Found 56 collections related to Theater -- Production and direction

Rowland Stebbins (1882-1948) was a New York theatrical producer who worked under the name Laurence Rivers, Inc. He began his professional life as a stockbroker, started producing plays during the 1920s, and in 1929 became a full-time theatrical producer. Collection consists of correspondence and production records of Laurence Rivers, Inc. Correspondence, 1933-1947, with playwrights, actors, agents, theatrical unions and organizations, theater managers, and others, reflects the day-to-day operation of the firm's office. Also includes circulars, legal agreements and other communications from the League of New York Theaters; and Stebbins's correspondence with Union College, 1935-1947. Production records contain correspondence, memoranda, financial papers, legal documents, photographs, and printed matter. less

The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory Company, and the University Resident Theatre Association are among their major affiliations represented in this collection. less

Actor, director and producer, Edwin T. Emery was the director of the WPA's Federal Theatre Project's Gilbert and Sullivan unit. He began his stage career in 1893 appearing with leading stock companies and working with Maude Adams and E. H. Sothern among others. In his later years he directed Gilbert and Sullivan revivals and was a dramatic coach in his own studios. He died in 1951 at the age of 78. Consists of lists of cast and musicians, lighting, costume and property plots, notes on scenery, and programs for the production presented by the Drama Department and Music Department of the Emergency Relief Bureau Works Division of the Department of Public Welfare in New York City. The opera, which opened on October 19th, 1934, was directed by Edwin T. Emery at Ascension Hall, Church of the Ascension on Jarvis St. in Brooklyn. less

Collection contains correspondence, manuscripts, financial papers, production records, photographs, and printed matter. Correspondence consists of requests for work or placement in a particular show, either at the New York Hippodrome or another of the theaters with which Burnside was affiliated, as well as correspondence referring to the logistics of productions, publicity and financial arrangements, club memberships, and professional organizations such as ASCAP. Other correspondence refers to his endeavors in the film industry, as a director with Paramount in New York City, 1923-1925, and in Hollywood, 1935-1938. Correspondence also concerns the Philadelphia Sesquicentennial Celebration of 1926. Financial papers consist of theater accounts, box office and royalty statements, and securities and insurance records. Production notes include cast lists, property lists, program outlines, stage directions, reports, scripts, synopses, and light plots. Publicity photographs are accompanied by letters seeking auditions or parts in Burnside productions. Printed matter includes sheet music, promotional materials, newsclippings of reviews, and articles referring to Burnside, performers, shows, and productions he staged. less

The American Educational Theatre Association, was formed in 1936 by a group of drama teachers to encourage high standards of teaching, production and scholarship; to disseminate information concerning developments in the theatre; and to initiate and support national legislation. Membership was composed of teachers, actors, students, directors, and other people involved in educational theatre. Known later as the American Theatre Association, the organization developed and published materials for use in childrens, school, college and university, and community theatres; promoted touring theatre groups; and stimulated creative activity and scholarship in educational theatre and allied fields. Records of the Association consist of correspondence, reports, minutes, directories, application forms, and printed matter with some materials of other organizations involved with the ATA. Presidential papers, 1949-1956, cover the administrations of Hubert Heffner, Monroe Lippman, Lee Mitchell, William P. Halstead, Barnard Hewitt, Horace Robinson, and Frank Whitney. Official and general papers, 1944-1960, include general correspondence, directories of members, subject correspondence, committee reports and minutes, and printed matter. less

The American Play Company was a New York theatrical agency which represented authors and rights-holders and assisted in the negotiation of theatrical and film licensing. The American Play Company records contain administrative files, contracts, literary department correspondence, and scripts relating to the theatrical rights management business. less

The Harold Clurman papers contain notebooks and journals, director's annotated scripts, manuscript drafts and annotated typescripts of Clurman's books, and photograph scrapbooks documenting his career as a director, critic and writer. The materials span from 1935 through 1978 and give an interesting look at Clurman's work and thought process as a director. Notebooks contain his ideas on plot and character development, as well as casting notes and ideas for plays which he directed, while the scripts contain his director's annotations and compliment the notebooks for research and study of Clurman's techniques as a director. Drafts and typescripts of Mr. Clurman's three books: On Directing; All People Are Famous; and Ibsen show these works as they evolved. Finally, the photograph scrapbooks give a pictorial representation of specific plays including AWAKE AND SING and foreign productions of THE ICEMAN COMETH and LONG DAY'S JOURNEY INTO NIGHT. less

