Found 4 collections related to American Society of Composers, Authors and Publishers

The Otto Harbach Papers include correspondence, business papers, scripts, scores, lyrics, personal papers, photographs, and printed matter documenting his personal life and career, and also a particular period in the American musical theater, from ca. 1908-1938, when Harbach created most of his works. Correspondence is mainly between Harbach and his family in Salt Lake City, and later with his son William. Family members include his brothers, Arthur, James, Julius, and William Hauerbach, and his sister and brother-in-law, Sadie and Avern Poulton. Included in the small amount of correspondence from friends and colleagues are several interesting letters from Arthur Hammerstein, Oscar Hammerstein, Jerome Kern, and Carl Sandburg. The collection is particularly strong in covering the business aspects of Harbach's work, documented with contracts, copyright, and royalty information. Scripts form the largest series and include copies of most of Harbach's works. The scores are mostly for HAYFOOT-STRAWFOOT (music by Jerome Kern) and COUNTER MELODY (music by Peter De Rose) and are notable for the holographs that make up part of the scores for HAYFOOT-STRAWFOOT. There is also a good collection of photographs, including family, colleagues, ASCAP events, friends, and a selection of production photos. Personal papers include genealogical information, writings other than scripts, ephemera and a long oral history interview conducted by William Harbach shortly before his father's death. less

E.Y. "Yip" Harburg, Academy Award winning lyricist created the lyrics for the Academy Award winning film The Wizard of Oz, as well as the Broadway shows Finian's Rainbow, Bloomer Girl, and Flahooley . Among his principal collaborators were Harold Arlen, Vernon Duke, Burton Lane, Arthur Schwartz and Jerome Kern. He died in Los Angeles in 1981. The collection is primarily business papers, scripts, research notes, notes for lyrics and production ideas from 1929 to 1981. Papers deal mainly with the professional life of Harburg. His political ideology and opinions can be seen in his lyrics, research notes and clippings files. Though there is little mention of his being blacklisted in 1945, his attitudes on government and politics indicates how he may have fallen victim to the McCarthyites and the House Un-American Activities Committee. less

The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization files, clippings, memorabilia, and scrapbooks. Lucille Lortel's life spanned the twentieth century, so in addition to providing details of her family and personal life her papers encompass many aspects of the theatrical history of her era. Lortel is credited with fostering the Off-Broadway movement and providing a forum for avant-garde and experimental work at her Theatre de Lys. Lortel's productions at the White Barn and the ANTA Matinee Series at the Theatre de Lys brought works by Jean Genet, Sean O'Casey, Athol Fugard, and others to a wider audience. Many of these productions are represented in the collection by correspondence, programs, photographs and clippings. Over the years Lortel also worked closely with several non-profit theaters as a donor and mentor. Her affiliations with Circle in the Square, Circle Repertory Company, Goodspeed Opera House, Yale Repertory Theatre, and other companies are documented in the organization files. less

This collection of personal papers, correspondence, production files, radio scripts, autobiographical writings, interviews, speeches, articles, songs, clippings, photographs and visual materials provides a wealth of documentation on the personal and professional life of Pulitzer prize-winning playwright, lyricist, director, screenwriter, comedian and play doctor, Abe Burrows. less