Found 151 collections related to Sound recordings

Geoffrey C. Shlaes is an American stage director and theater manager who founded the American Directors Institute in 1985. The collection (1983-1992) contains American Directors Institute files, correspondence, and materials relating to Shlaes' other professional endeavors. less

Lilli Vincenz is psychotherapist and gay rights activist. The recordings include an audiotape of a 1973 interview with Vincenz regarding the weekly Gay Women's Open House (GWOH) which she held in her home and VHS copy of two films: footage of the second to last Reminder Day Picket in front of Independence Hall in Philadelphia, July 4, 1968 (7 minutes) followed by footage of the first Christopher Street Liberation Day Parade in New York City, June 28, 1970 (11.5 minutes) less

The Paul Robeson Award is presented annually by Actors' Equity Association to honor an individual for both artistic achievement and exemplary humanitarian service. The collection consists of recordings of the award presentation ceremonies, from 1978 to 1996. Recipients include: Sam Jaffe (1978) ; Harry Belafonte (1979) ; Alice Childress (1980) ; Studs Terkel (1981) ; Ed Asner (1982) ; John Henry Faulk (1983) ; Lena Horne (1984) ; Arthur Mitchell (1985) ; Vinie Burrows (1986) ; Joseph Papp (1987) ; Jacques D'Amboise (1988) ; Bill Ross & Dr. Margaret Burroughs (1989) ; Maya Angelou (1990) ; Gordon Parks (1991) ; The 20th Anniversary ceremony (held in 1991) ; Gil Noble (1995) ; George C. Wolfe (1996). Speakers at these ceremonies include Theodore Bikel, Ellen Burstyn, Barbara Colton, Colleen Dewhurst, Carl Harms, Nancy Marchand, Frederick O'Neal, Susan Robeson, Tom McDermott, and Stuart Hutchinson, among many others. less

The collection consists of noncommercial recordings primarily of opera performances from 1936 to 1981 by major American and European houses, collected and in many cases recorded by Richard McGuinn. Opera houses represented include the Bayreuth Festival, Covent Garden, La Scala, Lyric Opera of Chicago, Metropolitan Opera, Salzburg Festival, San Francisco Opera, and the Vienna State Opera. The recordings were privately made in-house or from radio broadcasts. less

The collection consists of noncommercial recordings of radio broadcasts of primarily classical music. The largest portion of the collection consists of broadcast of The New York Philharmonic, with selected concerts from 1952-1963. Conductors of the New York Philharmonic concerts on these recordings include Franco Autori, Leonard Bernstein, Guido Cantelli, Dmitri Mitropoulos, Paul Paray, George Szell, and Bruno Walter. Guest soloists include Claudio Arrau, Robert Casadesus, Van Cliburn, Clifford Curzon, Rudolf Firkušný, Zino Francescatti, Jascha Heifetz, Myra Hess, Byron Janis, Martha Lipton, Artur Rubinstein, Irmgard Seefried, Rudolf Serkin, and Richard Tucker. less

Morty Manford (1950-1992) was an activist and key strategist in the early days of the gay rights movement, a Legal Aid lawyer, and an Assistant Attorney General of New York State. While an undergraduate at Columbia University in 1971, he founded Gay People at Columbia, one of the first gay campus groups in the country. Subsequently, he began writing about the goals of the gay movement, speaking on college campuses and at gay clubs, and organizing protest demonstrations, parades, and rallies in support of gay rights legislation in New York City and throughout the United States. Among the many gay rights organizations he co-founded were the Gay Activists Alliance, which strove to bring gays together as a political force, the National Coalition of Gay Activists, which publicized and coordinated rallies and demonstrations on a national scale, and the clandestine Study Group, a New York-based think-tank which worked with the gay infrastructure in the state and local political establishments to influence political and public opinion and promote the state-wide activities of the gay rights movement. The papers of Morty Manford span the years 1962 to 1986 and chiefly document his activities as a leading activist and ideologist of the gay and lesbian rights movement. The collection consists of correspondence with other gay activists, gay organizations, and politicians; name and subject files; writings by Manford and others on gay and other subjects; photographs, sound recordings, artifacts, and personal papers. less

