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Jadin Wong (1913- ), Chinese-American performer who grew up in Califoria, began her career as a dancer, later becoming an actress, stand-up comic, and talent manager specializing in Asian artists. Born in Stockton, Calif., Jadin (sometimes spelled "Jadine") Wong got her start as a professional dancer with the San Francisco Opera Ballet. She gained greater renown as a performer at the Forbidden City nightclub in San Francisco, which lead to small film roles in the Charlie Chan and Mr. Moto series, musicals such as IRENE, and to the cover of Life magazine in 1940. During the war years, Jadin Wong entertained U.S. military personnel around the world. During the 1950s, she was cast in several Broadway shows, including THE KING I, THE WORLD OF SUSIE WONG, and FLOWER DRUM SONG. As the popularity of musicals waned, she became a stand-up comedian in the '60s, perhaps the first Asian woman to enter the field. In 1976, Ms. Wong opened a studio in New York and became a manager for Asian performers and models. The Jadin Wong ephemera spans approximately 1930-1996, and consists of clippings, photographs, programs, advertising materials, reviews, correspondence, etc. Seven folders consist of clippings and photocopies of clippings from articles about the career of Jadin Wong, including the Life magazine cover story of December 1940 devoted to the Forbidden City, San Francisco nightclub where Asian performers entertained a mostly white clientele. There is also material devoted to FORBIDDEN CITY, U.S.A., a 1989 documentary film devoted to the nightclub and its performers in which Jadin Wong appeared. less

The Carole Y. Johnson Aboriginal Dance portfolios hold documents relating to her work as an activist, art director, choreographer and dancer. Johnson, of African-American descent, developed Aboriginal Islanders dance programs through the Black Theatre Arts and Cultural Centre, Aboriginal modern dance workshop, the Aboriginal Arts Board, the the National Aboriginal Islander Skills Development Association Dance College (NAISDA), and the Aboriginal Islander Dance Theatre (AIDT). The collection contains annual reports, articles, brochures, correspondence, dance reviews, memorandums, and posters. less

Bernard Simon was a theatrical press representative and provider of theatrical management services. The Bernard Simon papers, dating from 1964 to 1974, document Simon's promotional and/or management work on behalf of 29 touring or original Broadway and Off-Broadway productions. less