Wilson, Fred H.
Billy Rose Theatre Division | *T-Mss 1941-004
(1 portfolio)
Fred H. Wilson was a professional stilt-walker, who performed at fundraising events and in other venues in the New York area during the 1920s. Consists of eight letters written to stilt-walker Fred H. Wilson, most of which pertain to his annual...
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Fred H. Wilson was a professional stilt-walker, who performed at fundraising events and in other venues in the New York area during the 1920s. Consists of eight letters written to stilt-walker Fred H. Wilson, most of which pertain to his annual performances at the New York Police Department's September Field Day event. There is also a letter from motion picture industry spokesman Will Hays, thanking Mr. Wilson for his performance at a charity drive. The Hays letter includes a tiny snippet of film printed onto paper stock, featuring several frames depicting a stilt-walker, presumably Wilson. There are also two letters from the Metropolitan Opera Company of New York, arranging Wilson's appearance in a 1924 production of Rimsky-Korsakov's COQ D'OR.
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Brisson, Frederick, 1912-1984
Billy Rose Theatre Division | *T-Mss 1984-006
Papers of the producer Frederick Brisson, known for such productions as Coco . Also includes some papers of his wife, Rosalind Russell.
Merrill, Phyllis, 1908-
Billy Rose Theatre Division | *T-Mss 1998-004
Phyllis Merrill, writer of scripts, speeches and advertising copy. Her papers include her writings from the J. Walter Thompson Co. Commercials for RCA, as well as scripts from radio and television programs form the bulk of the collection. There is...
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Phyllis Merrill, writer of scripts, speeches and advertising copy. Her papers include her writings from the J. Walter Thompson Co. Commercials for RCA, as well as scripts from radio and television programs form the bulk of the collection. There is also a small amount of memos and documents from the J. Walter Thompson Co.
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Henkle, Carl
Billy Rose Theatre Division | *T-Mss 2003-047
1 portfolio
Carl Henkle was the author of two plays produced on Broadway, DECISION (1929) and PAGE PYGMALION (1932). Henkle's play DECISION opened at the 49th Street Theatre on May 27, 1929, and ran for 64 performances. PAGE PYGMALION opened at the Bijou...
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Carl Henkle was the author of two plays produced on Broadway, DECISION (1929) and PAGE PYGMALION (1932). Henkle's play DECISION opened at the 49th Street Theatre on May 27, 1929, and ran for 64 performances. PAGE PYGMALION opened at the Bijou Theatre on Aug. 3, 1932, and ran for 13 performances. The Carl Henkle papers consist of a small amount of correspondence and five tablets of pencil sketches of female figures by an unknown artist. The correspondence includes three telegrams wishing Henkle good luck on his first Broadway play, DECISION, including one from an actress in the cast. The other letters involve a dispute concerning the bill for a kimona used in PAGE PYGMALION, Henkle's second Broadway play. The unsigned and unlabelled sketches of women appear to be student work, but might have been preliminary costume sketches for one of Henkle's productions.
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Cherry, Ewing, d. 1969
Billy Rose Theatre Division | *T-Mss 2001-020
.21 linear feet. (1 box of material)
Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in...
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Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in vaudeville in a skit called OUT OF LUCK. He went on to play juvenile leads for various stock companies in such shows as MRS. WIGGS OF THE CABBAGE PATCH and THE LITTLE SPITFIRE through the 1910s and 1920s. His Broadway credits include WHAT PRICE GLORY?, SKIDDING with Glenda Farrell, THE NIGHT BEFORE with Franchot Tone, and MARCHING MEN (1930) with Leon Ames. Cherry also acted in radio drama. After a period of retirement, he returned to the stage for a role in the Off-Broadway production of Sean O'Casey's RED ROSES FOR ME (1961), then appeared in O'Casey's MOON SHINES ON KYLENAMOE and in Nikolai Evreinov's THE CHIEF THING (1963), his last professional credit. Ewing Cherry died in New York City on March 30, 1969. The Ewing Cherry papers span 1916 to 1962, and consist of letters to Ewing Cherry from employers and friends, a number of contracts securing Mr. Cherry's services as an actor for various stock companies between 1917 and 1927, three booklets (1920-23) introducing the members of the Gene Lewis-Olga Worth stock company, photographs of Ewing Cherry in a variety of characterizations, playbills for a dozen plays in which Ewing Cherry appeared, press releases, fliers, telegrams to and from Ewing Cherry, and clippings of reviews which mention his performances.