The Aaron Diamond Foundation was a philanthropic foundation in New York City established by Mr. and Mrs. Aaron Diamond for the purpose of serving the public interest. From 1986 until its termination in 1996 the Foundation awarded financial grants to a broad range of charitable and non-profit organizations in various fields including education, bio-medical research, public health, social welfare, human rights, and the performing arts. Most of the grantee organizations were located in New York City. The bulk of the collection consists of grant files arranged alphabetically by year which record the awarding and administration of financial grants to charitable and non-profit organizations in the fields of medical research, education and culture mainly in New York City who appealed to the Foundation for funds for general support or for special projects and programs. The files include correspondence of the executive director with grantee organizations; copies of proposals and other documents including annual reports, auditors' reports, newsletters and miscellaneous printed matter submitted by grantees in support of their requests for funds; and documents relating to the administration of the grants including grant agreement letters, interim and final reports, internal memoranda, grant data worksheets, and other records. Included also are minutes of the Foundation's board of directors; and miscellaneous records including a chronological file of grant agreement letters sent; and a file of correspondence of the executive director acknowledging and rejecting requests for financial aid. less

Playwright and lyricist. Contains radio broadcast recordings, studio acetates, and performance recordings collected by Paskman of his works. Included are transcription recordings of the radio program Paramount movie parade (1933-1934); two recordings of live performances of Robert Stolz' Two hearts in 3/4 time, for which Paskman wrote the lyrics; and a live recording of the premiere performance of Halloween, a musical work with narration by Paskman. Also included is an interview with Paskman conducted by Albert Brush under the auspices of the Beverly Hills Public Library, which was broadcast over radio station KPMC (Beverly Hills, CA), December 4, 1940. less

Clark Mell Eichelberger (1896-1980) was a lecturer on national and international affairs with the Radcliffe Chautauqua System from 1922 to 1928. He was appointed director of the mid-West office of the League of Nations Association in 1928 and became director of the national organization in 1934. The name of the organization was changed to the American Association of the United Nations (A.A.U.N.) in 1945 and Eichelberger continued to serve as executive director until 1964. When the A.A.U.N. was merged with the United States Committee for the United Nations to form a new organization called the United Nations Association of the U.S.A., Eichelberger served as vice-president of the organization until 1968. He became increasingly involved with the Commission to Study the Organization of Peace which he helped to found in 1939 and became director (1939-1964), chairman (1964-1968) and executive director (1968-1974) of the Commission. He was associated with or helped to establish several other U.S. and international peace and world government organizations. Eichelberger also served as consultant to the League of Nations Secretariat, the U.S. delegation to the San Francisco Conference in 1945, and was a member of the committee which created the first draft of the charter of the United Nations. He authored several books on the United Nations. Collection consists of personal papers of Clark M. Eichelberger and records of organizations of which he was an official. Personal papers contain his writings, research notes, sound recordings of his radio broadcasts about the United Nations, oral history interviews, and personal miscellany including papers relative to his career as lecturer with the Radcliffe Chautauqua System. Bulk of the organizational records consists of records, 1920-1944, of the League of Nations Association; records, 1942-1965, of its successor, American Association for the United Nations; and records, 1939-1981, of the Commission to Study the Organization of Peace. There are also records of the American Union for Concerted Peace Efforts, Americans United for World Organization, Citizens for Victory, Committee to Defend America by Aiding the Allies, and Free World Association. Organizational records include correspondence of the executive directors and other officials, minutes, press releases, photographs, periodicals, phonotapes, moving-picture films, clippings, printed ephemera, and other records. less

These noncommercial spoken word and music recordings concerning Scandinavia were collected under the auspices of the American-Scandinavian Foundation. Most of the spoken word recordings consist of panel discussions in English hosted by William Kennedy and Vernon Brooks. Topics of these programs include Swedish film, Danish ballet, and a discussion of the music of Harald Sæverud. Additional spoken word recordings include an interview with Anaïs Nin. less

