Found 102 collections related to Clippings

Georg Herwegh, a German poet, was a friend of composer Richard Wagner. Clipping of a poem which deals humorously with Wagner's Munich experiences. The former owner Mrs. Burrell dates it as of 1865. The article, in an unidentified publication, states that the poem is quoted from the Vienna National-Zeitung. less

The Stead Collection gives a comprehensive depiction of the English theater. $bThe collection consists primarily of playbills, programs, clippings and prints, but also contains manuscript material consisting of letters, photographs, legal and financial documents, and ephemera. less

A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time. less

Letters sent to George J. Coombes at the Astor Library and John Shaw Billings at the New York Public Library by S. Millington Miller, a serials dealer and notable forger, largely pertaining to sales of serials and periodicals to the libraries, as well as a clipping from the Savannah Morning News describing an altercation between Miller and Georgia librarian William Harden stemming from Harden's accusations of "literary fraud" against Miller. less

Collection consists mainly of correspondence between British-born American painter John William (J.W.) Hill and various friends and family members, including Gordon Lester Ford and his wife, Emily Ellsworth (Fowler) Ford. Letters discuss social and family matters, as well as the creation and sale of his work. Also included are canceled checks, receipts, order slips from the Brooklyn Art Association, a biographical note, and clippings, largely related to Hill's death in 1879 less

Alexander Smallens was a Russian-born American conductor. He accompanied the Anna Pavlova Ballet Company on a tour to South America (1915-1916) and worked on the staffs of the Boston Opera, Chicago Opera, Philadelphia Opera, and Philadelphia Orchestra. From 1947 to 1950 he was music director of Radio City Music Hall, New York. For many summers he conducted concerts at Lewisohn Stadium, New York. He conducted the premiere of Gershwin's Porgy and Bess in Boston in 1935 and later took it on tour in the United States and Europe. Papers relating to Smallens' career as a conductor include correspondence, programs and flyers, photographs, clippings, complete issues of Broun's Nutmeg 1939 May 27-Sept. 30, and musical scores including arrangements by Smallens and scores with performance markings. Some scores have also been cataloged separately in the Scores file. Correspondents include Marc Blitzstein, Frederick Jacobi, and Leopold Stokowski (each represented by 20 or more letters); George Antheil, Norman Bel Geddes, Alfredo Casella, Aaron Copland, Henry Cowell, Olin Downes, Ira Gershwin, Morton Gould, Werner Josten, Darius Milhaud, Serge Prokofieff, Pitts Sanborn, William Schuman, Roger Sessions, Virgil Thomson, Eugen Zador, and Maria Gay Zenatello (each represented by 5 or more letters); and many other composers and conductors; there is 1 letter from Anton Webern. Series III has been cataloged separately in the VIM file as Photographs from the Alexander Smallens papers. less

Auguste Kolar was a Bohemian pianist active in Prague and Vienna from about 1859 to 1874. Born in Prague, she studied there with Josef Proksch. In 1865 she performed a 2-piano work in a concert with Clara Schumann. After her marriage to Dr. Heinrich Auspitz in 1868, she took the name Auguste Auspitz-Kolar. During the summers of 1869 and 1870, she performed in London. Scrapbook of concert programs and clippings of reviews, 1858-1874; letters, chiefly between Auguste Kolar and Heinrich Auspitz, 1865-1866, bound in 2 volumes; about 225 photographs (mostly unlabeled, the last dated 1902) in 2 scrapbooks; small scrapbook of pressed leaves from the graves of composers and poets; small scrapbook of "Erinnerung" 1863-1872; literary works by Auguste Kolar including 2 volumes of poetry, a long prose poem, a play, and "Vom Klavierspielen"; book of poems by Gustav Schlicht; Auguste Kolar's copy (probably in her hand) of "Die Lehre von der Melodie," by Josef Proksch. less

Holograph musical scores by various composers including extensive sketches and drafts of Chausson's Symphony in B♭ major and single pages from works by Dukas, d'Indy, and Montemezzi; Toscanini's own works composed as a student, ca. 1882-1884, including holographs, photocopies of holographs, and copyists' manuscripts; arrangements, transcriptions, and reductions in Toscanini's hand of works and parts of works by various composers including extensive passages from Shostakovich's Seventh Symphony; letter, note, and rehearsal schedule in Toscanini's hand; clippings of 2 articles about Toscanini; flyer including Toscanini's portrait; 2 photographs; commemorative Italian stamps and coins with Toscanini's portrait. less