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Molnár, Ferenc, 1878-1952
Billy Rose Theatre Division | *T-Mss 1947-002
18.4 linear feet (20 boxes)
The Ferenc Molnár papers contain a selection of scripts, correspondence and articles written by Molnár between 1927 and 1952.
Dymow, Ossip, 1878-1959
Billy Rose Theatre Division | *T-Mss 1959-004
.21 linear feet (1 box of material), 28 cm
Ossip Dymow, playwright and screenwriter, was born in Russia. He wrote in Russian, German, and Yiddish in his early years, and became best known to English-speaking audiences for his play NJU, translated into English and staged in New York in...
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Ossip Dymow, playwright and screenwriter, was born in Russia. He wrote in Russian, German, and Yiddish in his early years, and became best known to English-speaking audiences for his play NJU, translated into English and staged in New York in 1917, and made into a silent film in 1924. In addition to his plays, Ossip Dymow contributed to the screen adaptation of Joseph Roth's novel JOB, which became the film SINS OF MAN in 1936. The Ossip Dymow correspondence spans 1906-1946, but the bulk of it dates from the 1930s and 40s. Most of the letters are in German, but a few are in English. A lengthy telegram from the famous German stage director Max Reinhardt, praising Dymow on his birthday, has been translated into English.
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Manhattan Theatre Club
Billy Rose Theatre Division | *T-Mss 2004-002
155 linear feet (305 boxes)
The Manhattan Theatre Club was founded in 1970 by Albert E. Jeffcoat, Margaret Kennedy, Philip Barber and A. Joseph Tandet. In 1972, Lynne Meadow was hired as Artistic Director. In 1975, Barry Grove was hired as Managing Director. Due to their...
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The Manhattan Theatre Club was founded in 1970 by Albert E. Jeffcoat, Margaret Kennedy, Philip Barber and A. Joseph Tandet. In 1972, Lynne Meadow was hired as Artistic Director. In 1975, Barry Grove was hired as Managing Director. Due to their working relationship, one of the most long-standing in the non-profit community, the Manhattan Theatre Club produces "works of the highest quality by both established and emerging American and international playwrights" (website quote)-e.g.
Bad Habits,
Crimes of the Heart,
Ain't Misbehavin',
The Singular Life of Alfred Nobbs, and
Frankie and Johnny in the Claire de Lune. Correspondence with financial and theatre related agencies, artistic personnel connected with both proposed and produced productions, and with Manhattan Theatre Club staff makes up a considerable portion of this collection. This collection also contains papers that illustrate the practical business of running a theater company such as literary office reports, meeting minutes, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, and general publicity.
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Allen, Martha-Bryan
Billy Rose Theatre Division | *T-Mss 2003-048
(1 portfolio)
Clift, Montgomery
Billy Rose Theatre Division | *T-Mss 1967-006
6 linear feet (5 boxes, 4 volumes)
Montgomery Clift (1920-1966) was an American stage and Academy Award-winning film actor. The additions to the Montgomery Clift papers include production files, correspondence, photographs and personal ephemera.
Shield, Blanche
Billy Rose Theatre Division | *T Mss 1992-024
The Mary Pickford and Buddy Rogers Corrrespondence consists of letters sent by them and their secretaries to Blanche Shield, long time friend and correspondent. The letters contain information on the personal and professional lives of Mary...
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The Mary Pickford and Buddy Rogers Corrrespondence consists of letters sent by them and their secretaries to Blanche Shield, long time friend and correspondent. The letters contain information on the personal and professional lives of Mary Pickford and Buddy Rogers.
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Kurtz, Maurice, 1913-
Billy Rose Theatre Division | *T-Mss 2000-024
Maurice Kurtz, playwright and adapter, and one of the founders of International Theatre Institute (ITI). Papers include correspondence with notables of the international theater community.
Liebman, Max
Billy Rose Theatre Division | *T-Mss 1981-006
Max Liebman was one of the leading pioneers in producing, directing, and writing several highly credited television productions in the 1950s. Growing up in New York, he attended the Boys High School in Brooklyn, and got his start in entertainment,...
