Found 29 collections related to American literature -- 20th century

Tom Wolfe is an American author and journalist known for such works as The Electric Kool-Aid Acid Test, The Right Stuff, and The Bonfire of the Vanities. He is a pioneer of the New Journalism and has been an outspoken advocate for the revival of social realism in American fiction. The Tom Wolfe papers, dated 1930 to 2016, comprehensively document Wolfe's career, providing insight into his writing process and the development of his signature style; the professional relationships he maintained with editors, writers, and cultural critics; his social life in New York City; and readers' responses to his published work. The collection includes draft manuscripts, outlines, research files, correspondence, lectures, photographs, and drawings. less

Collection consists of correspondence and author files of the Macmillan Company. General correspondence, 1892-1914, contains letters from authors, publishers, booksellers, paper manufacturers, literary agents, as well as internal correspondence from editors, agents, field representatives, and academic book reviewers. Much of the correspondence deals with the publication of scholarly works and textbooks in the sciences, social sciences, humanities, and religion. Foreign correspondence, 1898-1914, includes letters to and from publishers and literary agents, mostly in Great Britain. Correspondence with Macmillan & Co. in London, 1891-1915, concerns publishing plans, negotiations for British and American editions of various works, copyright matters, etc. George Platt Brett, Sr.'s letterbooks consist of his outgoing letters from 1889 to 1907. Other letterbooks are of Kate Stephens, Children's Dept., 1898-1900, and the Subscription Dept., 1901-1902. Author files, 1894-1960, contain personal and business correspondence of Macmillan's major authors, their literary agents, legal counsel, and families with the Bretts and Macmillan editors. In addition to letters, the files often include memoranda, contracts, typescripts, press releases and publicity materials, legal records, press clippings, or photographs. The most extensive files in this series concern the publication of works such as Gone With the Wind, Forever Amber and the Cyclopedia of American Agriculture. less

The publishing company Farrar, Straus & Giroux, Inc. was founded in 1945 as Farrar, Straus & Company by John Farrar and Roger W. Straus, Jr. After numerous changes in management and corresponding changes in name, the company became known as Farrar, Straus & Giroux, Inc. (FSG) in 1964 when Robert Giroux became editor-in-chief. The company firmly established itself as a quality publisher in the 1960s and 1970s. FSG remained staunchly independent of conglomerate publishing for many years. Even after selling controlling interest to the German publisher Verlagsgruppe Georg von Holtzbrinck in 1994, FSG maintained much of the freedom of an independent publishing house. less

Martin B. Duberman, b.1930, is a historian and playwright who taught history in universities for over fifty years. He is the author of the play In White America, biographies of Charles Francis Adams, James Russell Lowell, Paul Robeson, and Lincoln Kirstein; histories of Black Mountain College and the Stonewall Rebellion; as well as numerous other books, plays, essays, and reviews. The collection contains personal and professional correspondence (1930s-2006) documenting Duberman's academic career and theatrical activities; organizational files from REDRESS, the Gay Academic Union, the National Gay Task Force, and the Center for Lesbian and Gay Studies (CLAGS); syllabi and lecture notes for courses taught at Yale, Princeton, and Lehman College; manuscripts, typescripts and published copies of his books, plays, and essays, as well as press clippings and personal, family and theatrical memorabilia, sound recordings of interviews, personal and family photographs, and films. less

Carl Van Vechten (1880-1964) was a writer, promoter of African-American artists during the Harlem Renaissance, patron of the arts, and photographer. After he graduated from the University of Chicago in 1930, he entered upon a career as a reporter for newspapers that included The American in Chicago and within a few years The New York Times. At the latter he served as an overseas correspondent in Paris and subsequently as an assistant to the music critic Richard Aldrich in New York City. Van Vechten moved to New York City in 1906 with his first wife Anna Elizabeth Snyder, a teacher. After his divorce in 1912, Van Vechten met and married the stage actress Fania Marinoff. Marinoff made her stage debut at the age of eight in a stock company, and eventually developed a successful stage career. Van Vechten's novels include The Blind-Bow Boy, Interpreters and Interpretations, Nigger Heaven, Peter Whiffle, Tiger By the Tail, and The Tattooed Countess. Van Vechten promoted the careers of many authors' works by writing introductions to their monographs. In his second successful career as a photographer, he had the opportunity to photograph, and to have himself photographed, with many literary figures, stage and screen stars and others. Papers reflect Van Vechten's social life and professional career as a writer, photographer and patron of the arts; they also document Van Vechten's literary and artistic circle of friends and colleagues. An avid collector, Van Vechten retained the letters of prominent individuals who corresponded with him including Ralph Barton, James Branch Cabell, Arthur Davidson Ficke, F. Scott Fitzgerald, Donald Gallup, Langston Hughes, Edward Jablonski, Klaus Jonas, James Weldon Johnson, Mabel Dodge Luhan, Bruce Kellner, Saul Mauriber, H. L. Mencken, Georgia O'Keeffe, Alfred Stieglitz, Florine Stettheimer, and Henrietta Stettheimer. Papers are also rich in Van Vechten's photographs of prominent individuals, and in 19th century photographs of his family in Iowa. Multiple editions of Van Vechten's monographs and the monographs of others add to the diversity of the papers. Many of the monographs have been autographed by the author. less