Found 17 collections related to Scripts

Rick Besoyan was a California-born librettist, composer, director and lyricist. He is best known for his musicals Little Mary Sunshine, (1959), The Student Gypsy or “The Prince of Liederkranz”, (1963), and Babes in the Woods, (1964). The Rick Besoyan Papers include correspondence, scripts, scores, photographs, newspaper clippings, programs and posters. less

Harry Ruby was an American composer, songwriter, librettist and screenwriter. This collection documents Ruby's personal and professional life through scrapbooks, press clippings, musical scores, songbooks and sheet music, publishing and copyright agreements, writings, correspondence, telegrams, lyrics scripts, theatre programs and photographs. Also included are copies of the eulogy read at Ruby's funeral, as well as letters of condolence to Ruby's family after his death. less

Gerard Oestreicher was a real-estate developer, investor, theatre owner and theatre producer in New York City. This collection documents Gerard Oestreicher's career as a theatre producer through scripts, press clippings, programs, a stage design blueprint, correspondence, telegrams, scrapbooks, posters, as well as theatre and box office records. less

Fred Ebb was a lyricist and librettist for Broadway musicals and motion picture and television projects. With composer John Kander, Ebb wrote scores for many acclaimed successful musicals. This collection contains scripts, scores and production files pertaining to Ebb's musicals as well as photographs, awards, personal and business files and extensive scrapbooks Ebb kept on each of his shows and other aspects of his life and career. less

John Mundy (1886-1971) was a cellist and orchestra manager at The Metropolitan Opera, as well as a composer. The John Mundy Papers contain professional documentation of his career, with an emphasis on his compositions, especially The Liar, a musical comedy for which he composed the score. less

The Martin Kalmanoff Papers document the career of an American composer of operas, musicals, choral works, religious services and popular song. The papers consist of scores, correspondence, financial and business papers, writings, notes, concert programs, photographs and media clippings. less

Entertainer, actor, and female impersonator Lynne Carter (ca.1924-1985) was a prominent drag performer who stared in a long-running show with the Jewel Box Review in the 1950s and 1960s. The Lynne Carter collection consists of manuscript music arrangements (vocal scores, conductor scores, and parts), lyrics sheets, scripts, set lists and other materials related to his performances and repertoire. less

Charles Strouse is a composer of stage and film musicals, known for such musicals as Bye Bye Birdie (1960), Applause (1970) and Annie (1977). He occasionally writes his own lyrics, but usually collaborates with a lyricist. His most frequent lyricist is Lee Adams, though he has also worked with Martin Charnin, Alan Jay Lerner, Richard Maltby Jr. and Stephen Schwartz. The majority of the materials in this collection are scripts and scores from Strouse’s shows from the 1960s through 2000. The collection also includes clippings, correspondence, production files and programs. less

Jessica Dragonette (c. 1905-1980) was a soprano who achieved popularity through her twenty two year career performing on radio and for her efforts to support troops during World War II. The Jessica Dragonette papers document Dragonette's long and successful career singing on the radio and in concert performances. The papers contain correspondence, legal contracts, press releases, programs, radio scripts, and scrapbooks. less

The Patricia Brooks papers (1867, 1897-2009) document the professional vocal career of the artist, focusing on her operatic performances. The papers contain professional and personal correspondence; reproductions of photographs documenting her operatic career, including photographs of Brooks with Placido Domingo and Frank Corsaro; financial records and advanced ticket sales regarding Brooks' recital in 1977; as well as correspondence, notes, ticket lists, and potential performers relating to the New York City Opera's tribute to Brooks in 2008. Annotated, published scores make up the majority of the collection. less

The American Music Center was a non-profit organization dedicated to promoting the creation, performance, and appreciation of new American music. For much of its history, one of its principal activities was the creation of a research and circulating library of scores and recordings submitted by its members. The American Music Center collection of score manuscripts, dating from 1935 to 1996, holds music by ten composers: Gerald Busby, Ron Carter, Wendy Mae Chambers, Arthur Cohn, Judith Dvorkin (also known as Judy Spencer), Virginia Samuel, Les Thimmig, William Turner, Grace A. Yeager, and an unidentified composer who wrote incidental music for plays by Laurence Klavan. less