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Max Liebman was one of the leading pioneers in producing, directing, and writing several highly credited television productions in the 1950s. Growing up in New York, he attended the Boys High School in Brooklyn, and got his start in entertainment, performing and writing in vaudeville. He was the producer and director of the Tamiment Theatrical Workshop in the Poconos, a summer stock playhouse, and brought the company's show to Broadway as
The Straw Hat Revue in 1939. Liebman was a co-writer for Danny Kaye for several years, and was also credited as a writer for the 1945 movie-musical
Ziegfeld Follies. Max Liebman Productions was incorporated in the State of New York in 1948, and in 1949 Liebman made his debut as a television producer with the production of the Admiral
Broadway Revue. Liebman also launched
Your Show of Shows his most celebrated and critically acclaimed television production that same year, which he produced and directed from 1949 to 1954. The show was broadcast from the International Theatre in New York City and starred Sid Caesar and Imogene Coca. The papers of Max Liebman contain correspondence, scripts, drafts of scripts and rewrites, production files, production notes, clippings, legal documents, and personal papers including bills, photographs, and artwork that document his television and theater production career from 1949 to 1977.
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Hamilton, Nancy
Billy Rose Theatre Division | *T-Mss 1985-006
19 linear feet (26 boxes)
Nancy Hamilton was an American actress, playwright, lyricist, director and producer. She worked in the New York theater from 1932-1954. This collection includes personal files, scripts, production materials, scores, photographs and scrapbooks.
Steppenwolf Theatre Company
Billy Rose Theatre Division | *T-Mss 1994-010
6.34 linear feet (9 boxes)
The Steppenwolf Theatre Company
Grapes of Wrath production files contain scripts, schedules, administrative records, research material, correspondence, programs, reports, contracts, plans, notebooks, clipppings,...
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The Steppenwolf Theatre Company
Grapes of Wrath production files contain scripts, schedules, administrative records, research material, correspondence, programs, reports, contracts, plans, notebooks, clipppings, photographs, and ephemera relating to the Chicago, San Diego, London, New York, and television productions of the play.
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Mosel, Tad
Billy Rose Theatre Division | *T-Mss 1979-006
7.92 linear feet (19 boxes)
The papers document the career of Tad Mosel, Pulitzer Prize winning playwright, performer, biographer, and writer for television and film.
Eppes, William D
Billy Rose Theatre Division | *T-Mss 2001-029
.21 linear feet. (1 box), 28 cm
Diana Forbes-Robertson (1915-1987), was the daughter of the actors Sir Johnston Forbes-Robertson and Lady Gertrude Forbes-Robertson, as well as the niece of actress Maxine Elliot, about whom she wrote MY AUNT MAXINE. In 1935, Diana married the...
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Diana Forbes-Robertson (1915-1987), was the daughter of the actors Sir Johnston Forbes-Robertson and Lady Gertrude Forbes-Robertson, as well as the niece of actress Maxine Elliot, about whom she wrote MY AUNT MAXINE. In 1935, Diana married the journalist and author Vincent Sheean (1899-1975), whose autobiography PERSONAL HISTORY was published that year. The William D. Eppes papers consist of Mr. Eppes' correspondence with Diana Forbes-Robertson, his correspondence with Mimi Keller, editor/publisher of the periodical PUG TALK, to whom he submitted a piece about Ms. Forbes-Robertson's pug dog Bill, a brief memoir by Mr. Eppes about his meeting with Ms. Forbes-Robertson in 1985, brief biographical pieces about Ms. Forbes-Robertson and her husband, Vincent Sheean, and also a letter from actor Keith Baxter about the 1988 murder of actor George Rose.
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Phillips, Cyril L
Billy Rose Theatre Division | *T-Mss 2001-057
(1 portfolio)
The Birmingham Repertory Theatre of Birmingham, England, was founded on February 15, 1913, by Sir Barry Jackson (1879-1961), who was knighted in 1925 for services to theater. From the beginning, the Theatre's repertoire was extraordinarily wide,...