This collection contains the records of HB Playwrights Foundation and the personal and professional papers of its founders, actors Herbert Berghof and Uta Hagen. The Foundation was formed in New York City in 1964 to allow a space for playwrights, actors, directors, and designers to develop their plays in an experimental environment free from commercial limitations. Material relating to the HB Playwrights Foundation includes extensive production material and a small amount of administrative files. Files relating to Berghof and Hagen consist of correspondence, appointment books, diaries, photographs and photo albums, production files, scrapbooks, and a small amount of personal material. less

This collection contains the records of HB Studio, an acting school founded by actor Herbert Berghof in New York City in 1945, and the personal and professional papers of Berghof and his wife, actress Uta Hagen. Material includes correspondence, administrative files, appointment books, diaries, photographs and photo albums, production files, scrapbooks, a small amount of personal material, and sound and video recordings. less

Collection consists of correspondence and other papers of Hyde. Includes correspondence with French actors and dramatists, and correspondence while Hyde was in Paris acting as foreign agent for the New Theatre in New York City. Topics include the building of the theater, financial and policy matters, and choosing and producing plays. Also, documents relating to the organization of the New Theatre. Correspondents include Winthrop Ames, Gabriel Astruc, Eugène Brieux, Lucien and Sacha Guitry, Jean Richepin, and Henry R. Winthrop. less

Gertrude Appelbaum (also known as Apple) worked in the theater as a casting and production assistant for various producers including Howard Lindsay, Russel Crouse and Guthrie McClintic. She was also a business manager for the Theatre Guild (1964-1965), and personal manager for various actors. In 1947 she formed an investment syndicate comprised of investors with small sums to invest in Broadway productions. Collection consists of incoming letters to Appelbaum, mostly letters of thanks for her notes, from actors, producers, playwrights, drama critics and others. Correspondents include Peter Cushing, Paul Ford, Guthrie McClintic, and Burgess Meredith. less

An actor and producer, A. Lincoln Harris reportedly was the first black playwright to feature black people in dramatic works. He produced several plays among them "The Advanced Negro," " Waena," "High Life in Haiti" and "A Trusted Friend" that featured the Lincoln Harris Players founded by Harris. Advertisements and reviews of plays comprise the contents in the scrapbook. The majority of articles, however, deal with the accomplishments of black people especially in sports. less

The Theatre Guild Technical Drawings and Other Production Materials primarily consist of miscellaneous technical drawings and other items documenting various productions put on by the independent production company. The contents of the individual files on productions, mainly dating from the 1920s and 1930s, vary, but may include ground plans, stage plans, and light and/or property plots. less

Donehue was a director working primarily for the New York stage and television in the 1950s and 1960s. He also directed two films in Hollywood. The collection includes personal correspondence; production files containing notes, letters, partial scripts, cast lists, contracts and financial papers; complete scripts, many for television shows; clippings of reviews; and a few manuscripts and photographs. less

William Churchill De Mille (1878-1955) was an American playwright, producer and director. He wrote a number of stage plays and produced them with David Belasco from 1902 to 1914 before becoming one of the pioneers of the motion picture industry. He founded the drama department at the University of Southern California and taught there until 1953. Collection consists of manuscripts and typescripts of De Mille's writings. Writings include play scripts, scenarios, lectures, reminiscences of his career in the motion picture industry, and typescript of children's fairy tale he co-authored. less

Collection consists of correspondence, stage managers'reports, receipt books, roster and salary records, and some personal papers of Dillingham. Correspondence, 1903-1927, of Dillingham and his associates Bruce Edwards and Fred G. Latham with theatrical people relates mainly to the casting and production of shows at the Globe Theatre and at the Hippodrome. Some of the correspondence concerns the management of the road shows on tour in the United States. Records include stage managers' reports, 1910-1911 and 1926- 1927; receipt books, 1906-1907, 1913-1914 and 1920-1928, recording box office receipts for shows at the Globe Theatre; and roster and salary records, 1908-1909. Also, personal and miscellaneous papers, some of which were removed from the R.H. Burnside Papers, containing Dillingham's memoirs of his life in the theater, last will and testament, notebook, and research notes. less

