater in numerous capacities. The Papers include material pertaining to her professional activities along with some personal correspondence. The bulk of the materials date from the early 1920s through the 1970s, and includes scores, correspondence, subject files, biographical material, financial records and photographs. A small amount of material pertaining exclusively to the activities of her husband, Lester Cowan, are included in the papers. less

Otto Janowitz was a Czech-born vocal coach, accompanist, composer and writer. The collection contains memorabilia related to his life and work, including music scores, writings and lecture notes, correspondence, clippings, photographs, catalogs and recital programs. less

Vincent Persichetti, American composer, educator and author, studied the piano with Olga Samaroff and composition with Paul Nordoff at the Philadelphia Conservatory, and conducting with Fritz Reiner at the Curtis Institute. In 1941 he was appointed to teach at the Philadelphia Conservatory, and in 1947 he joined the faculty of the Juilliard School. From 1952 he also served as Editorial Director for Elkan-Vogel. In 1961, Persichetti’s Twentieth Century Harmony: Creative Aspects and Practice was published by W.W. Norton and was immediately viewed as the definitive book on modern compositional techniques. Over the course of his career, he received commissions from the Philadelphia Orchestra, the Louisville Philharmonic Society, the Naumberg Foundation, the Samaroff Foundation, the Serge Koussevitzky Music Foundation, the American Guild of Organists, universities and individual performers. less

A Russian-American violoncellist and music teacher, Evsei Beloussoff came to the United States in 1923, made a transcontinental tour, and appeared in New York as a soloist and in sonata recitals with Ossip Gabrilowitsch, Wanda Landowska, and Rubin Goldmark. In later years he taught at the Juilliard Institute of Musical Arts and at the Y.M.H.A. Music School. The collection includes autobiographical writings, official documents, clippings, business correspondence, programs, and cartoons. 2 musical scores have been cataloged in the Scores file (JPB 90-3 and JPB 90-4). 15 scrapbooks of programs of concerts in Beloussoff's home in New York and 5 scrapbooks of programs of other concerts have been microfilmed. less

Felicia Sanders was a nightclub singer in the 1950's through the early 1970's. She died in 1975 at the age of 53. Her arranger and accompanist was her husband, Irving Joseph. The collection contains 2 items of sheet music with cover pictures of Felicia Sanders, publicity, photographs, and many clippings of articles concerning her nightclub appearances. Some material was originally in scrapbooks. "The Piaf scrapbook" was added to the collection in 1998 and has also been cataloged separately. less

The Felix Salzer Papers represents the work of Felix Salzer (1904-1986), an Austrian-born music scholar who came to the United States in 1939 and has had a lasting impact on music theory. Salzer's work in the United States was highly influential, primarily in the dissemination of Schenkerian theory and analysis. The present collection encompasses both Salzer's scholarly materials and a portion of the papers of his Viennese mentor, Heinrich Schenker (1868-1935). Broadly speaking, the collection contains music analyses, correspondence, academic notes, significant texts (both published and unpublished), and other items. less

Jean Morel was a French conductor who emigrated to the U.S. in 1939, taught at Brooklyn College and the Juilliard School of Music, and conducted at the Metropolitan Opera House. The collection consists chiefly of published music with markings by Morel, some with composers' dedications to Morel, some signed by Morel. less