Giuseppe Operti, "pianist to His Majesty Victor Emmanuel 2nd, late King of Italy," was later a performer, teacher, and composer in the United States. 7 programs, 20 clippings, business card, caricature, 2 copyright registrations, silk broadside song lyrics, and cover of a published song including Operti's portrait and facsimile of his signature. Programs and clippings deal with Operti's work as pianist and conductor, and as composer of stage works, including the comic opera, U.S. Buttons. Accompanied by dealer's description of the collection and paraphrase of the New York Times obituary, Dec. 9, 1886. less

Frank Damrosch was born Franz Heino Damrosch in Breslau, the son of Leopold Damrosch. A choral conductor, composer, and educator, he founded the Musical Art Society of New York and the Institute of Musical Art which became affiliated with the Juilliard School of Music. Drafts of autobiographical and other writings and lectures; published articles by and about Frank Damrosch; letters received; programs; clippings; scrapbooks; minutes of meetings of the Musical Art Society; material from the People's Choral Union; copies of The Baton, a publication of the Institute of Musical Art and The Juilliard School; and published scores of 10 choral works composed or arranged by Frank Damrosch and of 3 songs composed by Frank Damrosch. less

Autograph manuscript in an exercise book and 3 newspaper clippings with articles by Frederich Pecht. On title page of ms: Aus Richard Wagners Pariser Zeit / von Frederich Pecht. Allegemeine Zeitung, Beilage, N3 81, Donnerstag, 22. Marz, 1883. It covers Wagner's years in Paris, 1839-1840. Two of the clippings are entitled Aus Friedrich Pechts Lebenserinnerungen (V. 1864. Richard Wagner in Dresden; VI. Paris 1867) in Tägliche Rundschau Unterhaltungs-Belage, hrsg. von Dr. Friedrich Lange, Nr. 115, 121, dated 1894 May 20 and 27. The other, apparently from a Dresden publication, quotes from Pecht's reminiscences about Wagner in Paris, 1840. less

Frieda Hempel was a German soprano with the Metropolitan Opera. From 1918-1926, she was married to William B. Kahn, who continued as her business manager after their divorce. Correspondence between Frieda Hempel and William Kahn, chiefly from the year 1950, including letters, cables, and postcards ; correspondence between Frieda Hempel and others ; correspondence between William Kahn and Elizabeth Johnston, who cared for Frieda Hempel during her last illness, 1955 ; correspondence between William Kahn and others concerning the hanging of a portrait of Frieda Hempel in the Metropolitan Opera House, 1956-1957 ; correspondence between William Kahn and others including Sophie Tavarozzi and Joan Sutherland Bonynge ; Kahn's 1914 pamphlet, The Avoidance of War, and correspondence about it ; Kahn family correspondence from the 19th century and the 1920's ; clippings ; and miscellaneous items including a Kahn family tree. less

George Wotherspoon was a theatrical and motion picture publicist, theatrical manager, stage critic, and journalist. George Wotherspoon began his theatrical career in 1889, when he managed the Australian and European tour of LITTLE LORD FAUNTLEROY. He was a published critic as early as 1887, and in the summer 1895 he began a daily column for the New York Evening Telegram. In 1899 he began a five-year stint with the New York Evening Journal as reporter and drama editor. Wotherspoon's involvement in motion pictures began as early as 1899, when he promoted a film depicting the Tom Sharkey-Jim Jeffries boxing match. In 1911, he promoted an experimental "Kinemacolor" film of the coronation of King George V. For several years, beginning in 1904, Wotherspoon was a press agent for the Dreamland and Luna Park attractions at Coney Island. From 1917 to 1920, he worked as reporter, columnist, drama critic, and writer of feature stories for the New York Evening Telegram. Throughout this period he also acted as press agent for motion pictures such as CLEOPATRA (1917) starring Theda Bara, D. W. Griffith's ORPHANS OF THE STORM (1921), and Cecil B. DeMille's KING OF KINGS (1927). Wotherspoon continued to act as manager and advance man for stage shows through the 1920s, and, in the waning days of vaudeville, managed units of players who would perform in motion picture theaters prior to the showing of the film. The George Wotherspoon papers consist of a scrapbook of clippings and other items, documents such as letters, caricatures, and photographs, and a poster advertising the 1889 production of LITTLE LORD FAUNTLEROY which was an early milestone in George Wotherspoon's career. The bulk of the collection is found in a scrapbook which was apparently begun by Wotherspoon himself in the 1930s and completed by his daughter Elita Wilson in 1990. Wotherspoon wrote a 9-page Chronology for this scrapbook, covering the highlights of his career from 1889 to 1934. The Chronology is followed by dozens of testimonial letters from various employers speaking highly of Wotherspoon and his professional abilities. Also in the scrapbook are clippings of Wotherspoon's play reviews and theater-related feature stories from the New York Evening Journal circa 1900-1902, and the New York Telegram, circa 1917-1918. Also in the scrapbook, tucked within the front cover, are two items: a souvenir ticket made of silver which commemorates the opening night of INFORMATION, PLEASE!, the premiere attraction at the Selwyn Theatre which opened on October 2, 1918, and a booklet entitled LITTLE MESSAGES OF TRUTH AND FICTION by George Wotherspoon, published in 1917 and featuring what the author considered his best advertising lines. Also in the collection are photographs of Maxine Elliott and Mrs. Leslie Carter. less