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The Birmingham Repertory Theatre of Birmingham, England, was founded on February 15, 1913, by Sir Barry Jackson (1879-1961), who was knighted in 1925 for services to theater. From the beginning, the Theatre's repertoire was extraordinarily wide, including Greek drama, medieval morality plays, Shakespeare in both traditional costume and modern dress, farce comedy and experimental works. A new building was designed and constructed in the 1970s. Consists of photocopied correspondence to the Birmingham Repertory Theatre, much of it addressed to theatre administrator Cyril Phillips, the bulk of it concerning the Theatre's 25th anniversary celebration in 1938. A number of letters from George Bernard Shaw, all dated 1923, concern an imminent production of his play BACK TO METHUSELAH. There is also a photostat of a contract with Shaw, dated 1917, granting production rights to several of his plays. Other correspondents include J. B. Priestley, Peggy Ashcroft, Errol Flynn, Robert Donat, Stanley Lupino, Brian Ahern, and Somerset Maugham.
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Bosworth, Patricia
Billy Rose Theatre Division | -Mss 2006-009
7 linear feet (16 boxes)
The Patricia Bosworth Papers consist largely of her manuscripts and research files for
Montgomery Clift: A Biography (Harcourt Brace Jovanovich, 1978), but also contains material relating to other writings and...
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The Patricia Bosworth Papers consist largely of her manuscripts and research files for
Montgomery Clift: A Biography (Harcourt Brace Jovanovich, 1978), but also contains material relating to other writings and professional activities.
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Cranefield, Paul F. (Paul Frederic), 1925-
Billy Rose Theatre Division | *T-Mss 2006-006
19.5 linear feet (25 boxes)
The Paul Cranefield Papers, 1824-2002 [bulk years 1951-2002], document medical doctor and theater enthusiast Paul Cranefield’s interest and contribution to New York City’s theatrical world, and in particular the Off-Off Broadway movement. The...
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The Paul Cranefield Papers, 1824-2002 [bulk years 1951-2002], document medical doctor and theater enthusiast Paul Cranefield’s interest and contribution to New York City’s theatrical world, and in particular the Off-Off Broadway movement. The collection consists of administrative files created by the La Mama Experimental Theatre Club and the Circle Repertory Theatre, in which Cranefield served as a board member for several years. They include correspondence, meeting minutes, notes and agendas, legal and financial records, grant applications, leaflets and brochures, production inventories, and Cranefield’s writings on subjects related to theater and collecting. There are also scripts, photographs, clippings, and a considerable number of programs and posters from productions created by La Mama and Circle Repertory Theatre, as well as from productions of the 1800s, collected by Cranefield.
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Goetz, Ruth
Billy Rose Theatre Division | *T-Mss 1999-003
The Papers of Ruth and Augustus Goetz contain documentation of their lives and collaboration as playwrights.
Moesel, Ruth
Billy Rose Theatre Division | *T-Mss 1984-008
16.12 linear feet (40 boxes)
Ruth Chatterton (1893-1961) was an American actress, novelist, aviatrix, director and translator. Ruth Moesel was an American teacher who began collecting items on Chatterton as a hobby and later compiled information on Chatterton for a biography...
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Ruth Chatterton (1893-1961) was an American actress, novelist, aviatrix, director and translator. Ruth Moesel was an American teacher who began collecting items on Chatterton as a hobby and later compiled information on Chatterton for a biography which was written, but never published. The Ruth Moesel collection of Ruth Chatterton materials contains scrapbooks, which document Chatterton's career with photographs, clippings, programs, as well as loose scripts, correspondence, photographs and other publicity materials.
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Morley, Ruth
Billy Rose Theatre Division | *T-Mss 1998-024
38 linear feet (70 boxes)
The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and...
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The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and notes, sketches, and swatches; production notes, schedules, and contact lists; costume and research photographs and slides; correspondence, contracts and financial records, as well as a substantial number of scripts. The collection also includes professional papers such as correspondence, coursework and lecture notes, research materials, and theatrical vendor brochures. There are no personal papers in this collection.
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Barstow, Richard
Billy Rose Theatre Division | *T-Mss 1981-001
17 linear feet (28 boxes)
The Richard and Edith Barstow Papers document the careers of the sister and brother, both as dancers, then as choreographers and directors, for stage, screen, television, the Ringling Brothers Barnum and Bailey Circus, nightclubs, and industrial...
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The Richard and Edith Barstow Papers document the careers of the sister and brother, both as dancers, then as choreographers and directors, for stage, screen, television, the Ringling Brothers Barnum and Bailey Circus, nightclubs, and industrial shows.
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Schnitzer, Robert C.
Billy Rose Theatre Division | *T-Mss 1999-028
19.25 linear feet (43 boxes)
The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory...
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The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory Company, and the University Resident Theatre Association are among their major affiliations represented in this collection.