These recordings, collected by Harrison W. Davis, offer a representative selection of addresses made by Franklin Delano Roosevelt during his presidency. The bulk of the collection consists of sixteen of the thirty-one "Fireside Chats" (four recordings are incomplete), and ten State of the Union addresses, dating from 1936 to 1945 (the address of January 6, 1945 is incomplete). In addition, the collection contains addresses to Congress delivered on May 16, 1940, on December 8, 1941, and on March 1, 1945, as well as speeches made at the 1940 and 1944 Democratic National Conventions. less

William Hodson (1891-1943) was a social welfare administrator in Minnesota and New York City. In Minnesota he was instrumental in establishing the laws that became Minnesota's children's code. He moved to New York City in 1922 and joined the Russell Sage Foundation, first as director of its Division of Child Welfare, then as director of its Dept. of Social Legislation. He was the executive director of the Welfare Council of New York City from 1924 to 1934 and was Commissioner of Welfare from 1934 to 1943. Hodson was also active in professional organizations, serving as president of the American Association of Social Workers and of the American Public Welfare Association. Collection consists of correspondence, addresses, articles, sound recordings, and other papers relating to Hodson's professional activities in the fields of social work, child welfare and social legislation. Materials document Hodson's work in Minneapolis and in New York City, including his work as Commissioner of Public Welfare in New York City during the administration of Fiorello H. La Guardia. Sound recordings include speeches by and interviews with Hodson about various social welfare issues. less

Shirley Carter Burden (1908-1989), a descendant of Cornelius Vanderbilt, was a prominent American photographer, best known for his pictorial essays exploring aspects of Catholic culture, racial intolerance, and architectural heritage. Burden promoted the appreciation of photography through service on the boards and advisory committees of several museums, including the Museum of Modern Art, and was a long-time supporter and chairman of the board of Aperture. Colleagues and friends included, among others, Edward Steichen, Dorothea Lange, Ansel Adams, Minor White, and Thomas Merton. The collection reflects Shirley Carter Burden's post-World War II career as a commercial architectural photographer and fine art photographer, particularly his publications and exhibitions. Correspondence, negative indexes, reviews, contracts, gift lists, proof copies and reference materials document the publication of Behold thy Mother, The Chairs, God Is My Life, I Wonder Why, Presence and The Vanderbilts in My Life, and projects concerning Ellis Island. Exhibitions of Burden's work and other projects are documented in correspondence, royalty and shipping receipts, exhibition floor plans, publicity material, invitations to openings, reviews, and a guest book. The collection also contains miscellaneous correspondence; business records; records of his private collection; and subject files on other photographers, particularly Dorothea Lange and Ansel Adams. Also present is a phonograph recording of Burden's 1965 interview on "Open End" about Behold thy Mother. Some of Burden's photographs are scattered throughout the collection. less

Ruth Rubin was a folkorist and a noted performer of Yiddish folksong. Her performances in New York included recitals at Carnegie Hall and at Town Hall. She was born in Montreal in 1906. These noncommercial recordings were collected by Ruth Rubin and consist primarily of field recordings of Yiddish folksong and folklore that she made in New York City and Montreal. She classifies this material into children's songs, drinking songs, folklore, love songs, poverty songs, and other categories. The collection also contains many folksong performances by Rubin herself, radio programs featuring Yiddish folksong, as well as several of her lectures and interviews. less

The collection consists of noncommercial recordings of various Bergen Festival music performances from 1955 to 1966. These orchestral, choral, and chamber music concerts primarily feature Norwegian composers and performers. Edvard Grieg's music is predominant in chamber music programming. Other composers most frequently represented in the collection include Eyvind Alnæs, Sverre Bergh, Edvard Fliflet Bræin, Klauss Egge, Eivind Groven, Edvard Hagerup Bull, Pauline Hall, Johan Halvorsen, Ludvig Irgens Jensen, Sverre Jordan, Arne Nordheim, Knut Nystedt, Sparre Olsen, Harald Sæverud, Christian Sinding, Øistein Sommerfeldt, Johan Severin Svendsen, Geirr Tveitt, and Fartein Valen. less