John Allison was an American singer, composer, lyricist, and collector of folk songs. Folk songs, chiefly lyrics only, including songs for Space way ballads and Katonah; correspondence, radio scripts, clippings, scrapbooks, brochures, and published music with markings by Allison. less

American pianist, teacher, and music critic; grandson of Helen Bernays, member of a family distinguished in several countries. Biographical articles; published writings in periodicals including articles on Schumann, Wagner, and Rubinstein; typescripts of stories, poems, and photoplays; personal papers including passport and will; letters and photographs relating to the Bernays family; letters from Rudolf Eucken; letters from Joseph Sohn to Helen J. Kimball; other correspondence; portraits of Joseph and his father Louis Sohn; and a portrait of Cosima Wagner with a grandchild, signed by Siegfried Wagner. less

Consists of two letters to Jack Winchester, both written in 1899. The first, dated Jan. 12, is a note of general information from Mr. Winchester's friend Violet Fanshawe, who writes from Utica, New York. The second, dated Feb. 2, is from actress Marie Badeau, who writes from Providence, R.I., thanking Mr. Winchester for contacting a journalist named Felton, of the New London [Ct.] Day, on her behalf. Also enclosed is a clipping in which an anonymous critic, presumably Mr. Felton, praises Miss Badeau's performance in a stage farce entitled KIDNEY STEW, which had recently played the New London Academy of Music. less

Henry Hadley was an American composer and conductor, founder of the National Association for American Composers and Conductors. Correspondence, contracts and royalty statements, libretti and programs, clippings (reviews), scrapbooks, financial records (receipts, checks, loan papers), diaries, motion picture films, and photographs relating to Hadley's life and career; musical scores by various composers (chiefly reproductions of manuscripts); and records of the National Association for American Composers and Conductors. less

Soulima Stravinsky is a pianist, teacher, and composer, son of Russian composer Igor Stravinsky. Correspondence and other material relating to Soulima Stravinsky as pianist, lecturer, and teacher; notebooks and other material about Mozart's piano concertos and other course material; clippings and other material about Igor Stravinsky; published scores associated with or inscribed to Igor Stravinsky; Sketchbook by Igor Stravinsky (1917?). Inscriptions are by Georges Auric, Serge Diaghilev, Darius Milhaud, Francis Poulenc, and Serge Prokofiev. Correspondents include Nadia Boulanger, Alexander Tcherepnin, Ernest Ansermet, Nikolai Lopatnikoff, Ruth Slenczynska, Murray Adaskin, Alexander Uninsky, and Malcolm Bilson. Several letters are from Igor Stravinsky, and there is one leaf in Igor Stravinsky's hand concerning Haydn's and Mozart's works among the published scores. The film of a rehearsal with Igor Stravinsky conducting has been separated from the collection and sent to NYPL Rodgers and Hammerstein Archives of Recorded Sound. less

Typescript account of Sarah Darrow Oatley's life, spent mostly in Trumbull County, Ohio, during the latter half of the 19th century, recording her trials and afflictions, family illnesses and deaths. Her family moved to Ohio from Boonville, Oneida County, New York when she was ten years old. Includes related clippings and a photograph of the family home. less

