Found 26 collections related to Correspondence

The Rhoda Levine Papers document the career of the opera director, mainly through files on each of the many stage and opera productions on which she worked as dancer, choreographer or director. The papers contain annotated scores and libretti; costume, stage and set designs; choreographic, rehearsal and performance notes; programs; clippings; photographs; and audio/visual recordings. less

Alvin Lucier (born 1931) is an American composer who is best known for exploring the nature of sound and sonic environments. His papers, dating from 1939 to 2015, strongly represent his career as a composer and pedagogue over five decades. Most of the collection consists of scores, sound recordings, moving images, subject files, photographs, correspondence, and programs. Also present are datebooks, diaries, posters, notebooks, and clippings. less

Jack Diether (1919-1987) was a journalist and musicologist best known for his expertise in and promotion of the music of Gustav Mahler and Anton Bruckner. The Jack Diether papers, dating from 1941 to 2006, hold correspondence, research files, and writings. less

Larry Bell (born 1952) is an American composer and pianist. The Larry Bell papers, dating from 1965 to 2013, document the composer's career through published scores, sketches, programs, clippings, correspondence, subject files, writings, and photographs. less

David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures. less

Susannah McCorkle (1946-2001) was an important American jazz / pop singer as well as a talented writer. Her papers consist of her writings, correspondence, business and personal papers, scores, concert programs, clippings, publicity material, photographs and books. less

The Richard Maltby Sr. papers hold scores, correspondence, business papers, photographs, clippings, and scrapbooks. The vast majority of the collection consists of scores and parts for arrangements and compositions by Maltby as well as by his staff arrangers (primarily Al Muller and Red Bone), most of which are for jazz big band. less

The bulk of the J.K. Randall Collection consists of the composer's scores and other papers documenting his compositions. The remainder is comprised of Randall's personal files containing his writings, theoretical notes and analyses, correspondence and concert programs. less

Jacob Avshalomov, composer, was born in China in 1919, but immigrated to the U.S.A. in 1937. He studied in Los Angeles with Ernst Toch, at the Eastman School of Music with Bernard Rogers, and at Tanglewood with Aaron Copland. Avshalomov spent the majority of his career as the director of the Portland Youth Orchestra from 1954 to 1995. The Scores contains various drafts and sketches and scores composed by Jacob Avshalomov from 1928-1998. The bulk of the material dates from 1940-1998, and in addition to the scores, the collection contains correspondence, libretti and programs. The collection also includes compositions written by the composers father, Aaron Avshalomov. less

Gabriel Banat is an American violinist who played for many years with the New York Philarmonic. He was born in Transylvania, Romania in 1926, eventually moving to Hungary. At the age of eight, he was discovered by Béla Bartók, who enabled him to be accepted at the Royal Academy in Budapest (now the Franz Liszt Academy of Music), where he won honors. In 1946 he moved to New York City where he toured with Georges Enesco, his mentor. He became a naturalized citizen in 1953. He toured in the United States, Europe and Japan, and was guest soloist with the London Philharmonic, Oslo Philharmonic, among others. In 1970 he joined the New York Philharmonic. He was a professor at Smith College where he led the violin department. He also conducted various ensembles and organizations during his career. His research on Mozart led to publication in facsimile of Mozart's five violin concertos (Raven Press, 1986). His research on the Chevalier de Saint-Georges led to a biography (Pendragon Press, 2006) as well as numerous articles. He also edited the series "Masters of the Violin" (1981-1982). The Gabriel Banat papers document the performing career and editing/writing activities of violinist Gabriel Banat through correspondence, programs, reviews, and photographs. less

Francis Thorne is an American composer. Most of his was work created in the late 20th Century. He has composed over 100 works, including symphonies, concerti, string quartets, as well as chamber music, choral music and songs. In addition to composing, he has been active in music administration, being a founding member of the American Composers Orchestra. He has been President/Treasurer of the Thorne Music Fund as well as the Executive Director of the Music Theatre Group, and American Composers Alliance. His music is published by Merion Music, Inc. and distributed by Theodore Presser Company. This collection consists mainly of scores. There are also office files. less

The Martin Kalmanoff Papers document the career of an American composer of operas, musicals, choral works, religious services and popular song. The papers consist of scores, correspondence, financial and business papers, writings, notes, concert programs, photographs and media clippings. less

The papers of the composer Charles Turner, one of Samuel Barber's few students, contain scores, sketches and notes, libretti, correspondence, diaries, photographs, programs, scrapbooks, yearbooks, clippings, and audio recordings documenting his life and career as a violinist, composer and pedagogue. less

Norman Dello Joio is a pianist, organist, educator and a Pulitzer Prize winning composer. The collection contains materials related to his work; including business related correspondence (from individuals and institutes), personal papers (financial, biographical, some photographs, speeches and writings), performance files (programs and other related items), musical scores, clippings, ephemera, and scrapbooks. less

New Music for Young Ensembles (NYME), founded in 1974 by Claire Rosengarten, was an organization which fostered musical composition of ensemble music for intermediate level players. The organization's main activities centered around an annual composition competition, and an annual concert of music which would include the competition winner and other contemporary music. The New Music for Young Ensembles records consist of a variety of materials, including correspondence, photographs, administrative records, concert programs, and scores documenting the entire history of NMYE from 1974 until 2004, as well as materials detailing the assembly of this archive. less

Meyer Kupferman was a composer and professor of music. He was a prolific writer, penning several concertos, chamber and solo pieces, operas, ballets, symphonies. He taught at Sarah Lawrence College for over 40 years and was known as a composer of both jazz and 12-tone techniques. less

The Cleveland String Quartet records, dating from 1965 to 2001, document the formation and evolution of the ensemble; its performances, recordings, tours, and other activities; and its critical reception. They also evidence the careers of Paul and Martha Strongin Katz. They hold correspondence; contracts; itineraries; photographs; publicity files; contracts; repertoire lists; programs; clippings; management files; and datebooks. less

The Dorian Wind Quintet is one of the longest continually-active chamber music groups in the world. The Dorian Wind Quintet records (1954-2012) document the first four decades of the group's existence through programs; scrapbooks; sound recordings; photographs; clippings; subject, touring, and management files; datebooks; files of the Dorian Wind Quintet Foundation; and posters. The largest components of the collection are sound recordings and programs. less

Andrea Olmstead, a musicologist, is the leading authority on the American composer Roger Sessions. The Andrea Olmstead papers, dating from 1970 to 2013, mainly document the research and writing of Olmstead's books and articles on Sessions, as well as her history of the Juilliard School. They include Olmstead's correspondence with the composer and transcripts of her interviews with him; research notes; book drafts; papers, lectures, and presentations; and correspondence with other musicologists and writers. The papers also hold Olmstead's interviews with faculty and alumni of the Juilliard School. less

Sorrel Hays (1941-2020) was a composer, pianist, and artist best known for her compositions Southern Voices (1981), The Glass Woman (1989-1993), and Our Giraffe (2006-2008) as well as her interpretations of Henry Cowell's and John Cage's music. Marilyn Ries (1937-2017) was a prolific sound engineer and producer who created audiobooks, sound effects, radio and educational programs, music recordings, and video and film recordings. Hays and Ries met in 1985, became domestic partners in 1989, and married in 2015. Their papers date from 1950 to 2019 and chronicle their professional careers through sound and video recordings, correspondence, score drafts, notes, notebooks, contracts, grant proposals, and press clippings. The collection also holds personal documents and photographs. less