Found 3 collections related to Bori, Lucrezia, 1887-1960

Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued performing as a concert singer after her retirement from the operatic stage. Sembrich also became an instructor of singing at the Curtis Institute of Music and the Juilliard School of Music, becoming mentor to many pupils who later became famous in their own right. The correspondence, papers, posters, and programs in this collection represent the career and activities of Marcella Sembrich and her family from 1851 to 1988. The collection consists of an extensive amount of correspondence with the leading musical figures of the day; posters, concert advertisements and programs from Sembrich (and other) performances throughout her career; and memorabilia including an autograph album with signatures and drawings of famous musicians and others. Series IX "Photographs" also includes some 15-20 original graphic art works among its 2284 items. Subjects include Sembrich, places she lived, places she performed, and people with whom she performed. The sheet music and musical scores (Series X) are currently being processed. less

The Metropolitan Opera has been one of the world’s premiere opera companies for well over a century. Its series of live Saturday matinee radio broadcasts began in 1931, featuring host Milton Cross. The Metropolitan Opera radio scripts date from 1933 to 1974, and hold Milton Cross's writings and correspondence in addition to scripts. less

The Toscanini Legacy collection of sound recordings forms a part of the Toscanini Legacy housed at The New York Public Library. The recordings collection consists of acetate discs, shellac discs, vinyl discs, reel tapes, Selenophone recordings, kinescope films, and metal parts for 78 rpm recordings. It includes a set of 1926 La Scala rehearsals for concerts on October 7-9, 1926, then skips to the 1939/40 season, beginning with the rehearsals on April 10-12, 1940. The collection contains comprehensive holdings of rehearsals from the 1946/47 season to the 1953/54 season, as well as performance recordings from the 1932/33 season through the 1953/54 season, and recording sessions from 1920 to 1954. less