Collection consists of materials relating to Frank's biographies (both published and unpublished). Papers include correspondence, typescripts, galley proofs, drafts, notes, source materials, and phonodiscs and tapes of interviews. Also, press clippings concerning subjects of the biographies; unpublished biography of John Barrymore by Diana Barrymore and Frank Singere; diary, 1951-1952, kept by Robert Wilcox; and screenplays of Frank's biography of Diana Barrymore. less

These tapes constitute a large portion of the noncommercial recordings collected by Flagstad of her own performances and interviews. Recordings originating from Norway include Flagstad's farewell concert of December 12, 1953, and fourteen tapes recorded privately at the Norwegian Broadcast Service in 1954 and 1958 featuring songs by Norwegian composers. less

Leonardo Shapiro (1946-1997) was a theater director, writer, production designer, and founder of the Shaliko Company, an experimental theater group based in New York City. The Leonardo Shapiro papers date from 1959 to 1996 and document Shapiro's work as a student at New York University (1966-1969); as the creator of the Appleseed Circus, a guerilla theater group (1969-1971); as artistic director of the Shaliko Company (1972-1992); as director of the Trinity College/La MaMa Performing Arts Program (1986-1992); and as an independent director and writer. The collection contains scripts, production notes, programs, fliers, posters, clippings and articles, photographs, correspondence, financial and administrative records, and video and sound recordings. less

Anna Balos was a dramatic soprano, who performed throughout Europe and in the United States. Balos was born in Poland in 1910, and immigrated to the U.S. with her family at the age of ten. The family lived for a short time in New York, but then moved to Denver, where Balos cultivated an early love for the piano and singing. Her talent earned her a scholarship to attend the Institute of Musical Art, later known as the Juilliard School. Balos' first major role was that of Aida on Feb. 18, 1939 at the Hippodrome Theatre, NYC. After World War II, she went to Italy, and became understudy to Kirsten Flagstad at La Scala. It was there that she had her debut as Kundry in Wagner's Parsifal on Mar. 26, 1948. She lived and sang in Italy and Germany until 1957, when she was forced to return to the United States because of an eye injury. Back in New York, she maintained a schedule of recitals and concerts, with reviewed concerts given at Town Hall on Apr. 6, 1962, and at Judson Hall on Nov. 23, 1962. Ms. Balos continued to sing and give voice and piano lessons until her death on Apr. 15, 2001. The collection consists of private recordings featuring Anna Balos, operatic soprano, and includes 5 tapes of opera excerpts from Don Carlos, Elektra, Die Gotterdammerung and Tristan und Isolde, performed in Halle and Oldenburg, Germany in 1955. The bulk of the collection includes other private recordings of Balos in rehearsal, recital, concert, and operatic performance. less

Collection consists of recorded interviews, conducted by Brooke Hayward prior to the publication of her memoir titled Haywire in 1977. Interviewees generally speak about their memories of the Hayward family including Hayward's father Leland, and her mother Margaret Sullavan. Personalities interviewed include Truman Capote, Beverly Wood, Henry, Jane, and Peter Fonda, Jimmy Stewart, Slim Hawks, and Willie Wyler, among others (see individual catalog records for complete list). less

Collection consists primarily of recordings of concerts featuring many of Berl's works, including one held October 13, 1990 at the 92nd Street Y in New York City. Performers include Berl herself (including one recording of her at the age of 16), as well as pianists Peter Serkin, Emanuel Ax, and Andre-Michel Schub; the clarinetist Richard Stoltzman; and the cellist Matt Haimovitz, among others. less

Collection consists of non-commercial sound recordings separated from the Joe Reisman collection of scores (located in the NYPL Music Division). Recordings include demo tapes compiled by Reisman, orchestral session tapes (primarily of Reisman's arrangements for Reader's Digest Music), recordings of Reisman's music for television shows including 'The Cop and the Kid' and the unproduced show 'The Aeromeds', and other recordings possibly submitted to Reisman for his review. less

