Found 5 collections related to Clippings

George Samuel Schuyler (1895-1977) was an African-American journalist and author. Josephine Cogdell Schuyler (ca. 1900-1969), the daughter of a wealthy white Texas family, was an artist and writer who managed Philippa Schuyler's musical career. Philippa Duke Schuyler (1931-1967) was a child musical prodigy, concert pianist, composer and journalist. The collection documents the lives of musician and journalist Philippa Schuyler, her father, journalist and writer George Schuyler, and mother Josephine Schuyler, who managed Philippa's musical career, from the 1930s to the late 1960s. The collection consists of studio and candid portraits of the Schuylers; Josephine's family, the Cogdells; friends, colleagues and acquaintances; celebrities; political officials; and military personnel. Also included are views of concerts; radio broadcasts; social events and gatherings; street scenes; foreign travel; and family pets. Depictions of George Schuyler's family are very limited, and there are no depictions of his early life. Some of the images were used in the book "Composition in Black and White: the Life of Philippa Schuyler" by Kathryn Talalay, published in 1995. less

Ken Auletta (b. 1942) is a journalist and author known for his coverage of political, governmental and economic matters, often focused on New York; since the early 1990s he has written mainly about the media and communications industries. The Ken Auletta papers contain correspondence, typescripts, galleys, research materials, sound recordings and a video recording representing his writings, including feature articles for The New Yorker, his Daily News column, and several books. Correspondence (1975-1993) contains letters from prominent figures in politics, business and the media reacting to Auletta's work. Writings are documented by typescripts and galleys with revisions by Auletta and/or Jacob Epstein, his editor at Random House, and research materials, including interview transcripts and subject files containing clippings, press releases and some correspondence. Also present are notebooks (1983-1993) used for his Daily News column and other work; sound recordings (mainly interviews and speeches recorded as research material for his books and articles); and a video (1995) recording an event at which Auletta was the speaker. less

The collection heading provides a starting date of 1953, which represents the earliest document located in the archive. The collection documents Friedman's later plays, novels, short stories and is particularly strong in his later works of non-fiction, including many articles and essays. The varied genres of Friedman's writing are represented in the archive as well as incoming and outgoing correspondence, interviews, teaching materials, contracts, permissions, royalty statements, photographs, printed material and some multi-media. less

Marian Winters (1920-1978) was born Marian Weinstein on April 20th in New York City. She began acting as early as 1936 in a Carnegie Hall production of Motherly Love, and debuted on Broadway as an understudy for Frances Dee in Blithe Spirit (1945). Around this time she married Jerome H. "Jay" Smolin, an executive at NBC, to whom she remained married until her death. In 1952, Winters won a Tony award for her performance as Natalia Landauer in I Am A Camera, and her acting career continued on the stage and screen through the 1970s. She also wrote and published her own plays. Of particular note are A is for All (1968) and All is Bright (optioned 1968, performed 1970). In 1967, Winters won an Emmy for her television adaptation of Animal Keepers, one of the three one-act plays comprising A is for All. In 1976, she was meant to play Mama Kolowitz in So Long, 174th St., but her part was cut before the musical opened. Between 1977 and 1978 she collaborated with Albert Hague on the new musical A New World, which received a partially staged reading in May of 1977, but the partnership fell through in 1978 when Hague and Winters failed to reach mutually acceptable terms of collaboration. Her last role was Helga ten Dorp in Ira Levin’s 1978 production of Deathtrap. She died of cancer in New York City on November 3rd, 1978. The materials in this collection focus on Winters' stage career, to the exclusion of her roles in television. There is a special emphasis on the productions Winters created herself, the bulk of material supporting those plays she wrote or performed in. These include scripts in multiple drafts (some annotated, some used in performance) clippings, promotional material, programs, recordings, sheet music, books (some annotated), photographs, contracts, and correspondence. The collection also includes a number of portraits, three recordings of unknown contents, and seven large scrapbooks containing a variety of materials that trace the steps in Winters' theatrical career. The collection also contains some materials relevant to Winters' non-theatrical life, most notably a series on the creation of the book Catwise. less