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Jones, Robert Edmond, 1887-1954
Billy Rose Theatre Division | *T-Mss 2000-037
.1 linear feet. (1 portfolio of letters)
Robert Edmond Jones (1887-1954), stage scenic designer, director, author, and motion picture production designer, collaborated on several stage productions with puppet designer and puppeteer Remo Bufano (d. 1948). After collaborating on a...
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Robert Edmond Jones (1887-1954), stage scenic designer, director, author, and motion picture production designer, collaborated on several stage productions with puppet designer and puppeteer Remo Bufano (d. 1948). After collaborating on a production of OEDIPUS REX in the early 1930s, the two men corresponded about a number of other potential projects over the ensuing years, most of which, it would appear, did not come to fruition. In the theater, Mr. Jones was closely identified with the work of Eugene O'Neill, and also designed and/or directed THE GREEN PASTURES (1930) and OTHELLO (1934). Both men found work in motion pictures, Mr. Jones designing such early Technicolor films as BECKY SHARP (1935) and THE DANCING PIRATE (1936), while Mr. Bufano contributed puppetry to the Fred Astaire musical YOLANDA AND THE THIEF (1945). Mr. Bufano had plans to bring puppetry to television in its early days, but died in 1948. The collection consists of four folders of correspondence between Robert Edmond Jones and Remo Bufano, concerning projects both realized and unrealized. Three of Mr. Bufano's early letters are in French.
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Smith, Joe, 1884-1981
Billy Rose Theatre Division | *T-Mss 1981-015
2 linear feet (3 boxes)
Joe Smith and Charlie Dale were partners in one of vaudeville’s most famous and successful comedy acts, later translating many of their most popular sketches to other media, including radio, motion pictures and television. The Smith and Dale...
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Joe Smith and Charlie Dale were partners in one of vaudeville’s most famous and successful comedy acts, later translating many of their most popular sketches to other media, including radio, motion pictures and television. The Smith and Dale Papers include contracts, correspondence, photographs, scripts and other professional material from the team, as well as clippings documenting their joint career and Smith’s activities after Dale’s death.
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Campbell, Sandy
Billy Rose Theatre Division | *T-Mss 1982-004
.21 linear feet. (1 box of material)
Sandy M. Campbell, a professional actor from the mid-1940s through the end of the 1950s, knew and worked with a number of prominent stage and screen actors of the period, and corresponded with many of them. The Sandy M. Campbell correspondence...
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Sandy M. Campbell, a professional actor from the mid-1940s through the end of the 1950s, knew and worked with a number of prominent stage and screen actors of the period, and corresponded with many of them. The Sandy M. Campbell correspondence spans 1939-1980, but the bulk of the material dates from the 1940s through the 1950s, the period when Mr. Campbell was active in the theater. Most of the correspondence consists of brief letters to him, though there is one letter written by him to Sarah Marshall. The strength of the collection is a large group of letters from actor Herbert Marshall (1890-1966) to his daughter, actress Sarah Marshall (Mrs. Karl Held), written between 1948 and 1959. Mrs. Held had these letters xeroxed, bound, and privately printed in 1980, and presented copies to family members and friends, including Sandy Campbell, to whom she inscribed a copy. Herbert Marshall is best known as the star of such films as ACCENT ON YOUTH (1935), FOREIGN CORRESPONDENT (1940), and THE LITTLE FOXES (1941), and his letters cover a variety of topics.
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Greenspan, Sara, 1894-1968
Billy Rose Theatre Division | *T-Mss 1968-005
.21 linear feet (1 box)
The Sara Greenspan Theatre Guild Files chiefly contain correspondence relating to activities of the Theatre Guild during some of its most significant years of operation. Sara Greenspan, who began as secretary with the Guild in 1925, served as the...
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The Sara Greenspan Theatre Guild Files chiefly contain correspondence relating to activities of the Theatre Guild during some of its most significant years of operation. Sara Greenspan, who began as secretary with the Guild in 1925, served as the business manager of the prestigious production company for twenty years before retiring in 1963.
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Schneider, Alan, 1917-1984
Billy Rose Theatre Division | *T-Mss 1985-002
This collection of correspondence, production files, scripts, and ephemera documents the career of director and theater educator, Alan Schneider, famed for his productions of the works of Samuel Beckett, Edward Albee and Harold Pinter.