The audio portion of the collection consists of recordings related to the career of Ping Chong, and his company, originally the Fiji Company, but re-named Ping Chong and Company. Items are mostly sound elements or effects, including many production, pre-production, or working recordings for works created, produced and/or directed by Ping Chong, as well as a few recordings of actual performances, rehearsals, or interviews. Some of the audio is from collaborations with other artists including Meredith Monk and Muna Tseng, among others. Work titles represented in the collection include: After Sorrow, AM/AM: the articulated man, Angels of Swedenborg, Anna into nightlight, Astonishment and the twins, Brightness, Chinoiserie, Deshima, Elephant memories, Fear and loathing in Gotham, Humboldt's current, I will not be sad in this world, Kind ness, Maraya: acts of nature in geological time, Nosferatu: a symphony of darkness, Nuit Blanche, OBON: tales of rain and moonlight, Pojagi, A Race, Rainer and the knife, Slut for art, Snow, and Undesirable elements, among others. less

Consists of taped interviews, conducted by Gerald Berkowitz, for his book 'New Broadways: theatre across America: approaching a new millennium.' Interviewees include Andre Bishop, Gigi Bolt, Gregory Boyd, Bill Bushnell, Ben Cameron, Alexander H. Cohen, Robert Falls, Michael Feingold, Bernard Gersten, Jon Jory, Woody King, Eric Krebs, Theodore Mann, Ruth Mayleas, Julia Miles, Gregory Mosher, Laura Pels, Lloyd Richards, David Richtenthal, Tim Sanford, Suzanne Sato, Ben Sprecher, Scott Steele, Howard Stein, John Sullivan, and George C. White. Discussions center around Off-Broadway and regional theater. Theaters such as the Alley Theatre, Goodman Theatre, Lincoln Center Theater, O'Neill Center, Circle Repertory Theatre, Circle in the Square, Actors Theatre of Louisville, Los Angeles Actors Theatre and Playwrights Horizons are discussed. less

These music and spoken word recordings were collected under the auspices of the Society for Asian Music, and the contents of the recordings primarily concern Asian music, in both specific and general contexts. The Society was also the sponsor of many of the music recitals and lectures within the collection. less

Foster Parmelee was a New York City businessman and adult educator. He was a charter member of the United World Federalists, secretary in the Campaign for World Government, and participated in many conventions of the world government movement. Collection consists of correspondence, notes, poster, sound recording, printed matter, and other papers reflecting Parmelee's involvement in the world government movement. Correspondence, ca. 1954-1972, concerns meetings, conventions and activities of the various organizations he supported. Printed matter includes circulars, reports, memoranda, newsletters, bulletins, pamphlets, and reprints. less

Gilbert W. Chapman was a business executive in New York City who served as Director of Lincoln Center for the Performing Arts and as Chairman of the Board of Trustees of The New York Public Library. The collection consists of noncommercial sound recordings including performances by Jascha Heifetz and Larry Adler of popular chamber music; a performance of Aaron Avshalomoff's Symphony no. 2 by the Cincinnati Symphony Orchestra conducted by Thor Johnson; a speech by Mrs. Gilbert Chapman broadcast in 1943 promoting the American Women's Voluntary Services; and radio and television interviews with Gilbert W. Chapman and dancer Alexandra Danilova. The interviews with Chapman were recorded from 1956 to 1962 and concern literacy and education in the United States. Notable television and radio programs represented in the collection include the Tex and Jinx television program; a Monitor radio program; and a Lee Graham television interview. Also included is the opening address (given by Mr. Chapman) of the New York Public Library 50th anniversary convocation, and a radio program featuring a story about the WNYC book festival. less

James Barton was a character actor and veteran of burlesque and Broadway. Collection includes sound recordings of many radio and television programs that Barton performed in, as well as private recordings of interviews, songs, and theatrical performances. less

Lanny Ross was a composer and singer of popular songs, known in particular for his performances on radio. He was born in Seattle, Washington, on Jan. 19, 1906. His career on radio began in 1928 and continued for more than thirty years. Collection consists of non-commercial recordings collected by Ross of his song performances on radio programs, and includes performances of songs that he composed. The most prominently represented programs in the collection are the Camel Caravan; (Franco-American presents) the Lanny Ross Show; and Lucky Strike Presents: Your Hit Parade. less