The Emeline Roche Collection (1815-1988) consists of the Emeline Roche Papers (1815-1988) and the Jane Cowl Papers (1884-1949). The collection came in two installments: first after 1950 from Emeline Roche, the rest after her death from her executor and friend, Henry Grady. less

Theatrical producer, Dwight Deere Wiman produced 56 plays and musicals in 26 years on Broadway making his most distinctive imprint in the musical comedy and revue fields. He was born on August 8, 1895 in Moline, IL, a direct descendant of John Deere, inventor of the steel plow and founder of what became Deere and Co., the farm equipment company and family business in Moline. After World War I service, graduation from Yale, and two years in the family business, Wiman and friends organized an independent film production company, Film Guild, in Astoria (Queens), 1920-1924. When that dissolved due to marketing difficulties, he formed a partnership in 1925 with William A. Brady, Jr. presenting 23 plays in New York of which 5 or 6, including Road to Rome, were profitable. That partnership ended on friendly terms in 1929 as only Wiman was interested in musical theater. From 1930 until his death on January 20, 1951, Wiman produced and occasionally directed his own shows including works by Paul Osborn, John Van Druten, Clifford Odets and others, and had a long association with Rodgers and Hart. During World War II he was director of entertainment for the Red Cross in Britain. Papers consist of draft and mimeo scripts by Marc Connelly, Howard Lindsay, Clifford Odets, Paul Osborn, Robert E. Sherwood, John Van Druten, and others; programs and playbills; press books; and miscellaneous production materials including set designs by Jo Mielziner. Represented are "Babes in Arms" (1937), "Command to Love" (1927), "The Gay Divorce" (1932), "I Married an Angel" (1938), "Letters to Lucerne" (1941), "The Little Show" (1929), "Morning's At Seven" (1939), "On Borrowed Time" (1938), "The Racket" (1927), "The Road to Rome" (1927), and many other titles. Also included are miscellaneous business records and correspondence, as well as several orchestrations by Frederick Loewe and Arthur Schwartz. A single 1922 contract is all that pertains to his film production company. There is no personal material in the collection. less

Collection consists chiefly of correspondence from prominent theater and literary figures relating to Lockhart's work at the Annie Russell Theater. Includes correspondence regarding the 1931-1932 production of Hamlet and miscellaneous accounts for the construction of the theater. less

Florence Ryerson (1892-1965) was an American playwright and screenwriter. Collection consists of Ryerson's diaries, correspondence, notes, and memoranda. Work diaries kept by Ryerson, chiefly at her homes in Beverly Hills and Canoga Park, California, describe her life and work; the writing of her plays with the aid of her husband, Colin Clements, including "Harriet," based upon the life of Harriet Beecher Stowe, "June Mad," "Strange Bedfellows," and "Welcome Home"; her work as a screenwriter for Metro-Goldwyn-Mayer; and her personal life. Also, correspondence with literary agents and producers, and production notes and memoranda relating to the staging of "Harriet" in New York City in collaboration with Charles MacArthur and Helen Hayes. Includes references to stage and screen personalities and Ryerson's reaction to international events in the World War II period. less

The Carmen Capalbo papers (1936-1991) consist mainly of professional files of American director and producer, Carmen Capalbo (1925-2010), but also include a small amount of personal material. The bulk of this collection is composed of production files made up of scripts, scores, programs, production fact sheets, budgets, casting notes, correspondence with collaborators regarding productions, fan mail, agreements, contracts, posters, flyers, and press releases. Personal miscellany and casting files from the Spur production company are also present. less

Florence Ryerson (1892-1965) and Colin Clements (1894-1948) were a married American writing team who created plays, novels, and short stories. The Florence Ryerson and Colin Clements papers date from 1909 to 1965 and contain scrapbooks, typescripts, notes, and correspondence. less

Gertrude Hadley Jeannette was an actor, playwright, director, and producer. Additionally, she is believed to be the first woman to get a taxi license and drive a cab in New York City. Her papers consist of personal material, correspondence, printed matter, and drafts and manuscripts of her writing. less

The Living Theatre was founded by Judith Malina and Julian Beck in 1947. The records consist of scripts and related performance papers. Also included are business papers, financial records, clippings, diaries, photographs and correspondence. There is little material reflecting the personal lives of Malina and Beck. less