Adam W. Spies (1800-1891), the son of Mary Bergh and John Spies, was a hardware and military goods merchant in New York City. He was employed by the firm of C. & J. D. Wolfe, and was their agent in England in the 1820s. In 1834 he established A. W. Spies & Company, later Spies, Kissam & Company, retiring in 1866. He acquired extensive landholdings in New York City, upstate New York, and numerous other states, including Alabama, Arkansas, Illinois, Indiana, Michigan, New Jersey, and Wisconsin, among others. In 1832 he married Sarah Ann Morrison (d. 1883), daughter of John C. Morrison of Monmouth County, New Jersey. Spies was a founding member of the Association for Improving the Condition of the Poor.The Adam W. Spies real estate and genealogy scrapbook is primarily a record of his real estate transactions, containing numerous manuscript plat maps, many in watercolor with extensive annotations; a few printed maps; listings of properties, taxes and assessments; and legal notes. Holdings in Manhattan and Williamsburg, Brooklyn are especially well documented. Genealogical materials include charts and notes concerning the Spies, Morrison, and Bergh families, and autobiographical accounts, with advice to grandchildren, recalling his career, his service as a volunteer fireman, and life in Manhattan prior to the building of the Erie Canal and Croton Aqueduct. The volume also contains pasted clippings, certificates and receipts, cut silhouettes of Spies, and a few sketches, notably a watercolor street view by Spies of his father’s place of business in Manhattan as depicted in 1808. There are some miscellaneous letters and notes relating to family and real estate matters, some loose, including a genealogical inquiry to his son-in-law John W. Cochrane dated 1907. A few of Spies’s genealogical entries are updated to 1930. The scrapbook has multiple and duplicate paginations, with gaps: Index, p. 1-48, 50-58, [3 p.]; property maps with index, p. 0-100; and additional genealogical and autobiographical material, p. 133-143; 137-138, 139 (2 leaves), 142-155. Text and maps are separately indexed. less

Correspondence (chiefly 1905-1958) including ca. 1000 autograph letters collected by Mr. Abell; mss. of articles and book chapters; concert programs; newspaper and magazine clippings; calling cards; photographs and other pictures including more than 150 portraits of musicians, many of them autographed; and other material. Includes extensive correspondence from Leopold Auer, Max Bruch, Serge Koussevitzky, Isidore Philipp, Xaver Scharwenka; and 6 or more letters each from Fannie Bloomfield-Zeisler, Willy Burmester, Carl Flesch, Ossip Gabrilowitsch, Rudolf Ganz, Etelka Gerster-Gardini, Arthur Hartmann, Hugo Heerman, Ernst Hutcheson, Hugo Kaun, Juan Manén, Robert Schauffler, Arnold T. Schwab, Christian Sinding, Theodore Spiering, Richard Strauss, Amadeo von der Hoya, and Anton Witek. less

The Mildred Wellerson Papers document the early career of the American cellist, who, as a child prodigy, had begun making public appearances by the age of four, and, under the name, Mila Wellerson, continued to perform as a young woman in the United States and Europe. less

Richard Lewine was a musical theater composer, an author of works of scholarship on musical theater and a theater and television producer, working mainly from the 1930s through the 1980s. This collection includes personal files, scores, scripts, production files, programs and oversized items pertaining to Lewine's career, life and films, stage musicals and television programs written or produced by Lewine. less

Eleanor Spencer was an American concert pianist. A student of Theodor Leschetizky, she was most active in Europe and America from 1910 to 1938. She gradually went deaf in her 40s and retrained herself, resuming performances in 1947 after an extended break. The Spencer Papers consist of correspondence, writings, promotional material, clippings, concert programs, music manuscripts, diaries and photos. less

The Helen Hayes papers span the years 1817–1963 and consist of correspondence, the majority from friends and colleagues; speeches and writings, including drafts and handwritten index cards of speeches; clippings from her earliest days in theater and covering her work in film, television, and radio; programs for theatrical productions and awards ceremonies; awards and ephemera including her honorary degrees, appointments to committees, and citations for her charitable work; designs including costume designs for theatrical productions and artwork created by friends and colleagues; photographs, including family photographs, candid shots and professional portraits from childhood, production stills and publicity from theater, film, and radio, and portraits by famous photographers; and scrapbooks, some dedicated to particular theatrical productions and others that cover all aspects of her career and life. less